Carolyn Mazloomi’s practice is deeply rooted in social documentation and activism. As the founder of the Women of Color Quilters Network and the African American Quilt Guild, Mazloomi has been instrumental in shaping the national discourse regarding quilting as a respected contemporary art form, belonging in the Artistic canon.

“Quilts possess a fundamental human imprint as the fabric itself holds the touch, time, labor, and stories of the lives depicted. Textiles have an inherent humanity. The histories of the people I portray are sewn into the fabric itself. My works speak on behalf of those whose voices might otherwise go unheard”.     – C. Mazloomi

Video credit: Daniel Morrison

Meet Victoria Ahamadizadeh Melendez, one of the artists who has made The Studio of the Corning Museum of Glass her creative home.

The Studio’s Artist-in-Residence program brings artists from around the world to Corning, NY, giving them uninterrupted time to explore new techniques or push the boundaries of their practice with support from the immense resources of the world’s leading glass museum.

Neon artists Meryl Pataky and Kelsey Issel bend glass to its limits in this year’s edition of The Rockwell Museum’s Antigravity installation. A site-specific work of art created for the Museum’s rotunda, Pataky and Issel, founders of the neon workers collective, She Bends, True Gravity references textiles and investigates the idea of “true gravity:” a condition in which the body yields to what the material and the environment already intend.

Working within tensions of hard and soft, control and happenstance, and isolation and interdependence, Pataky and Issel’s sculptural neon invites the viewer to rethink the potential of glass and light.

As part of their week-long residency to install at The Rockwell Museum, Pataky and Issel were invited to the Corning Museum of Glass’s Amphitheater Hot Shop, allowing them to experiment with new techniques that bring their artistic vision to life in glass. See this installation at The Rockwell Museum in Corning, NY through March 2027.

The 33rd Rakow Commission was awarded to Rui Sasaki, a Japanese artist and educator who created Liquid Sunshine/I am a Pluviophile. Sasaki uses an array of materials, including resin, ice, light, performance, and especially glass, to highlight subtle aspects of everyday life.

As an itinerant artist, pursuing opportunities around the globe, she has often created work that deals with the slipperiness of the concept of “home” and with the idea of creating spaces of belonging.

Her more recent works address the weather, drawing viewers’ attention to the subtle qualities of sunshine and rain and the emotional states they provoke.

“My father said this and I repeat it,
‘If you don’t support your artists you
won’t have them’.”

Anne Gould Hauberg was a dedicated patron and advocate for the arts and individual artists for over sixty-five years. She was a lifelong resident of Seattle where she held a central position in the establishment of organizations that offer support for artists in both the Pacific Northwest and national arts communities, art classes for therapy, and artistic development for children at risk. She was the founder, in partnership with John Hauberg and Dale Chihuly, of Pilchuck Glass School, launched the Pacific Northwest Arts Council of the Seattle Art Museum, and founded Friends of the Crafts as well as Pacific Art Center.

In recognition of her vision Anne Gould Hauberg has been granted many awards including the American Craft Museum Visionary Award, American Craft Council Aileen Osburn Webb Award, and the King County Arts Commission Service Award. She served two terms on Seattle Arts Commission and served on the Board of Directors of Museum of Glass: International Center for Contemporary Art, Tacoma Art Museum, and Pletscheef Institute.

IAIA Artist-in-Residence and Chilkat weaver Laine Rinehart on how the Artist-in-Residence program has allowed him to pursue his craft. Bonus video from the WEST episode. PBS premiere December 19, 2025.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

Fiber Artist Talk by Barbara Danzi in Los Angeles June 28, 2026 at TAG Gallery. Discussing her exhibit of contemporary abstract quilts composed of seemingly hand drawn lines, some traditional quilt history including the American Bicentennial, some whimsical lines of poetry, and acknowledgement of fiber art and quilting communities.

