medium

: Clay

Image of a booth from The Potters Market at The Mint Museum, 2024. Artist: Trista Hudzik. The Mint Museum

The Mint Museum welcomes all to be inspired and transformed through the power of art and creativity. Among the most significant public institutions in Charlotte, the museum holds a permanent collection of nearly 35,000 objects, one of the largest in the Southeast, spanning art, craft, and design from around the world.

Widely recognized as an invaluable cultural and educational resource, The Mint is committed not only to the growth and quality of its collections but also to nurturing appreciation of the vital role the arts play in our lives.

Each year, the museum celebrates this mission through programs and events such as the annual Potters Market, which showcases exceptional ceramic artistry and supports both artists and the community.

The next Potters Market will be held on September 27, 2025. Guided by values of inclusivity, innovation, collaboration, and empathy, the museum engages communities in lifelong relationships with art, enhancing lives and creating a more connected and welcoming world.

Charlotte,
NC
Arts/Cultural Organization Museum
Clay Fiber Glass Metal Mixed Media Paper Wood
Ogden Museum of Southern Art. Jane Winslow

Located in the vibrant Warehouse Arts District of downtown New Orleans, Louisiana, Ogden Museum of Southern Art holds the largest and most comprehensive collection of Southern art and is recognized for its original exhibitions, public events and educational programs, which support its mission to broaden the knowledge, understanding, interpretation and appreciation of the visual arts and culture of the American South.

Located in the Ogden Museum Store, the Center for Southern Craft & Design (CSCD) extends the Museum’s mission by offering Southern artisans and designers a platform from which to showcase and sell their work, and connects the field of craft to Museum visitors through vibrant programming throughout the year.

The CSCD features a monthly workshop series called Craft Happy Hour and presents a quarterly Artist Spotlight exhibition, showcasing leaders in craft fields of jewelry, ceramics, glassworks, woodworks, metalworks and textiles, while highlighting the important place of craft at the heart of Southern Art.

Since 2008, the CSCD has also presented the annual juried exhibition, Art of the Cup, which celebrates the aesthetic and design freedom the ceramic medium offers to enhance everyday routine and highlights the diverse methods artisans use to blur the boundaries of form and function.

 

New Orleans,
LA
Arts/Cultural Organization Museum
Clay Fiber Glass Metal Mixed Media Paper Wood
Arts and Crafts fireplace by Motawi Tileworks featuring Sullivan and Halsted relief tile and raised hearth. Justin Maconochie

Where Craft Meets Character: The Story of Motawi Tileworks

It all started in a garage.

In the early ’90s, Nawal Motawi was handcrafting ceramic tiles in her Ann Arbor garage and selling them at the local farmers market—long before “artisan” was a buzzword. Inspired by the curves of Art Nouveau and the geometry of Midcentury Modern, her designs struck a chord. People couldn’t get enough. In 1992, Motawi Tileworks was born.

Today, over 40 tile lovers carry on the tradition in our Ann Arbor studio, making tiles that are anything but ordinary. Each piece is crafted by hand with intention and artistry. Motawi’s colorful, dimensional tiles appear in gallery displays, kitchen backsplashes, fireplaces, bathrooms, and large-scale public installations across the country.

From original designs to licensed collections with Frank Lloyd Wright and Charley Harper, our tiles are sold in 300+ shops across North America.

As Nawal says, “It’s fun to be good.” We live that out daily through collaboration, artistry, and a culture that values people as much as product.

Ann Arbor,
MI
Other
Clay Other
Building Exterior - South to North view from across Broadway St. Gabe Swinney, Swinney Creative

Mission

The Center for Craft amplifies how and why craft matters by increasing access to resources that catalyze artists and scholars nationwide. Proudly based in Asheville, it has been at the center of the conversation about the future of craft since 1996.

What We Do

The Center for Craft resources the preservation and innovation of craft. We catalyze the makers and thinkers behind the objects that shape our lives. 

How We Do It

  • Grants and fellowships that provide funding, networks, and peer-to-peer learning nationwide
  • Exhibitions that illuminate 21st-century practices of craft
  • Public programs that tell the story of how and why craft matters

Asheville,
NC
Arts/Cultural Organization Gallery
Clay Fiber Glass Metal Mixed Media Other Paper Wood
The Red MIll Museum Village on the South Branch of the Raritan River in Clinton, NJ. Kaitlyn Sharkey

At the Red Mill Museum Village, our vision is to connect current generations to the past as well as to one another. We uphold our mission of preserving, maintaining and presenting the social, agricultural, and industrial heritage of the area through hands-on experiences that turn visitors into makers. By preserving tools as living teaching objects and telling the stories of those who made, used and collected them, we highlight how creativity and skill once sustained daily life through community.

The museum’s centerpiece is the 1810 Red Mill, originally built as a woolen mill. The 12 historic buildings on our 10-acre site include limekilns, a limestone quarry, schoolhouse, log cabin, two-family Tenant House and operational blacksmith shop.

Throughout the year, the museum offers a variety of educational exhibits, and immersive programming designed to keep the enduring value of skilled handwork and shared heritage alive.

