Tuck and Roll: The Art of Armadillos, On View: May 24, 2025 - Jan 11, 2026, curated by Guusje Sanders. This installation brings fun to our Entry Level cases by showcasing armadillo figures from Mingei’s permanent collection! Featuring works made by artisans across the Americas, this playful installation emphasizes how these extraordinary creatures have delighted people’s imagination. It is free to the public in the "community level" of the museum. Six armadillos in a variety of colors and materials from Mexico, Brazil, the United States of America, and El Salvador. 1999-11-004, 1993-55-132, 1993-55-172A, 1993-55-146, 1993-55-143, 1993-55-066.

Mingei International Museum

Medium: 
Mingei International Museum
1439 El Prado, San Diego Ca 92101 
San Diego, 
CA 
92101
Inside the Design Center, On View Sep 6, 2025 - Apr 12, 2026: A vignette of mid-twentieth century interior, lighting, and furniture design as selected by Ilse Ruocco for her 1950 showroom. Guest Co-Curators Dave Hampton with Steve Aldana and Todd Pitman.(Photo courtesy of Ron Kerner). Charles O. Eames, LCW-Lounge Chairs Wood, California, U.S.A., 1950s. Plywood. Gift of JoAnn and Tim Tanzer, 2015-40-002, 2015-40-001. Floor Lamp designed by Gilbert A. Watrous, manufactured by Heifetz Co. New York, c. 1951. Lent by Todd, Carmen, and Finn, Pitman-Pauli.Boundless: Reflections of the Southern California Landscapes in Midcentury Studio Ceramics. On View : Sep 27, 2025 - Jun 7, 2026, curated by Guusje Sanders. This exhibition explores how the physical, social, and political landscapes of the area shaped craft. Nearly 150 objects from Mingei’s permanent collection, set against large-scale photography, transport us to the breathtaking locations reflected in the ceramics. (Photo courtesy of Ron Kerner). Laura Andreson, Seven ceramic vessels in a variety of colors, Los Angeles, California, 20th Century. Glazed porcelain and clay. 2002-83-104, 1996-79-008, 1989-32-083, 1989-32-080, 2002-83-040, 1996-79-007, 1994-20-005.Restitched Feed Sacks in Mid-Twentieth Century Quilts, On View: Nov 22, 2025 - May 10, 2026, curated by Guusje Sanders. Colorful quilts made from stitched feed sacks highlight the resourcefulness of early mid-twentieth century makers. In the 1930s and ‘40s, people affected by the Great Depression repurposed feed sacks—cotton bags used to package bulk dry goods—to make domestic items like quilts and clothes. Mingei celebrates the ingenuity and creativity of feed sack quilters. Unidentified Maker, Feed Sack Quilt Top - Hexagon Diamonds, U.S.A., c. 1940s. Cotton. 82 in. x 87 in. (208.28 cm x 220.98 cm). Gift of Pat L. Nickols; Digitization made possible through the Quilter's Guild of Dallas, Quilt Accessibility Project, 2012-35-111.Clearly Indigenous: Native Visions Reimagined in Glass. On View: June 26 – September 18, 2026. A traveling exhibition curated by Dr. Letitia Chambers with artist and museum consultant Cathy Short (Citizen Potawatomi Nation), and the Museum of Indian Arts and Culture (MIAC) in Santa Fe, New Mexico. This is a groundbreaking exhibition giving broader and overdue recognition to twenty-nine Native American artists, and featuring leading glass artist Dale Chihuly. Angela Babby, Melt: Prayers for the People and the Planet, 2019, Kiln-fired vitreous enamel on glass mosaic on tile board, 30” x 30”, Image courtesy of Angela Babby, Photo by Angela Babby, © Angela Babby.