We seek to promote the work and accomplishments of African American quilters and members by preserving the traditions, culture and history of quilting. The guild shares this rich legacy with others through workshops, exhibits, displays, demonstrations, research, and speaking engagements. Contributions to community outreach projects are completed through donations of quilts, other items, and fundraising activities.

The word uhuru is Swahili for “freedom”. Uhuru’s first meeting was held the third Saturday in March 1994 at the Oxon Hill Library in Oxon Hill, MD. A brief notice in the Quilters Newsletter Magazine prompted Carol Williams to contact Barbara Pietila, founder of the National Association of African American Quilters (NAAAQG) (now defunct) in Baltimore, MD. Invitations were extended to other NAAAQG members to form a chapter in the Washington, DC area, resulting in the guild formation.

Meetings are held on the third Saturday of each month, 10:30am EST.
Communications welcome at Uhuruqg1994@yahoo.com.

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Nestled in the heart of the Blue Ridge Mountains, the Floyd Center for the Arts is a vibrant hub for creativity, learning, and community. Established in 1995 on the site of a former 1940s dairy farm, the Center has transformed the historic barn and surrounding buildings into galleries, classrooms, and working studios that serve artists and the public alike. Today, the campus offers exhibitions, workshops, and free community events that bring people together through the arts, including the annual Floyd Living Traditions Festival, which celebrates the region’s rich heritage of art, craft, and music. Through art education for all ages and abilities, scholarships, and a welcoming environment, the Center ensures that everyone has the opportunity to see, learn, and create!

Mission Statement:
The Floyd Center for the Arts connects people through visual arts, handmade craft, and music – honoring living traditions while embracing innovation.

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The Association of Clay & Glass Artists of California is dedicated to establishing and maintaining high standards of craftsmanship and design in clay and glass. ACGA began as the Association of San Francisco Potters in 1945. We now have over 300 members including clay and glass artists, students, patrons and supporters, galleries, network organizations and corporate sponsors from throughout California.

A primary goal of ACGA is to provide opportunities for our members to exhibit and sell their work. The Association regularly presents museum and gallery exhibitions of clay and glass, and we present the annual Clay and Glass Festival in July at the Palo Alto Art Center.

We invite you to add your name to our mailing list or join ACGA. All members receive our monthly newsletter. Artists may apply to become exhibiting members at semi-annual jury sessions. Artists, collectors, art professionals, corporate sponsors, students, and friends are always welcome to join our ranks.

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The Denton Maker Center, a non-profit organization, strives to be the central location for creative making in the greater North Texas region. This is accomplished by providing activities and resources that nurture a community of makers. Activities include workshops (both in-person and online), exhibitions, sales, open studio times, and related special events. Resources include tools/equipment, expertise of personnel, safe workspace, exhibition space, and a retail store. Generation of public interest and appreciation is accomplished through promotion of these activities and resources through personal networking, social media, website, print materials, and shared distribution by aligned institutions.

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Ornament celebrates a unique art because its context is the human being. We cover jewelry and clothing, from our ancient beginnings to the contemporary era. Our creative energies are drawn from an appreciation that what we make to adorn ourselves is a beautiful and meaningful expression of life.

Our vision is rich in contemporary, ethnographic and ancient history, anthropology, and archaeology. We believe that we can help sustain a healthy and compassionate society when we know more about our own and other cultures. As an international resource for forty-seven years, Ornament encompasses the world.

From the beginning we set ourselves the exciting challenge of documenting the art and craft of personal adornment. Ornament demonstrates the richness and diversity of this vast subject with a stunning display of creative works, past and present.

With informative profiles we support emerging and established artists in jewelry and wearable fiber who create artworks that stimulate, enrich and invigorate us today and are a profound and exquisite legacy for the years ahead.

Knowledge shapes the present and future when we renew our bonds both with the recent past and antiquity, revealing or tracing historical roots and customs, aesthetics, materials, and technical processes. Ornament exists to educate, inform and inspire.

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The only liberal arts college art museum in the Northwest, the the Hallie Ford Museum of Art at Willamette University is located near the Oregon State Capitol in the heart of Salem, Oregon. The museum is a leader in the research on the art of the Northwest, with one of the most significant collections of Northwest art and a history of important publications and exhibitions. The museum’s collections reflect the rich Pacific Northwest culture and explore the history of art around the world.

In 2021, the collection of the former Museum of Contemporary Craft in Portland was transferred to the Hallie Ford Museum of Art. It is now part of the museum’s permanent collection.  This collection of over 1300 objects is one of the oldest craft collections in the country.

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The Huntington Beach Art Center creates opportunities for local, regional, and national artists and the community to share in a climate of experimentation, education, and experience. HBAC is a public/private partnership with the City of Huntington Beach and the Huntington Beach Art Center Foundation, a non-profit private corporation. The Art Center is operated through the City of Huntington Beach Community Services Department, Cultural Services Division.

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Racing Magpie, founded in 2015, is a Lakota-centric creative community space located in Mni Luzahan (Rapid City, South Dakota), on Očhéthi Šakówiŋ homelands. We are a home for Native artists, creatives, and community members; a space for making, gathering, healing, and building relationships. Our work is guided by the Lakota principle of being a good relative, and we center this responsibility in everything we do: with people, with the land, and across generations.