Clinton,
NJ
Museum
Clay Fiber Metal Other Wood
A gray clapboarded two-story 17th century home with an overhanging second floor situated next to a tall building on one side and a brick courtyard with garden beds and a pear tree on the other side. A second floor walkway provides access to the second floor and is hung with red, white, and blue bunting. The Paul Revere Memorial Association

Built around 1680, the Paul Revere House is a rare example of 17th-century urban architecture.  One room interprets the 1680s, while three other rooms contain artifacts from Revere’s era, including select Revere family furniture. Paul Revere purchased the home in 1770 and lived here with his family when he made his famous messenger ride on the night of April 18-19, 1775.

Today the site includes a Visitor Center with exhibits highlighting Revere’s skilled craftsmanship; silver made in Revere’s shop is always on display. Regular public events feature the talents of musicians, artisans, and craftspeople who are keeping alive the traditional trades of the 18th century.

Visit our self-guided site year-round!

Summer:

April 15 – October 31: 10:00 AM to 5:15 PM

Open daily

Winter:

November 1 – April 14: 10:00 AM to 4:15 PM

Closed on Mondays during January, February, and March

Closed Thanksgiving, Christmas Eve, Christmas Day, and New Year’s Day

Boston,
MA
Museum
Clay Fiber Metal Other Paper Wood
Tuck and Roll: The Art of Armadillos, On View: May 24, 2025 - Jan 11, 2026, curated by Guusje Sanders. This installation brings fun to our Entry Level cases by showcasing armadillo figures from Mingei’s permanent collection! Featuring works made by artisans across the Americas, this playful installation emphasizes how these extraordinary creatures have delighted people’s imagination. It is free to the public in the "community level" of the museum. Six armadillos in a variety of colors and materials from Mexico, Brazil, the United States of America, and El Salvador. 1999-11-004, 1993-55-132, 1993-55-172A, 1993-55-146, 1993-55-143, 1993-55-066.

San Diego’s Mingei International Museum celebrates folk art, craft, and design from all eras and cultures of the world. The Japanese word mingei means “art of the people”  and the museum collects, conserves, and exhibits arts of daily use made by contemporary and historic designers, artists, and craftspeople, known and unknown.

Established in 1978, Mingei’s inaugural exhibition was Dolls and Folk Toys of the World. Since then, the Museum has shared over 183 exhibitions covering a diverse range of cultures, themes, and media. Recent exhibitions include Across the SpooniverseBlue Gold: The Art and Science of Indigo, African by Design, and Fashioning an Icon: The Virgin of Guadalupe in Textile Design.  Upcoming exhibitions explore subjects such as mid-century modern design, Indigenous works in glass, DIY skateboard culture, sustainable fishing, feedsack quilts, Japanese shrine paintings, and global percussion.  

Mingei champions artists and craftspeople, and we envision a world where people find joy, beauty, and inspiration in our shared human creativity.

 

San Diego,
CA
Museum
Clay Fiber Metal Mixed Media Other Paper Wood
Hand-forged John C. Campbell Folk School sign. Photo provided by John C. Campbell Folk School

Tucked away in the mountains of western North Carolina, the John C. Campbell Folk School (“the Folk School”) offers weeklong and weekend classes for adults in craft, art, music, dance, cooking, gardening, nature studies, photography, writing, and more. Our non-competitive and small-sized classes are offered year-round on a scenic 270-acre campus, attracting students from all over the world. The Folk School transforms lives, bringing people together in a nurturing environment for experiences in learning and community life that spark self-discovery. “I sing behind the plow,” the Folk School’s motto since its founding in 1925, reflects the importance of lifelong learning and growth while finding joy throughout every step of the process.

Brasstown,
NC
Arts/Cultural Organization Craft School
Clay Fiber Glass Metal Mixed Media Other Paper Wood
Ephraim Pottery's Wares. Ephraim Pottery

For thirty years, Ephraim Pottery has redefined American art pottery through revolutionary collaborative craftsmanship. Founded in 1996 by Kevin Hicks, our Wisconsin studio brings together ten master artisans who work side by side, sharing techniques and creative vision to produce limited-edition pieces that honor the Arts and Crafts Movement while charting new artistic territory.

Each hand-thrown vessel emerges from true collaboration—potter, sculptor, and glazer each contributing their expertise to create cohesively beautiful yet distinctly individual works. Our signature matte glazes flow and pool during firing, creating the organic forms and rich surfaces that echo masters like Grueby and Marblehead while expressing our contemporary voice.

As we mark three decades of collaborative artistry, Ephraim continues demonstrating that when artists work in harmony, they create something greater than any could achieve alone.

Lake Mills,
WI
Arts/Cultural Organization
Clay
Craft in America Center

The Craft in America Center is a small museum and library that presents artist talks, scholarly lectures, hands-on workshops and concerts in addition to regularly changing exhibitions. Our publications offer a deeper dive into the practices of select artists and topics.

The Center works in tandem with the acclaimed PBS documentary series to give voice to traditional and contemporary craft, ranging from functional to purely conceptual. Being a brick and mortar venue, the Center provides the public an opportunity for direct personal engagement with art, artists and ideas.

