Materials to Masterpiece invites visitors to explore the journey of traditional craft, from humble raw materials to refined works of art.

The exhibition reveals the transformation of natural resources by the hands of master craftsmen. Unfinished pieces will be featured alongside finished work to illuminate the process, skill, artistry, and vision behind each creation.

The League will showcase collaborations with traditional craft education programs in New Hampshire as a part of this exhibition.

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A jury session is a formal and rigorous evaluation for membership with the League of NH Craftsmen. League jurors not only demonstrate technical expertise but exemplify the “Spirit of the Maker” through their work, and serve as ambassadors for this historic organization.

Setting the Standard is a recurring exhibition featuring work from the League’s jurors. Masters in their respective media categories, these craftsmen represent the high standards of the organization in the work they produce.

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Berea College’s Student Craft program exists as part of the college’s Labor Program and is not part of a degree program. In addition to providing a tuition-free liberal arts education to all students, Berea College provides every student a work position. One hundred students have positions in Student Craft, where they learn about craft from start to finish, engaging in production, achieving quality control, selecting materials, managing deadlines and collaborating on design.

Craft students arrive with a wide variety of creative skills and experiences. Some have significant experience gained from family members, school, or community programs; others have their first formal exposure to a design-education experience after they arrive. Regardless of students’ background or academic major, staff provide them with the education, skills and tools needed to engage in the design and creation of hand-crafted objects in five areas: Weaving, Woodcraft, Broomcraft, Ceramics and Outreach. In addition, Student Craft supports fellowship and artist-in-residence programs and classes given by the Woodworking School at Pine Croft that spread the College’s commitment to craft beyond the Berea College community.  All of these elements combine to make Student Craft an offering like no other.

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Ballroom culture imagined through 19th-century Pre-Raphaelite paintings is central in Jamie Vasta’s exhibition, House of Roses.

Known for her contemporary figurative works made entirely of bombastic bits of glitter and a little glue, Vasta reimagines art history with a queer lens.

The glitter portraits draw inspiration from the bearing, and metaphor in Pre-Raphaelite paintings. Rousing and restaged with queer identities in full bloom, Vasta’s fictive family are gorgeous, tattooed and costumed

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Curated by Colette Gaiter, this exhibition offers a broad view of artists’ books by Black artists, combining words, images, and materials in both traditional and experimental ways. Some works share personal stories, others explore history and identity. These books challenge narrow views, honor past creators, and invite reflection on Black experiences—expanding the boundaries of book art through powerful and creative expression.

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Pratt Fine Arts Center, founded in Seattle’s Central District and named for civil rights leader Edwin T. Pratt, has been a creative hub for 50 years. Offering year-round, affordable classes and studios, Pratt supports artists of all ages and skill levels. Disciplines include glass, sculpture, jewelry, paper, and 2D media. This exhibition features work by Pratt students, instructors, board members, and staff, reflecting the center’s vibrant and inclusive arts community.

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Guest curators Robin Little Wing Sigo (Suquamish) and Miranda Belarde-Lewis (Zuni/Tlingit) present a survey of Indigenous craft artists from the Salish Sea region, spanning Washington and British Columbia.

Featuring both traditional and contemporary works, media include regalia, textiles, carving, ceramics, glass, and jewelry.

This marks BIMA’s fourth major Indigenous exhibition—an inspiring celebration of cultural knowledge, innovation, and living tradition.

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The Puget Sound region offers rich resources for craft artists.

This group exhibition features nominees from over 20 craft-based programs and organizations, including Pilchuck Glass School, Pratt Fine Arts Center, NAAM, Wing Luke Museum, Seattle Metals Guild, House of Welcome, Schack Art Center, BARN, Port Townsend School of the Arts, Northwest Designer Craftartists, and Hilltop Glass Program.

The show highlights emerging talent and challenges traditional craft boundaries.

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The Cynthia Sears Artists’ Books Collection includes many examples of textile-based artworks. The include works made from cloth or books embellished with forms of stitching, embroidery, and mixed-media.

This group exhibition will include borrowed works as well as some commissioned to further expand BIMA’s collection in this area.

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Linking heritage, history, and handcraft, this exhibition combines various forms of papercutting.

Through large and small-scale works, contemporary artists such as Kanako Abe, Lucrezia Bieler, Hannah Kohl, Sonja Peterson, Michael Velliquette, Janelle Washington, and Sam Wrobel expand upon tradition while hobbyist paper crafters add their voices to rich creative lineages. Additionally, Myra Su will perform shadow puppet theater throughout the run of the show.

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There is a continuum where beauty and function blend and diverge in the hands of the contemporary artist.

Even when traditional materials such as thread, fabric, wood, reed, and paper are used, these artists combine skill, imagination, and vision to meld their materials into compelling and beautiful art which resonates in today’s world.

Artists were invited to participate in this conversation between media to illustrate the continuum between beauty and functionality.

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Applications are open for Handmade Arcade’s new Modern Craft Market, supported by Contemporary Craft. This juried shopping event will connect shoppers, craft collectors, and retail and industry partners with over 150 of the best contemporary craft makers and artists from around the Pittsburgh and greater Appalachian region.

Applications close on November 5, 2025. To apply, please visit:

https://www.handmadearcade.org/modern-craft-market-applications.

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Founded in 2004, Handmade Arcade is a nonprofit that provides makers and craftspeople with opportunities to connect with customers and strengthen their small businesses. Handmade Arcade’s flagship event is the annual Holiday Market, which is the region’s largest handmade shopping event, connecting over 275 makers with more than 10,000 shoppers each year.

In addition to the Holiday Market, Handmade Arcade hosts an annual Emerging Craft Market for early career makers and will launch a new fine craft market called the Modern Craft Market in March 2026, supported by Contemporary Craft.

Handmade Arcade also helps makers connect to shoppers through an online Maker Directory, digital maker storytelling, professional development workshops, and more. Additionally, Handmade Arcade leads annual maker accelerator programs, including a BIPOC Maker Accelerator program and a Youth Maker Accelerator program. Handmade Arcade is dedicated to supporting the economic mobility of makers and craftspeople in Pennsylvania and surrounding states.

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Working at a Joyous Creative Thing: Weaving, Making, and Material Culture in Letty Esherick’s Legacy, highlights Artist-in-Residency Kelly Cobb’s ongoing research and creative work at WEM. It marks the first public presentation of Letty Esherick’s textiles in at least five decades. They are shown alongside new works by Cobb, as well as artworks across disciplines by a group of skilled collaborators that range from handmade garments to sound art to embroidery.

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Now in its 49th year, American Craft Made Baltimore is the largest juried craft fair on the East Coast. A celebrated local institution, American Craft Made brings together over 400 artists, 10,000 attendees, and dozens of local partner organizations from across the East Coast for shopping, demonstrations, hands-on experiences, and connection through craft.

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