The Wyoming Arts Council envisions a Wyoming where the arts are a driving force in the social, economic, educational, and everyday life of its citizens. Through grants, partnerships, programs and unique opportunities, the Wyoming Arts Council provides funding and support statewide for projects big and small. The WAC plays an important role in the economic and social development of every community by investing in the arts. It awards almost 150 grants and fellowships each year, funding programs and projects from every county, thereby serving more than a million participants throughout the state.

The Wyoming Arts Council’s Folk & Traditional Arts Program identifies, documents, supports, and celebrates the cultural traditions that shape the state’s diverse communities. These art forms are expressions of shared identity—passed down through families, neighborhoods, faiths, tribes, occupations, and social groups. Rooted in community experience, these arts preserve heritage, tell stories, and evolve to meet the needs of today’s practitioners. Whether it’s saddlemaking, beadwork, powwow dancing, quilting, or hoop dancing, Wyoming’s traditional arts represent a vital and living history. Through grants, partnerships, and public programming, the Arts Council ensures these traditions continue to thrive across generations.

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The Decorative Arts Trust, a 501(c)(3) nonprofit organization that was founded in 1977, promotes awareness, encourages appreciation, and champions the study of the decorative arts and material culture through educational programs, communications, and grantmaking.

For the United States Semiquincentennial, the Decorative Arts Trust (the Trust) created Collecting250.org, an interactive online resource that celebrates the importance of objects in narrating the history and evolution of the United States and the communities contained within. Museums and historical societies submitted images and information about objects in their collections that tell powerful stories about national, state, or local identity.

Collecting250 showcases 250 objects from over 140 institutions, and all 50 states and the District of Columbia are represented. The ability to search for entries based on location, category, and keyword provides the chance to make exciting and enlightening discoveries in unexpected places. Collecting250 is a free and accessible resource.

As a grantmaker, the Trust has awarded funding to a variety of Semiquincentennial projects. Some examples are Concord Museum’s Whose Revolution exhibition and the Philadelphia Museum of Art’s publication, Art, Industry, and Reform in Philadelphia, 1876–1926, which accompanies the spring 2026 exhibition of the same name. Semiquincentennial themes will be explored during the Trust’s 2026 programs in New York, Boston, Scotland, and Virginia.

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The Sonoran Glass School is a public-access educational center for glass art. Our mission is to actively engage established and emerging artists of all ages and abilities in the glass arts and to teach a full range of glass-working techniques.

Our facility offers four studios for the many types of glass-working including kiln forming, glass blowing, torch working, and coldworking.

We strive to share our passion and knowledge for the glass arts with the public through educational classes, experiences, seminars, and community events.

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The Craft Emergency Relief Fund (CERF+) Founded in 1985 by craft artists for craft artists, CERF+ advocates for the well-being and thrive-ability of craft artists and the craft field by supporting the craft community across the U.S. and its territories through disaster relief, preparedness grants, resources, and education. Guided by principles of objectivity, equity, generosity, inclusion, and care, the organization plays a vital role in disaster management for the arts and culture sector and equips craft artists to prepare for and recover from emergencies.

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The Columbia Museum of Art is a charitable nonprofit organization dedicated to lifelong learning and community enrichment for all.

Located in the heart of downtown Columbia, S.C., the CMA ranks among the leading art institutions in the country and is distinguished by its innovative exhibitions and creative educational programs. At the heart of the CMA and its programs is its collection, which encompasses 7,000 works and spans 5,000 years of art history.

Established in 1950, the CMA now welcomes more than 150,000 visitors annually and is a catalyst for community creativity and education, engaging people of all ages and backgrounds.

It is the recipient of a National Medal from the Institute of Museum and Library Services, a National Art Education Association award for its contributions to arts education, a National Park Foundation Award, and two Governor’s Awards for the Arts for outstanding contributions to the arts in South Carolina.

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UrbanGlass, the NYC-based nonprofit established in 1977, fosters experimentation and advances the use and critical understanding of glass as a creative medium.

UrbanGlass was founded as the New York Experimental Glass Workshop in 1977 by a group of recent art school graduates—Erik Erikson, Richard Yelle, and Joe Upham—who wanted to continue their experiments in glass. In addition to providing studio space for artists already versed in the material, the Workshop featured an education program, which provided classes for working artists and the general public to expand their understanding of glass.

Today, the studio program serves approximately 350 working artists each year through equipment rentals and a variety of residency opportunities. The education program now serves over 1,000 students, 60% of whom are working artists, and partners with NYU and Pratt for accredited classes and additional workshops with students from SVA, Parsons and Brooklyn College. Our Agnes Varis Art Center welcomes 12,000 visitors annually and is a space for the public to see and learn about cutting edge art and design in glass. Named in honor of the philanthropist Agnes Varis, the Agnes Varis Art Center features the Window Gallery and Robert Lehman Gallery, which present ever-changing exhibitions of contemporary art.