We work at the intersection of art, community, and cultural continuity through five program areas:

• Artist Support & Creative Development – Studio space, residencies, grants, a supply swap.
• Exhibitions – Community-curated and solo exhibitions, traveling shows, and site-specific works.
• Creative Education & Knowledge Sharing – Art classes, our Elder-in-Residence program, internships, Winter Camp.
• Community Creative Events – Art markets, creative gatherings, and youth-friendly, drug- and alcohol-free events.
• Place-Based Practice – Two multi-use buildings with a community garden, outdoor gathering space, and dedicated facilities for long-term sustainability.

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The Cowboy Trades Association (CTA) is a coalition of master artisans, cultural advocates, and heritage organizations working to preserve the living traditions of the American West—while building new opportunities for the future.

Our Roots

• Founded in 2023 under the fiscal sponsorship of Vista 360° (Jackson, WY)
• Born from a partnership with the Jackson Hole History Museum
• Created by artisans featured in the inaugural Saddle Up! exhibit

What We Do

• Exhibitions – Touring Saddle Up! Western Handmade Art & Gear to museums and cultural centers, featuring 60+ artisans across Wyoming, Montana, Idaho, Utah, and Colorado
• Education – Hosting hands-on workshops with masters like:
  • Keith Seidel – Saddlemaking (Cody, WY)
  • Christy Sing Robertson – Hatmaking (Jackson, WY)
  • Amy Erickson – Silversmithing (Evanston, WY)
• Preservation & Innovation – Documenting artisan techniques through video and oral histories, and creating new pathways for apprenticeships, entrepreneurship, and rural job growth
• Equity in Opportunity – Supporting apprentices from all walks of life—ranch kids, veterans, recent graduates, and career changers—so that the trades are open to anyone with the passion to learn

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Textile Center is unique as a national center for fiber art, with a mission to honor textile traditions, promote excellence and innovation, nurture appreciation, and inspire widespread participation in fiber arts.

The Center’s resources include exceptional fiber art exhibitions that are free and open to the public, an artisan shop, a secondhand fiber art supplies shop, the region’s only accessible professional-grade dye lab, a natural dye plant garden, and one of the nation’s largest circulating textile libraries open to the public.

Textile Center produces more than 200 classes a year for all ages and skill levels through its youth, adult, older adult, and outreach programs. A dynamic hub of fiber activity for more than 30 years, Textile Center brings people together in community to learn, create, share, and be inspired by fiber art.

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Scandinavia House: The Nordic Center in America is the leading center for Nordic culture in the United States, offering a wide range of programs that illuminate the culture and vitality of Denmark, Finland, Iceland, Norway, and Sweden. It is the home of the American-Scandinavian Foundation (ASF), an American non-profit organization offering fellowships, grants, intern/trainee sponsorship, publishing and memberships.

ASF is the organizer of “Nordic Echoes — Tradition in Contemporary Art,” the first major traveling exhibition of contemporary Nordic folk arts and cultural traditions from the Upper Midwest. On view at Scandinavia House in 2025, the exhibition will travel to the South Dakota Museum of Art in Brookings, SD (October 2025-January 2026), the American Swedish Institute in Minneapolis, MN (February-June 2026), and Vesterheim in Decorah, IA (October 2026-January 2027), and other locations in 2027.

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The Mint Museum welcomes all to be inspired and transformed through the power of art and creativity. Among the most significant public institutions in Charlotte, the museum holds a permanent collection of nearly 35,000 objects, one of the largest in the Southeast, spanning art, craft, and design from around the world.
Widely recognized as an invaluable cultural and educational resource, The Mint is committed not only to the growth and quality of its collections but also to nurturing appreciation of the vital role the arts play in our lives.

Each year, the museum celebrates this mission through programs and events such as the annual Potters Market, which showcases exceptional ceramic artistry and supports both artists and the community.
The next Potters Market will be held on September 27, 2025. Guided by values of inclusivity, innovation, collaboration, and empathy, the museum engages communities in lifelong relationships with art, enhancing lives and creating a more connected and welcoming world.

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Mission Statement

Dieu Donné is the leading non-profit cultural institution dedicated to serving emerging and established artists through the collaborative creation of contemporary art using the process of hand papermaking.

Programming

Dieu Donné was founded in 1976 by Susan Gosin and Bruce Wineberg to explore the untapped potential of hand papermaking as an art medium. We introduce artists from a wide variety of practices to the creative possibilities in hand papermaking, fostering experimentation and creating innovative works of art. Our work is realized through extensive collaborations with artists. We strive to teach a new visual language, providing a transformative experience that often leads to artistic breakthroughs. We share this work with the community through our gallery, public and educational programs.

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Mission

The Center for Craft amplifies how and why craft matters by increasing access to resources that catalyze artists and scholars nationwide. Proudly based in Asheville, it has been at the center of the conversation about the future of craft since 1996.

What We Do

The Center for Craft resources the preservation and innovation of craft. We catalyze the makers and thinkers behind the objects that shape our lives. 

How We Do It

• Grants and fellowships that provide funding, networks, and peer-to-peer learning nationwide
• Exhibitions that illuminate 21st-century practices of craft
• Public programs that tell the story of how and why craft matters

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