Tuck and Roll: The Art of Armadillos, On View: May 24, 2025 - Jan 11, 2026, curated by Guusje Sanders. This installation brings fun to our Entry Level cases by showcasing armadillo figures from Mingei’s permanent collection! Featuring works made by artisans across the Americas, this playful installation emphasizes how these extraordinary creatures have delighted people’s imagination. It is free to the public in the "community level" of the museum. Six armadillos in a variety of colors and materials from Mexico, Brazil, the United States of America, and El Salvador. 1999-11-004, 1993-55-132, 1993-55-172A, 1993-55-146, 1993-55-143, 1993-55-066.

Mingei International Museum

San Diego’s Mingei International Museum celebrates folk art, craft, and design from all eras and cultures of the world. The Japanese word mingei means “art of the people”  and the museum collects, conserves, and exhibits arts of daily use made by contemporary and historic designers, artists, and craftspeople, known and unknown.

Established in 1978, Mingei’s inaugural exhibition was Dolls and Folk Toys of the World. Since then, the Museum has shared over 183 exhibitions covering a diverse range of cultures, themes, and media. Recent exhibitions include Across the SpooniverseBlue Gold: The Art and Science of Indigo, African by Design, and Fashioning an Icon: The Virgin of Guadalupe in Textile Design.  Upcoming exhibitions explore subjects such as mid-century modern design, Indigenous works in glass, DIY skateboard culture, sustainable fishing, feedsack quilts, Japanese shrine paintings, and global percussion.  

Mingei champions artists and craftspeople, and we envision a world where people find joy, beauty, and inspiration in our shared human creativity.

 

Medium: 
Mingei International Museum
1439 El Prado, San Diego Ca 92101 
San Diego, 
CA 
92101
Inside the Design Center, On View Sep 6, 2025 - Apr 12, 2026: A vignette of mid-twentieth century interior, lighting, and furniture design as selected by Ilse Ruocco for her 1950 showroom. Guest Co-Curators Dave Hampton with Steve Aldana and Todd Pitman.(Photo courtesy of Ron Kerner). Charles O. Eames, LCW-Lounge Chairs Wood, California, U.S.A., 1950s. Plywood. Gift of JoAnn and Tim Tanzer, 2015-40-002, 2015-40-001. Floor Lamp designed by Gilbert A. Watrous, manufactured by Heifetz Co. New York, c. 1951. Lent by Todd, Carmen, and Finn, Pitman-Pauli.Boundless: Reflections of the Southern California Landscapes in Midcentury Studio Ceramics. On View : Sep 27, 2025 - Jun 7, 2026, curated by Guusje Sanders. This exhibition explores how the physical, social, and political landscapes of the area shaped craft. Nearly 150 objects from Mingei’s permanent collection, set against large-scale photography, transport us to the breathtaking locations reflected in the ceramics. (Photo courtesy of Ron Kerner). Laura Andreson, Seven ceramic vessels in a variety of colors, Los Angeles, California, 20th Century. Glazed porcelain and clay. 2002-83-104, 1996-79-008, 1989-32-083, 1989-32-080, 2002-83-040, 1996-79-007, 1994-20-005.Restitched Feed Sacks in Mid-Twentieth Century Quilts, On View: Nov 22, 2025 - May 10, 2026, curated by Guusje Sanders. Colorful quilts made from stitched feed sacks highlight the resourcefulness of early mid-twentieth century makers. In the 1930s and ‘40s, people affected by the Great Depression repurposed feed sacks—cotton bags used to package bulk dry goods—to make domestic items like quilts and clothes. Mingei celebrates the ingenuity and creativity of feed sack quilters. Unidentified Maker, Feed Sack Quilt Top - Hexagon Diamonds, U.S.A., c. 1940s. Cotton. 82 in. x 87 in. (208.28 cm x 220.98 cm). Gift of Pat L. Nickols; Digitization made possible through the Quilter's Guild of Dallas, Quilt Accessibility Project, 2012-35-111.Clearly Indigenous: Native Visions Reimagined in Glass. On View: June 26 – September 18, 2026. A traveling exhibition curated by Dr. Letitia Chambers with artist and museum consultant Cathy Short (Citizen Potawatomi Nation), and the Museum of Indian Arts and Culture (MIAC) in Santa Fe, New Mexico. This is a groundbreaking exhibition giving broader and overdue recognition to twenty-nine Native American artists, and featuring leading glass artist Dale Chihuly. Angela Babby, Melt: Prayers for the People and the Planet, 2019, Kiln-fired vitreous enamel on glass mosaic on tile board, 30” x 30”, Image courtesy of Angela Babby, Photo by Angela Babby, © Angela Babby.
Dorado 806 Projects
City, ST
08/13/2025 - 09/06/2025
Smoke The Cat
City, ST
08/28/2025 -
Art Cloth Network
City, ST
08/22/2025 - 08/28/2025
Gallery Gloria
City, ST
04/10/2026 - 06/13/2026

Craft Across America Digital Series