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Founded in 2001, Pittsburgh Glass Center (PGC) is a nonprofit, public access glass art school where anyone can take classes, explore the contemporary glass gallery, shop for glass gifts, and watch live glassblowing demonstrations.

Since its opening, PGC has educated nearly half a million individuals, contributed to the ongoing development of the city’s East End, and made Pittsburgh a significant hub in the international studio glass community.

A multimillion-dollar expansion in 2024 nearly doubled its capacity, allowing it to meet the increasing demand for glass programs and studios. PGC continues to cultivate an inclusive and welcoming environment that encourages everyone, from the casually curious to the master artist, to learn, create, and be inspired by glass.

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The Fresno Art Museum is best known for exhibiting modern and contemporary art from California, as well as art by women artists and works on paper, alongside exhibitions that reflect the visual arts traditions of the ethnic groups that contribute to the rich diversity of the San Joaquin Valley.

The Fresno Art Museum’s permanent collection comprises over 3,800 paintings, prints, and sculptures by notable local, regional, national, and international artists. It features a remarkable collection of Art of the Ancient Americas, spanning over 2,500 years of the major artistic traditions of cultures in West Mexico, the Yucatan Peninsula, and the Peruvian Andes.

Founded in 1949, the Fresno Art Museum has been located at First Street and Clinton Avenue in Radio Park since 1960. The American Alliance of Museums has accredited the museum since the 1970s.

Mission & History :: Fresno Art Museum

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The Santa Cruz Museum of Art & History (the MAH) was founded in 1996 to inspire new ways of thinking through the cultivation, exhibition, interpretation and intersection of contemporary art and history.  The MAH’s exhibitions, curricula, and public programs bring together diverse audiences to engage more deeply with each other, fostering critical discourse about our past and present in fun, educational ways.

The MAH achieves its mission by:

• Presenting art and history exhibitions that are educational, inspiring, engaging and highlight the rich and vibrant cultures that live in our community
• Collaborating with community partners to further our reach across the California Central Coast and Greater Bay Area
• Maintaining a permanent collection and archives of contemporary art and historical artifacts and making these assets more accessible to visitors, educators, and students
• Stewarding the land and programs, and hosting school groups and tours around Davenport Jail and Evergreen Cemetery
• Stewarding the Kincentricity Garden in partnership with the Amah Mutsun Tribal Band
• Serving as the cornerstone of Downtown Santa Cruz through our Abbott Square location and ensuring this space is a vibrant town square

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Fuller Craft Museum offers expansive opportunities to discover the world of contemporary craft. By exploring the leading edge of craft through exhibitions, collections, education, and public programs, we challenge perceptions and build appreciation of the material world. Our purpose is to inspire, stimulate, and enrich an ever expanding community.

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The Museum of Craft and Design is the only museum in San Francisco devoted to craft and design.

Founded in 2004, MCD showcases designers, makers and artists through an exciting and distinctive series of craft and design-focused exhibitions and public programs.

As a non-collecting institution, the museum actively collaborates with artists, designers, museums, and universities, as well as design venues and practitioners to create inspirational experiences in the world of craft and design for visitors of all ages.

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Northwest Designer Craftartists (NWDC) was founded in 1954 to promote excellence of design and craftsmanship and to stimulate public appreciation and interest in fine craft. Artists in Washington, Oregon, Idaho, Montana and Alaska, who work professionally in clay, wood, glass, metal, fiber, and/or mixed media, are members. Other members support the crafts in the Pacific Northwest as educators, managers of non-profit arts organizations, or buyers of art for public or private collections. Northwest Designer Craftartists is a 501(c)3 non-profit organization.

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Maryhill Museum of Art occupies a historic Beaux-Arts mansion that is situated high above the Columbia River in south-central Washington state. Conceived in 1917, it was dedicated by Queen Marie of Romania in 1926 and opened to the public in 1940.

The museum collection contains European and American paintings, works on paper, and decorative arts; a sculpture collection with many works by Auguste Rodin; gilded furniture from Romanian royal palaces; ecclesiastical arts (especially Russian icons); an international array of chess sets; and the Théâtre de la Mode—miniature mannequins that are displayed in stage sets and attired in mid-1940s Paris fashions.

Maryhill is also home to Balkan and Central American folk clothing (most notably Romanian and Macedonian garments), numerous vintage women’s hats, and more than 1,200 baskets from Indigenous North America.

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The Sumter County Gallery of Art (SCGA) is a non-profit, community-based art and arts education institution in Sumter County.

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The Moses Lake Museum & Art Center is a program of the Moses Lake Parks, Recreation & Cultural Services Department. Originally founded as the Adam East Museum in 1958, the Museum is home to local history exhibits, a fine art gallery, Museum store and a giant Columbian Mammoth metal sculpture. It offers classes in craft and fine art for all ages. The Museum is housed in the Moses Lake Civic Center. Admission is free.

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