What’s My Line? explores the personality of lines through fabric and stitching. Lines can evoke feelings of power or serenity, a sense of direction, rhythm or abundance. I create the lines by hand cutting solid-colored fabric with gestural arm movements. I stitch the fabric pieces together using my sewing machine, creating seam lines that preserve the look of hand-drawn lines. I then add quilting stitches, either in straight lines or by drawing leaves or other designs which add layers of meaning to each composition. For this exhibit I created whimsical compositions drawn from the cultural and linguistic associations of lines. For nature lovers there is tree line, ridge line, coastline, shoreline. City dwellers will appreciate skyline, powerline, pipeline, trainline, fenceline and lane line. Rounding out the collection are line dance, hemline, line of scrimmage, headline, and since this is LA, “forgot my lines.”

Together, the works consider line as both a visual structure and a cultural metaphor. Quilts are available for sale. Additional quilt photos can be viewed on my website https://barbaradanzi.com

The Corning Museum of Glass selected mixed-media artist Te Rongo Kirkwood (b. 1973, Auckland, New Zealand) as the recipient of the 38th Rakow Commission. The Museum’s Rakow Commission, in its 38th year, supports the creation of a new work in glass by an artist who pushes the boundaries of the material and who is not yet represented in CMoG’s permanent collection.

The Seer, the Seen, the Seeing is a multi-dimensional installation that represents the artist’s most personal series in glass to date. Drawing from Māori weaving practices, Kirkwood has created a kākahu (cloak) made of glass and woven fibers, alongside a Puru hau (sacred ritual vessel) in blown glass.

These two works are central symbolism to a film featuring Kirkwood and her father, set against the backdrop of their ancestral lands at Piha beach on New Zealand’s west coast. The cloak worn by Kirkwood’s father embodies a connection to past, present, and future generations. In the symbolic act of passing it to his daughter, he offers not only the gift of ancestral wisdom and love but also unresolved intergenerational pain inviting her to integrate what she can in her lifetime as part of the ongoing cycle of evolution and transformation.

Artist Nancy Cohen reflects on her career in hand papermaking and discusses her artistic process, as part of the exhibition Legacies in Paper.

Legacies in Paper is an exhibit celebrating the lifelong exploration of hand papermaking in the artworks of Nancy Cohen, Sara Garden Armstrong, and Helen Hiebert, significant pioneers in developing paper as an artistic and sculptural medium.

Legacies in Paper was on display at the Robert C. Williams Museum of Papermaking in Atlanta, GA from September 4, 2025 – January 30, 2026.

Artist Sara Garden Armstrong reflects on her career in hand papermaking and discusses her artistic process, as part of the exhibition Legacies in Paper.

Legacies in Paper is an exhibit celebrating the lifelong exploration of hand papermaking in the artworks of Nancy Cohen, Sara Garden Armstrong, and Helen Hiebert, significant pioneers in developing paper as an artistic and sculptural medium.

Legacies in Paper was on display at the Robert C. Williams Museum of Papermaking in Atlanta, GA from September 4, 2025 – January 30, 2026.

An intimate look at a creative partnership decades in the making, this Exhibition Insights episode explores the life, work, and legacy of George and David Lewis. Reflecting on their journey from the 1980s to today, the episode highlights how their shared passions—for art, gardens, architectural history, and water features—grew into a deeply rooted creative practice.

Through personal reflections and a look at their iconic designs and sculptures, we step into their artistic process and enduring partnership. Tied to their retrospective “Deeply Rooted,” this episode honors not only their body of work, but their lasting impact on the Bainbridge Island community and beyond.

Fiber Artist Talk by Barbara Danzi in Los Angeles June 28, 2026 at TAG Gallery. Discussing her exhibit of contemporary abstract quilts composed of seemingly hand drawn lines, some traditional quilt history including the American Bicentennial, some whimsical lines of poetry, and acknowledgement of fiber art and quilting communities.