The Craft in America Center produces 5-8 exhibitions a year, both on site and traveling.  Exhibitions highlight the work of numerous Los Angeles craft-based artists while providing a local platform for the nation’s accomplished artists working across all craft media. For those not able to visit in-person, digitized exhibitions and recorded talks and interviews are archived online as accessible resources for all. 

Los Angeles,
CA
Arts/Cultural Organization Museum
Clay Fiber Glass Metal Mixed Media Other Paper Wood
Hunterdon Art Museum exterior at night. courtesy of the Hunterdon Art Museum

The Hunterdon Art Museum presents exhibitions of contemporary art, craft, and design in a 19th-century stone mill that is on the National Register of Historic Places. A landmark regional art center since 1953, the museum showcases works by established and emerging contemporary artists and also offers a dynamic schedule of classes and workshops for children, teens, and adults.

Our mission is to educate, challenge, and inspire community through the arts.

Clinton,
NJ
Museum
Clay Fiber Metal Mixed Media Other Paper Wood
Therman Statom's Glass House Sculpture stands out front of the School House Gallery at Starworks. Claire Sellers

Starworks is a 501(c)(3) nonprofit organization that promotes community and economic development by providing outstanding artistic educational programs.  We provide artistic opportunities to the public and showcase outstanding talent from around the world through our Artist Residency programs. Starworks hosts studios in Glass, Ceramics, and Metal, as well as an onsite Ceramic Supply Shop, Cafe & Taproom, and Galleries.

Starworks is a rural visual arts organization based in Star, North Carolina. We are dedicated to expanding cultural access in under-resourced areas, strengthening community identity, and fostering creative exchange. Our programs connect local residents with arts of the highest quality through workshops, exhibitions, and collaborative projects, ensuring that even small towns have access to transformative cultural experiences.

Star,
NC
Arts/Cultural Organization Gallery
Clay Glass Metal
Entrance to the American Museum of Ceramic Art in Pomona, CA. Photo credit: AMOCA

The American Museum of Ceramic Art (AMOCA) champions the art, history, creation, and technology of ceramics through exhibitions, collections, outreach, and studio programming.

With rotating exhibitions across our four galleries, there’s always something new to explore. AMOCA offers in-house field trips, MudMobile visits, teen programs, college/adult tours, and family events to provide opportunities for all to experience the wonders of clay. In person and virtual programing includes opening receptions, artist talks, exhibition tours, and monthly pay-what-you-can First Fridays.

Our Ceramics Studio offers classes and workshops, studio rentals, firing services, and an artist-in-residence program.

For current public hours, exhibitions, programs, classes, workshops, and more, visit our website at www.amoca.org.

Pomona,
CA
Museum
Clay
Aqueduct (2016) detail by Courtney Mattison. Glazed stoneware and porcelain. 250 x 250 x 50 cm (98 x 98 x 20 in). Courtesy of the artist. Images courtesy Glen McClure for Virginia MOCA. Included in the 2026 exhibition "Clay Sustains: Vessels of Change" on view January 17-April 5, 2026 that will feature 15-20 established ceramic artists focusing an exceptional body of work on issues of environmental crisis and cultural sustainability. Part of the Art Center's 2025-26 exhibition series "Centering: Clay and Community"

About the Palo Alto Art Center:
The Palo Alto Art Center is your place to see and make art, activate your creativity, and expand your community. Created by the community, for the community in 1971, the Palo Alto Art Center provides an accessible and welcoming place to engage with art. We engage approximately 150,000 people every year through a diverse range of programs.

Palo Alto,
CA
Arts/Cultural Organization Craft School
Clay Fiber Glass Metal Paper
IAIA President’s Convocation in the Dance Circle. Photograph by Jason S. Ordaz

The Institute of American Indian Arts (IAIA)—the University for Indigenous Creative Excellence—is the only higher education institution in the world dedicated to the study of contemporary Native American and Alaska Native arts. IAIA offers undergraduate degrees in Cinematic Arts and Technology, Creative Writing, Indigenous Liberal Studies, Museum Studies, Performing Arts, and Studio Arts; graduate degrees in Creative Writing, Studio Arts, and Cultural Administration; and certificates in Broadcast Journalism, Business and Entrepreneurship, Museum Studies, and Native American Art History. Recent partnerships such as those with The Walt Disney Company, Nike, The California Institute of the Arts (CalArts), and NBCUniversal Media help students set down footprints in the creative community. IAIA serves approximately 500 full-time equivalent (FTE) Native and non-Native students, representing nearly 100 federally recognized Tribes. IAIA is among the leading art universities in the nation and is accredited by the Higher Learning Commission (HLC).


The Institute of American Indian Arts (IAIA)—the University for Indigenous Creative Excellence is part of the Handwork 2026 Artist Residency Program, pairing master craftspeople, both local and national, with top educational institutions to teach specialized techniques, promote cultural dialogue, and explore American craft traditions.

Santa Fe,
NM
Arts/Cultural Organization Museum University or College
Clay Fiber Glass Metal Mixed Media Other Paper Wood