American Craft Fest is the summer’s best opportunity to discover craft from across the region.

Participate in fun hands-on activities for all ages led by local arts partners, shop handmade work by early career artists, and enjoy food and beverages from local vendors.

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Linking heritage, history, and handcraft, this exhibition combines various forms of papercutting.

Through large and small-scale works, contemporary artists such as Kanako Abe, Lucrezia Bieler, Hannah Kohl, Sonja Peterson, Michael Velliquette, Janelle Washington, and Sam Wrobel expand upon tradition while hobbyist paper crafters add their voices to rich creative lineages. Additionally, Myra Su will perform shadow puppet theater throughout the run of the show.

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NAN’s flagship annual event, Assembly for Embroiderers, brings stitchers of all levels together for exceptional classes, lectures, discussion forums, and artistic inspiration.

Held in conjunction with Assembly, The Exemplary is our celebrated needlearts exhibition showcasing original, adapted, and non-original works by stitchers at all stages of their journey.

Entrants do not need to be a NAN member to enter The Exemplary.

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The Art Complex Museum is pleased to present a two-person quilt exhibition featuring the work of Ann Brauer and Marge Tucker.

Though distinct in style, both artists push the boundaries of contemporary quilting—Brauer with her luminous, color-driven landscapes and Tucker with bold compositions that balance improvisation and structure. Together, their quilts celebrate innovation, craftsmanship, and the expressive power of fiber art.

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There is a continuum where beauty and function blend and diverge in the hands of the contemporary artist.

Even when traditional materials such as thread, fabric, wood, reed, and paper are used, these artists combine skill, imagination, and vision to meld their materials into compelling and beautiful art which resonates in today’s world.

Artists were invited to participate in this conversation between media to illustrate the continuum between beauty and functionality.

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Rooted in childhood memories of Cleveland’s industrial landscape and the burning Cuyahoga River of 1969, Mo Kelman’s sculptures merge water’s shifting forms with the stark geometry of steel and bridges.

Using simple, tactile materials, Kelman explores the tension between nature’s unstoppable force and human engineering.

These works celebrate craft, resilience, and transformation, revealing both the beauty of construction and the inevitability of nature’s power.

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Lisberger has always been interested in combining abstraction and narrative in her work.

20 Walks references the physical memory of her own walks in places at home and around the world. Each piece captures a sense of place along with the memory of a particular personal moment or sight, evoking  a recollection, not telling all the details. This form of abstraction keeps the pieces simpler, more elegant, and hopefully visceral, while always keeping form essential.

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Fired in Revolution: Ceramics from the People’s Republic of China presents ceramics created during the Cultural Revolution, 1966-1976.

Varied ceramic works, including molded figures, vessels, wall hangings, posters, molds, and sculptures, will be presented in thematic groupings in Fired in Revolution.

Curated by Dr. Jamie Kwan, Assistant Curator, Cooper Hewitt, Smithsonian Design Museum.

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This exhibition brings together highlights from the museum’s Shaker furniture collection alongside a selection of contemporary craft objects, revealing the lasting influence of Shaker design and values on today’s makers. Many of the contemporary works on view entered the museum’s collection after first appearing in past exhibitions, testament to the vibrant collaborations between the museum and the artists we’ve had the privilege to present.

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Peregrination, a long and meandering journey…

This exhibition features work by Toronto based artist, Xiaojing Yan. Through the lens of personal migration and cultural hybridity, Yan explores the evolving relationship between identity, tradition, and the natural world. Yan’s art reflects a journey of transformation – an intricate weaving of folklore, ritual, and nature into a symbolic and dreamlike representation of lived experience.

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Working at a Joyous Creative Thing: Weaving, Making, and Material Culture in Letty Esherick’s Legacy, highlights Artist-in-Residency Kelly Cobb’s ongoing research and creative work at WEM. It marks the first public presentation of Letty Esherick’s textiles in at least five decades. They are shown alongside new works by Cobb, as well as artworks across disciplines by a group of skilled collaborators that range from handmade garments to sound art to embroidery.

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Now in its 49th year, American Craft Made Baltimore is the largest juried craft fair on the East Coast. A celebrated local institution, American Craft Made brings together over 400 artists, 10,000 attendees, and dozens of local partner organizations from across the East Coast for shopping, demonstrations, hands-on experiences, and connection through craft.

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Step inside The Living Temple—a vibrant retrospective celebrating the boundary‑breaking Swedish artist and designer Moki Cherry (1943–2009), whose life was her canvas.

From colorful textiles, costumes, and posters to ceramics, video, and sound, Moki’s work dissolves the line between home and stage, art and everyday life.

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Working across painting, textiles, and musical performance, Lisa Alvarado creates works rich with visual and sonic resonance.

Through new work created during her residency, Alvarado invites viewers into a meditative environment where she weaves together ancestral memory, collective history, and the land as both record and source of renewal.

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Clay as Care considers ways in which care manifests in ceramic art and how viewing art and working with clay can promote personal and communal health. Featuring artists whose practices address healing, rest, and resilience, including Jennifer Ling Datchuk, Adebunmi Gbadebo, Ehren Tool, and Maia Chao. A reflection of the values of care that we see as inherent in the act of making art with clay.

Supported by The Pew Center for Arts & Heritage.

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