What’s My Line? explores the personality of lines through fabric and stitching. Lines can evoke feelings of power or serenity, a sense of direction, rhythm or abundance. I create the lines by hand cutting solid-colored fabric with gestural arm movements. I stitch the fabric pieces together using my sewing machine, creating seam lines that preserve the look of hand-drawn lines. I then add quilting stitches, either in straight lines or by drawing leaves or other designs which add layers of meaning to each composition. For this exhibit I created whimsical compositions drawn from the cultural and linguistic associations of lines. For nature lovers there is tree line, ridge line, coastline, shoreline. City dwellers will appreciate skyline, powerline, pipeline, trainline, fenceline and lane line. Rounding out the collection are line dance, hemline, line of scrimmage, headline, and since this is LA, “forgot my lines.”

Together, the works consider line as both a visual structure and a cultural metaphor. Quilts are available for sale. Additional quilt photos can be viewed on my website https://barbaradanzi.com

Artist Helen Hiebert reflects on her career in hand papermaking and and discusses her artistic process, as part of the exhibition Legacies in Paper.

Legacies in Paper is an exhibit celebrating the lifelong exploration of hand papermaking in the artworks of Nancy Cohen, Sara Garden Armstrong, and Helen Hiebert, significant pioneers in developing paper as an artistic and sculptural medium.

Legacies in Paper was on display at the Robert C. Williams Museum of Papermaking in Atlanta, GA from September 4, 2025 – January 30, 2026.

Interviews of several artists from the 2012 Show sharing their timeless remarks about the Show.  This video illustrates the joy of the handmade through the artists’ statements.

Neon artists Meryl Pataky and Kelsey Issel bend glass to its limits in this year’s edition of The Rockwell Museum’s Antigravity installation. A site-specific work of art created for the Museum’s rotunda, Pataky and Issel, founders of the neon workers collective, She Bends, True Gravity references textiles and investigates the idea of “true gravity:” a condition in which the body yields to what the material and the environment already intend.

Working within tensions of hard and soft, control and happenstance, and isolation and interdependence, Pataky and Issel’s sculptural neon invites the viewer to rethink the potential of glass and light.

As part of their week-long residency to install at The Rockwell Museum, Pataky and Issel were invited to the Corning Museum of Glass’s Amphitheater Hot Shop, allowing them to experiment with new techniques that bring their artistic vision to life in glass. See this installation at The Rockwell Museum in Corning, NY through March 2027.

Artist Nancy Cohen reflects on her career in hand papermaking and discusses her artistic process, as part of the exhibition Legacies in Paper.

Legacies in Paper is an exhibit celebrating the lifelong exploration of hand papermaking in the artworks of Nancy Cohen, Sara Garden Armstrong, and Helen Hiebert, significant pioneers in developing paper as an artistic and sculptural medium.

Legacies in Paper was on display at the Robert C. Williams Museum of Papermaking in Atlanta, GA from September 4, 2025 – January 30, 2026.

108|Contemporary presents the virtual tour of the FiberWorks 2024 exhibition.

FiberWorks 2024 was held at 108|Contemporary June 7 – July 20, 2024 and showcases a variety of work by Oklahoma fiber artists. Juried by Shin-hee Chin, this eclectic exhibition honors quality workmanship and original design and features work by members of the Fiber Artists of Oklahoma guild.

For more information visit: https://108contemporary.org/event/fiberworks-2024/

Laurie Logan Brayshaw, Director of Sponsored Programs at IAIA on their land grant program. Bonus video from the WEST episode. PBS premiere December 19, 2025.

Archival courtesy of IAIA.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

The Workhouse Arts Center, a historic landmark transformed into a thriving hub for contemporary art and craft. We invite viewers to explore our dynamic campus, where the “handwork” of 2026 comes alive through professional artist studios, immersive exhibitions, and hands-on art and craft education programs.

From intricate technical demonstrations to the broad variety of our public attractions, our mission is to foster a diverse and accessible community for the arts in America.

