The Crystal City Gallery shares the story of how Corning became one of the premier centers for glass cutting in the United States, while Corning Glass Works simultaneously became established as a manufacturer of science and specialty glass. Stunning crystal creations await, from a punch bowl fit for royalty to a crystal model of the town of Corning itself.

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Tough Stuff: Women in the American Glass Studio showcases the work of female glass artists in 1960s and ‘70s America. The exhibition broadens the story of glass in America by looking more expansively at the breadth of studio artists who were working with the material in innovative ways.

The exhibition marks the first project by the Museum to focus on the ingenuity of female artists working in glass.

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Ballroom culture imagined through 19th-century Pre-Raphaelite paintings is central in Jamie Vasta’s exhibition, House of Roses.

Known for her contemporary figurative works made entirely of bombastic bits of glitter and a little glue, Vasta reimagines art history with a queer lens.

The glitter portraits draw inspiration from the bearing, and metaphor in Pre-Raphaelite paintings. Rousing and restaged with queer identities in full bloom, Vasta’s fictive family are gorgeous, tattooed and costumed

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Begun in 2018 and completed in 2020, John Paul Morabito unveils their series of religious tapestries with a subtle but explicit intervention, cloaking 15th- and 16th-century Renaissance paintings of Madonna and Child in flamboyant colors of drag—a Queer allegory turning sacred to Camp.

Morabito remediates devotional paintings by artists such as DaVinci and Botticelli with accentuated day-glow colors and a stigmata presentation shimmering with gold beaded fringe.

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Opening February 7, 2026

Starworks is proud to present Off-Leash!, a captivating exhibition by ceramic artist Ryan Osborne.

This show builds on his acclaimed Eternal Dog series, which was originally inspired by the loss of his beloved dog, Ella.

Through his work, Ryan explores grief, memory, and the joy of canine companionship. In Off-Leash!, new pieces expand the series into playful, expressive forms that radiate warmth and vitality.

Open to the public Monday-Saturday

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Curated by Colette Gaiter, this exhibition offers a broad view of artists’ books by Black artists, combining words, images, and materials in both traditional and experimental ways. Some works share personal stories, others explore history and identity. These books challenge narrow views, honor past creators, and invite reflection on Black experiences—expanding the boundaries of book art through powerful and creative expression.

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Pratt Fine Arts Center, founded in Seattle’s Central District and named for civil rights leader Edwin T. Pratt, has been a creative hub for 50 years. Offering year-round, affordable classes and studios, Pratt supports artists of all ages and skill levels. Disciplines include glass, sculpture, jewelry, paper, and 2D media. This exhibition features work by Pratt students, instructors, board members, and staff, reflecting the center’s vibrant and inclusive arts community.

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Guest curators Robin Little Wing Sigo (Suquamish) and Miranda Belarde-Lewis (Zuni/Tlingit) present a survey of Indigenous craft artists from the Salish Sea region, spanning Washington and British Columbia.

Featuring both traditional and contemporary works, media include regalia, textiles, carving, ceramics, glass, and jewelry.

This marks BIMA’s fourth major Indigenous exhibition—an inspiring celebration of cultural knowledge, innovation, and living tradition.

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BIMA is planning a retrospective of the late master metalsmith Heikki Seppa, originally from Finland, who passed away in 2010.

After decades teaching at Washington University in St. Louis, he retired and later married Bainbridge Island jewelry artist Laurie A. Lyall.

Through a major legacy gift from Lyall and other collectors, BIMA acquired over 45 signature works, including jewelry, hollowware, and decorative art, showcasing techniques Seppa taught and pioneered.

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The Puget Sound region offers rich resources for craft artists.

This group exhibition features nominees from over 20 craft-based programs and organizations, including Pilchuck Glass School, Pratt Fine Arts Center, NAAM, Wing Luke Museum, Seattle Metals Guild, House of Welcome, Schack Art Center, BARN, Port Townsend School of the Arts, Northwest Designer Craftartists, and Hilltop Glass Program.

The show highlights emerging talent and challenges traditional craft boundaries.

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The Cynthia Sears Artists’ Books Collection includes many examples of textile-based artworks. The include works made from cloth or books embellished with forms of stitching, embroidery, and mixed-media.

This group exhibition will include borrowed works as well as some commissioned to further expand BIMA’s collection in this area.

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Aimee Lee (Ohio) is an artist, writer, and leading advocate for Korean papermaking.

Her Fulbright research led to founding North America’s first hanji studio and writing Hanji Unfurled. A second Fulbright deepened her work with Korean papermaking masters.

Lee trains the next generation in her studio near Cleveland and worldwide.

This solo exhibition features works from the Cynthia Sears Artists’ Books Collection and additional pieces by this internationally recognized artist.

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This retrospective, Deeply Rooted, celebrates the legacy of George and David Lewis—formerly Little and Lewis—whose garden designs and sculptures reflect decades of love and creativity.

After moving to Bainbridge Island in the 1980s, their shared passion for art, ruins, gardens, and water features grew into a thriving, well-documented career and community presence that left a lasting impact on Bainbridge Island and beyond.

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The Huntington Harbor Art Association and Huntington Beach Art Center have come together to highlight these local artists in The Magic of Color, Fiber and Form.

On display early 2026, dates TBD.

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Silver River Center for Chair Caning is making a big comeback in 2026!

Join us for an open house at our new location in Weaverville, NC. Saturday January 18, 2026 from 12-4pm.

We will be celebrating our new instructional book, The Woven Chair, and geeking out in our museum which is finally unpacked after a devastating flood in Fall 2024.

We will be launching community classes each month on a sliding scale to celebrate. 

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