The Annual Juried Contemporary Craft exhibition highlights the finest in contemporary crafts from around the country, our annual crafts exhibition has become a benchmark of innovation and quality produced within traditional craft forms such as ceramics, fibers, basketry, metals, wood, glass, jewelry, papermaking and book arts.

About the Juror: Born in Ciudad Juarez, Chihuahua, Mexico, Andres Payan Estrada is currently the senior curator at the Rubin Center for the Visual Arts in El Paso, TX.

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A celebration of Miles Davis’ 100th birthday with a focus on his groundbreaking album, Milestones.

Works of fine craft created to honor the legend and the legacy of jazz by Renee Wormack-Keels, Chief Baba Shango Obadina, Bruce Robinson, Larry Allen, Beverly Whiteside, William Agnew, Angelica Pozo, Lou Frederick, Lydia Thompson, Wendy Kendrick, Marvin Whistler, Kendall Glover, Cynthia Lockhart, Renee Hearn and Kelly & Kyle Phelps.

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What does it mean to be ikčé – to be common/ordinary?  In Lakota and Dakota thoughts, this term is often invoked to express humility, interconnectedness, and the foundation of everyday life. Lakota/Dakota artists and co-curators Molina Two Bulls, Graci Horne, Layli Long Soldier, Clementine Bordeaux, and mary v. bordeaux have engaged in dialogue with relatives, elders, culture bearers, and peers, gathering stories and insights that shape their creative responses.

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The Soul of Black Folks, featuring 50 artists of the Women of Color Quilters Network, celebrates the resilience and creativity of African American culture, utilizing quilts as a vehicle for healing, remembering and reclaiming narratives.

The quilts’ tactile and colorful qualities engage people emotionally through artist receptions, guided gallery tours and story quilt workshops.

The exhibition is organized by Carolyn Mazloomi, a nationally-acclaimed quilt artist, lecturer and founder of WCQN.

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The exhibit brings together artists from Textile Arts LA whose work centers the hand as both method and metaphor. Inspired by artist Ann Hamilton’s concept of the “sewing hand”—the idea that making by hand is a way of knowing—we explore how tactile engagement with material connects body to mind, individual to community, and past to present.

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UrbanGlass is proud to present our biennial MFA exhibition, which features recent graduates from Masters programs who are working with glass.

The title for this exhibition, The Scope, honors the breadth of techniques and inspirations within the material landscape of glass.

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Handwork: Embodied Material, curated by Minnesota artist Soph Munic, centers MN’s LGBTQIA+ artists in collaboration with Embodied Material, a collective of queer textile artists who engage in study and critical thinking about artwork and identity through textile practices.

Artist Reception: Thursday, November 5, 5:30 – 7 pm.

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Handwork: A Common Thread celebrates the history, breadth, and depth of fiber art practices of Textile Center’s members and guilds.

The only exhibit of its kind in the nation — non-juried and open call until capacity is reached — A Common Thread supports our mission to inspire widespread participation in fiber art and to grow awareness of the central role of fiber arts in community building.

Artist Reception Thursday, August 6, 5:30 – 7 pm.

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Handwork: TWO-SPIRIT STORIES showcases the work of Minnesota’s emerging Two-Spirit Native artists.

In a celebration of traditional and contemporary handwork, these artists are affirming Indigenous and queer identity using themes of ceremony, community, and ancestral tradition. Penny Kagigebi (White Earth Ojibwe), First Peoples Fund Fellow, serves Curator for Community Collaboration for the exhibit.

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Handwork: Mni Sóta – Traditions & Innovations showcases MN’s Indigenous textile history while highlighting works that recognize, promote, and celebrate the work of distinguished Native artists in Minnesota with long standing engagement and commitment to textile-based practices.

These accomplished artists are constantly evolving traditional practices with contemporary innovations. Delina White (Leech Lake Ojibwe), McKnight and Jerome Hill Fellow, serves as advisor and curator.

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Handwork: Unbound, curated in partnership with Choice, Inc., Interact Center, and Fresh Eye Arts, showcases fiber artists with disability identities who challenge artistic conventions through non-traditional learning modalities.

The fiber art works selected are profoundly innovative and meaningful as visual autobiographies, through their chosen materials, techniques, and imagery.

Artist reception: March 19, 5 – 7 pm, 2026, at Textile Center.

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Materials to Masterpiece invites visitors to explore the journey of traditional craft, from humble raw materials to refined works of art.

The exhibition reveals the transformation of natural resources by the hands of master craftsmen. Unfinished pieces will be featured alongside finished work to illuminate the process, skill, artistry, and vision behind each creation.

The League will showcase collaborations with traditional craft education programs in New Hampshire as a part of this exhibition.

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A jury session is a formal and rigorous evaluation for membership with the League of NH Craftsmen. League jurors not only demonstrate technical expertise but exemplify the “Spirit of the Maker” through their work, and serve as ambassadors for this historic organization.

Setting the Standard is a recurring exhibition featuring work from the League’s jurors. Masters in their respective media categories, these craftsmen represent the high standards of the organization in the work they produce.

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Textile Center is kicking off the year celebrating Minnesota artists with the 2025 McKnight Fiber Artist Fellowship Exhibition, featuring new work by the 2025 fellowship recipients Christine Novotny of Grand Marais, a weaver and dyer, and Shannon Lucas Westrum of Bemidji, a basketry and mixed media artist.

Artist talks and reception for the artists: March 19, 5 – 7 pm, 2026, at Textile Center.

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“Roberto Lugo: Evolution as Revolution” will be a bold commentary on both the resilience of underrepresented communities and the enduring need to confront the systemic forces at play in the contemporary moment. Lugo’s work is also a reminder of the power of art to start dialogues, serving as an equalizer in an increasingly polarized world.

This exhibition is a part of Radical Americana. A larger multi-location project that brings together art and culture institutions around Philadelphia.

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