IAIA Artist-in-Residence and Chilkat weaver Laine Rinehart on how the Artist-in-Residence program has allowed him to pursue his craft. Bonus video from the WEST episode. PBS premiere December 19, 2025.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

At the Institute of American Indian Arts Museum of Contemporary Native Arts, they showcase Native American art and their collection houses over 7,000 contemporary Native American art pieces. Bonus video from the WEST episode, PBS premiere December 19, 2025.

Images courtesy of IAIA and IAIA Museum of Contemporary Native Arts, Santa Fe, NM.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

IAIA provost, Felipe Jeneciech Estudillo Colon on the hogan that they built on campus. Bonus video from the WEST episode. PBS premiere December 19, 2025.

Archival courtesy of IAIA.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

In this recording, rosemaler Louise Bath shares the remarkable artwork and life stories of 15 Vesterheim Gold Medalist rosemalers (Norwegian decorative painting).

Every other year, Vesterheim hosts a judeged show The National Norwegian-American Folk Art Exhibition featuring contemporary artists who create folk art rooted in the Norwegian traditions of rosemaling, woodworking, weaving, metalworking, and knifemaking.

Artists submit work for evaluation by a team of judges, who offer feedback on their entries and award ribbons, which carry points that accumulate toward a Vesterheim Gold Medal. Over 150 artists are now Vesterheim Gold Medalists, and inspiring stories celebrate and uplift Norwegian-American folk art.

Institute of American Indian Art student Whisper Crow Dog and IAIA graduate Terran Last Gun on ledger art. Bonus video from the WEST episode, PBS premiere December 19, 2025.

Images courtesy of The Metropolitan Museum of Art, Terran Last Gun.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

Artist Daniel McCoy Jr and artist/faculty emerita Linda Lomahaftewa on the IAIA community. Bonus video from the WEST episode, PBS premiere December 19, 2025.

Images courtesy of IAIA Archives, Santa Fe, NM, Institute of American Indian Arts, IAIA Museum of Contemporary Native Arts, Santa Fe, NM, Hecho a Mano gallery & Daniel McCoy Jr.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

In this short video you will discover the signature process for making an Aquascape Glass sculpture created by artist Sean Free Alcala. Sean is a second generation glass artist who has been working with glass for over twenty years and aims to capture the flow of water within his dynamic glass forms. His technique combines glass fusing principles and kiln-casting techniques, as well as various hot glass elements. This video also shows different cold working tools that can be used to shape, polishing and  finish glass sculptures. The three dimensional sculpture is a unique example of how glass can capture color, form and interior composition.

Visit Sean at booth #9 at the fabulous ACGA Clay & Glass Festival coming back to the Palo Alto Art Center the weekend of July 11-12, 2026, with 130+ of California’s most celebrated artists.

Come for the art, stay for the Throwdown and demos. Valet parking, food trucks, and Clay for All.More information at link in bio.

Featured: Sean Alcala:  https://alcaladesigns.com

@paloaltoartcenter  @theacga #craftinamerica #handwork2026

M&S Schmalberg Flowers

A glimpse into the handmade process at M&S Schmalberg, the last remaining fabric flower factory in the United States. Starting with a simple piece of fabric, the video follows the transformation through vintage die cutting, embossing, and hand assembly, ending with a finished flower made entirely by hand in New York City.

In this recording, rosemaler Louise Bath shares the remarkable artwork and life stories of 15 Vesterheim Gold Medalist rosemalers (Norwegian decorative painting).

Every other year, Vesterheim hosts a judeged show The National Norwegian-American Folk Art Exhibition featuring contemporary artists who create folk art rooted in the Norwegian traditions of rosemaling, woodworking, weaving, metalworking, and knifemaking.

Artists submit work for evaluation by a team of judges, who offer feedback on their entries and award ribbons, which carry points that accumulate toward a Vesterheim Gold Medal. Over 150 artists are now Vesterheim Gold Medalists, and inspiring stories celebrate and uplift Norwegian-American folk art.

Since its founding in 1985, Visions Museum of Textile Art has attracted a vibrant textile art scene in San Diego, California. In 2007, when volunteers organized a community build and created our permanent location in the Arts District Liberty Station in San Diego, California, our space invited new approaches to contemporary textile art.

This exhibition showcases the creativity and innovation of San Diego’s textile artists, remembering that the textile tradition in San Diego dates back to the indigenous Kumeyaay. Artist Nancy Lemke draws on her own experience and playful style to create stunning art quilts.

Fiber Artist Talk by Barbara Danzi in Los Angeles June 28, 2026 at TAG Gallery. Discussing her exhibit of contemporary abstract quilts composed of seemingly hand drawn lines, some traditional quilt history including the American Bicentennial, some whimsical lines of poetry, and acknowledgement of fiber art and quilting communities.

What’s My Line? explores the personality of lines through fabric and stitching. Lines can evoke feelings of power or serenity, a sense of direction, rhythm or abundance. I create the lines by hand cutting solid-colored fabric with gestural arm movements. I stitch the fabric pieces together using my sewing machine, creating seam lines that preserve the look of hand-drawn lines. I then add quilting stitches, either in straight lines or by drawing leaves or other designs which add layers of meaning to each composition. For this exhibit I created whimsical compositions drawn from the cultural and linguistic associations of lines. For nature lovers there is tree line, ridge line, coastline, shoreline. City dwellers will appreciate skyline, powerline, pipeline, trainline, fenceline and lane line. Rounding out the collection are line dance, hemline, line of scrimmage, headline, and since this is LA, “forgot my lines.”

Together, the works consider line as both a visual structure and a cultural metaphor. Quilts are available for sale. Additional quilt photos can be viewed on my website https://barbaradanzi.com

Originally presented on Zoom Sunday, April 26 2026

We will take a look at the key work that has shaped Kristina’s career as an artist to date. This talk is open to the public and part of Handwork 2026. Kristina is a minimalist ceramic artist based in Tacoma and Los Alamos, CA, making sculptural and functional work, incorporating concepts and ideas from social commentary and has been in the NWDC since 2023.

Discover the rich history and enduring beauty of the cyanotype process through the work of featured artist Shane Booth. Derived from the Ancient Greek words kyáneos (“dark blue”) and týpos (“mark” or “impression”), cyanotype is one of the earliest photographic printing processes, often recognized for its striking blueprint-blue images. Invented in 1842 by astronomer and chemist Sir John Frederick William Herschel, the process gained popularity in the early 20th century because of its affordability and simplicity, becoming a favorite among amateur photographers and textile artists alike. Over time, cyanotypes found their way beyond photography and into decorative arts, appearing on fabrics, quilts, lampshades, pillows, and other household objects. Today, contemporary artists continue to reinvent the medium, exploring its unique ability to merge photography, printmaking, and textile traditions. In this video, we spotlight the work of Shane Booth, whose innovative approach demonstrates the continued evolution of cyanotype as a powerful artistic practice.

In this short video, Hannah and Alana of Nicholson van Altena Glass create a California Poppy Vessel from their Cactus Vessel Series. During the video, Alana explains how the women began their journey in glass and what they hope to achieve with their artwork.

Since its founding in 1985, Visions Museum of Textile Art has attracted a vibrant textile art scene in San Diego, California. In 2007, when volunteers organized a community build and created our permanent location in the Arts District Liberty Station in San Diego, California, our space invited new approaches to contemporary textile art. 

This exhibition showcases the creativity and innovation of San Diego’s textile artists, remembering that the textile tradition in San Diego dates back to the indigenous Kumeyaay. Artist Rebecca Smith utilizes her signature transparency weaving technique to create artworks whose intricate shadows rival the beauty of the artworks themselves.

Artist Daniel McCoy Jr and artist/faculty emerita Linda Lomahaftewa on the IAIA community. Bonus video from the WEST episode, PBS premiere December 19, 2025.

Images courtesy of IAIA Archives, Santa Fe, NM, Institute of American Indian Arts, IAIA Museum of Contemporary Native Arts, Santa Fe, NM, Hecho a Mano gallery & Daniel McCoy Jr.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

Institute of American Indian Art student Whisper Crow Dog and IAIA graduate Terran Last Gun on ledger art. Bonus video from the WEST episode, PBS premiere December 19, 2025.

Images courtesy of The Metropolitan Museum of Art, Terran Last Gun.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

Culture bearer Marques Hanalei Marzan talks about the knotting and cordage practices that were used for nets. Feather artist Kawika Lum-Nelmida and Zita Cup Choy, ‘Iolani Palace historian, talks about the kahili, feather standards in the King’s and Queen’s Bedroom. Bonus video from the WEST episode, PBS premiere December 19, 2025.

Images courtesy of Hawaii State Archives, PP-96-11-004, BlackBoxGuild / Pond5.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

Watch as we take you inside the studios—and the vibrant community—of Pittsburgh Glass Center, located in Pittsburgh’s East End.

Celebrating 25 years in 2026, Pittsburgh Glass Center (PGC) is a nonprofit, public access glass art center where anyone can take classes, explore the contemporary glass gallery, shop for glass gifts, and watch live glassblowing demonstrations.

Since its opening, PGC has educated over 750,000 individuals, contributed to the ongoing development of the city’s East End, and made Pittsburgh a significant hub in the international studio glass community. A multimillion-dollar expansion in 2024 nearly doubled its capacity, allowing it to meet the increasing demand for glass programs and studios.

PGC continues to cultivate an inclusive and welcoming environment that encourages everyone, from the casually curious to the master artist, to learn, create, and be inspired by glass.

25 years: Still Glowing, Still Growing

The Workhouse Arts Center, a historic landmark transformed into a thriving hub for contemporary art and craft. We invite viewers to explore our dynamic campus, where the “handwork” of 2026 comes alive through professional artist studios, immersive exhibitions, and hands-on art and craft education programs.

From intricate technical demonstrations to the broad variety of our public attractions, our mission is to foster a diverse and accessible community for the arts in America.

Roberto Lugo welcomes us to his neighborhood of Kensington in Philadelphia, Pennsylvania. He works as a potter, taking deep inspiration from his community, graffiti and Ancient Greek pottery, and values sharing his art with the public by throwing pots in parks and creating public works of art. Segment from the EAST episode, PBS premiere Dec 19, 2025.

EAST explores the intersection of history, culture and contemporary craft in the eastern region of the US. As a nation of immigrants, these American stories, from a fabric flower factory to a silversmith to a potter and more, highlight the diverse expressions behind modern craft.

The featured artists and institutions include M&S Schmalberg Custom Fabric Flowers, Bisa Butler, Colette Fu, Roberto Lugo, Ubaldo Vitali, Paul Revere House and Helena Hernmarck.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

IAIA provost, Felipe Jeneciech Estudillo Colon on the hogan that they built on campus. Bonus video from the WEST episode. PBS premiere December 19, 2025.

Archival courtesy of IAIA.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

At the Institute of American Indian Arts Museum of Contemporary Native Arts, they showcase Native American art and their collection houses over 7,000 contemporary Native American art pieces. Bonus video from the WEST episode, PBS premiere December 19, 2025.

Images courtesy of IAIA and IAIA Museum of Contemporary Native Arts, Santa Fe, NM.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Craft in America’s mission is to promote and advance original handcrafted work through educational programs in all media.
Support our exploration and celebration of the handmade.
craftinamerica.org/page/donate

Meet Raghvi Bhatia, one of the artists who has made The Studio of the Corning Museum of Glass her creative home.

The Studio’s Artist-in-Residence program brings artists from around the world to Corning, NY, giving them uninterrupted time to explore new techniques or push the boundaries of their practice with support from the immense resources of the world’s leading glass museum.

Nina Zannieri, Executive Director of the Paul Revere House tell us about Revere’s Midnight Ride. Bonus video from the EAST episode, PBS premiere December 19, 2025

Built around 1680, the Paul Revere House is the former home of American patriot and artisan, Paul Revere. Revere was a silversmith and a versatile craftsman. His shop made at least 90 types of pieces, the most unusual of which were created before the Revolution. His house is now a designated National Historic Landmark and operates as a non-profit museum. The Paul Revere House is the oldest house in downtown Boston and an example of 17th-century urban colonial architecture. Paul Revere owned the home from 1770 to 1800. It was the starting point of his “Midnight Ride” on April 18, 1775, sounding the alarm of approaching British troops. Today, its restored rooms, period furnishings, and artifacts related to Revere’s life and work offer a rare window into colonial life.

Archival courtesy of Niday Picture Library / Alamy, Tango Images / Alamy, Science History Images / Alamy, Library of Congress, © Museum of Fine Arts, Boston, The New York Public Library, Paul Revere Memorial Association, AE_Networks / Pond5, Mauricesavage / Pond5, ReenactmentStock / Pond5.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America episodes are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Whether you’re drawn to history, design, food, language, or simply a beautiful place to spend an afternoon, the American Swedish Institute in Minneapolis has something for you. Explore the stunning Turnblad Mansion, one of the most remarkable historic homes in the Midwest. Wander through world-class Nordic design exhibitions. Savor Scandinavian-inspired dishes at our café. Browse unique gifts and books in the shop. Join a class, attend a festival, or simply soak in the architecture.

ASI is a gathering place for curious minds, culture lovers, families, and anyone eager to explore the connections between Scandinavian heritage and the world we share today. Open to all — members and first-time visitors alike.

Come see what’s waiting for you.

Interview with Ceramics Visiting Resident Pierce Haley (Nov 2025-May 2026).

Originally from Orinda, California, Haley’s artistic vision has been significantly shaped by his father’s work as an architect, particularly in modern mid-century architecture. Haley uses a combination of 3-D printing, slip casting, and mold making to create large installations and tessellations.

Visit us at Belgerarts.org to stay updated on our events and future artist talks. Artist talks by Belger Arts are FREE to the public.

Learn more about the art of grannlåtsbroderi, a traditional Swedish embroidery technique that translates to “finery embroidery,” with visiting instructor Emma Ewadotter.

Hear Emma’s inspiration behind her art, how it connects to her Swedish heritage, and the importance of playfulness in the process of creating art.

“I incorporate everything that glitters and shimmers into my embroidery because life is too dull without it.”
— Emma Ewadotter

Explore the handmade and embrace your inner maker with hands-on workshops, meet-ups, and lectures on the past, present, and future of Nordic handcraft at the American Swedish Institute.

These programs invite makers of all backgrounds to build community, practice folk arts, and share innovative and creative approaches to woodcarving, basketry, textiles, and more, inspired by the Swedish tradition of slöjd.

Baltimore Clayworks is a community-centered ceramics institution in the Mt. Washington neighborhood of Baltimore, Maryland. Our organization was founded by nine artists in 1980 and in 1984 received its nonprofit 501(c)3 status.

We are known for our attentiveness to our city, and possess a national and international reputation for artistic excellence, artists’ support, and community involvement. We envision a welcoming and creative community where all people can access and experience joy through clay.

Our mission is to develop, sustain, and promote an artist-centered community that provides outstanding educational, artistic, and collaborative programs in the ceramic arts. Its core values are artist-centeredness, excellence, inclusivity, integrity, and joy.

Lowell’s Boat Shop builds and restores wooden boats for clients as we’ve done since 1793, but we also teach a variety of classes to welcome both beginners and experienced woodworkers who want to hone their skills. The week-long class for adults featured in this video is “Building the Peapod Dory“, and we look to give each student the opportunity to put their hand in every step of the building process as the boat comes together.

Other classes we’ve had in the recent past include make-your-own charcuterie board, building a toolbox, basic navigation on the water, and building a kid-sized rocking boat (similar to a rocking horse).