In this demonstration and workshop led by Artist in Residence Kristy Moreno, you’ll first see the artist demonstrate character-building approaches using slab and coil construction. The workshop concludes with a brief guided underglaze tile activity, focusing on illustration and painting techniques using underglaze.

This workshop is appropriate for students of all levels. Most materials, and light refreshments, will be provided.

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The Hunter Museum of American Art collects, preserves, and presents American art and connects the community through inspiring educational and visitor-focused experiences for all.

With its iconic campus, exceptional collection of American art, and engagement with the community, the Hunter is an essential space where everyone is welcome to experience creativity, connect, and share ideas.

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THE NATURAL WORLD is a cross-disciplinary exhibition featuring eight artists, pairing clay and glass with painting to explore material, process, and the environment.

Curated by ceramic artist Pierre Bounaud, the exhibition foregrounds craft through earth-based materials shaped by heat and transformation.

Paintings curated by Laura Green offer a visual counterpoint, expanding the dialogue between tactile form and painterly interpretation of the natural world.

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The Studio Door is a contemporary art gallery and working-studio hub located in San Diego’s Hillcrest neighborhood, the city’s recognized LGBTQ Cultural District. Founded in 2014, the gallery presents a year-round exhibition program alongside 17 on-site artist studios, positioning itself as both a site of presentation and an active center of artistic production.

The Studio Door is committed to visibility, access, and sustained artistic practice, supporting artists working across media with a particular emphasis on process, material knowledge, and craft. Its programming includes thematic group exhibitions, spotlight presentations, and juried shows that bring together emerging and established artists from Southern California and beyond.

In addition to exhibitions, The Studio Door engages with community, business, and cultural partners through workshops, talks, and creative venue experiences. The gallery serves as a platform for artists while contributing to the broader cultural and economic life of San Diego through collaboration, education, and creative exchange.

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A hands-on two day workshop with pottery, Minsoo Yuh. Further details to follow.

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An annual national juried exhibition of teabowls. Juried in 2026 by Athens, Georgia based potter, Minsoo Yuh. Roughly 200 applicants submitting three pieces each year, with 60-70 pieces are selected.

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KC Clay Guild is a nonprofit ceramic arts center that provides educational programming, a competitive Artist in Residence program, workshops, exhibitions, and artist services.

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NYC Jewelry Week is a cultural platform dedicated to the celebration of jewelry. We are a hybrid hub, delivering jewelry culture directly to our audience through content, events, strategic initiatives, and an annual jewelry week, in support of our mission — jewelry for all.

Want to learn how to be a more conscious consumer? Or discover your new favorite designer? We provide our community with insider access to the world of jewelry, offering exciting opportunities throughout the year to engage, discover, and shop culminating in our annual jewelry week each November.

We believe that everyone has a relationship to jewelry, and our platform was founded to promote this shared love of all things jewelry. From the admirers and adorners, to the trendsetters and trailblazers, to the collectors and creators, to the brands and businesses, and everyone in between — whatever you love about jewelry, the NYCJW platform is here to feed your curiosity.

This year’s annual NYC Jewelry Week runs November 16-22, 2026. Explore our website to see what else we are up to throughout the year.

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Founded by American artist Edith C. Barry in 1936, the Brick Store Museum ignites personal connections to local history and arts through exhibitions, education and programs illustrating the human experience in Kennebunk and the southern Maine region. For 90 years, the Museum has inhabited a campus of five historic buildings, including an 1825 dry goods store built of brick (hence our name!).

The Museum presents a blend of history and art exhibitions and related programming for all ages and learning levels; including arts workshops led by regional teaching artists. The Museum offers a hands-on learning gallery for young visitors, a contemporary arts gallery, and six main galleries to explore. The Museum is located in the heart of downtown Kennebunk, providing a gateway to engaging with the seacoast region and its deep history and artistic heritage.

In 2026, the Museum’s contemporary art gallery, the Bauman Center, will host rotating exhibitions of York County artists presenting their work in a variety of media such as fiber, glass, metal and wood.

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Peters Valley enriches lives through learning, appreciation, and practice of fine crafts.

The making of fine crafts is a kind of exploration, which relies on an integration of heart, head, and hands. Peters Valley encourages and facilitates this exploration in everything we do.

We are a vibrant community, bringing together established and emerging artists from around the globe. Coming together to make things makes us better artists, able to learn from each other, and to evaluate our own efforts in a wider context.

We provide studio-based educational workshops for life-long learners who have the opportunity to benefit from working with nationally and internationally-recognized artists.

We steward the creative process from start to finish, focusing on process to strengthen creative ability. We believe creativity is both personal and communal, often sparked by new places and diverse artistic perspectives.

Peters Valley is a 501(c)(3) non-profit organization.

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This survey exhibition of works by Mathew McConnell brings together a selection of ceramic objects produced over fifteen years of sustained inquiry into creative appropriation and artistic influence.

Spanning the years 2010 to 2025, this exhibition unites pieces from multiple bodies of work that share the usage of dark (often charcoal-black), light-absorbing surfaces.

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This exhibition invites the viewer to discover how objects worn on the body express personal stories, cultural lineage, and intimate narratives.

Through an abundant array of materials and techniques, these works bridge fine craft traditions with contemporary perspectives, revealing how adornment becomes a visual language that shapes identity. Each work serves as an invitation to reflect on the personal journey behind its creation, fostering a deeper connection between maker and viewer.

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Fragile, luminous, and enduring, porcelain becomes a medium for rethinking plant life in the modern city in Alice Riehl’s Porcelain Florilegium, an installation of the artist’s large-scale porcelain wall murals inspired by botanical imagery drawn from medieval tapestries, French decorative arts, mythology, and sustained observation of plant life.

The first major U.S. museum presentation of Riehl’s work, this exhibition underscores MAD’s commitment to contemporary craft and material innovation.

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The September Issue invites you to weave through the traditional arts, of old techniques and form, to gain artistic inspiration from the objects that surround us.

These exhibitions highlight sculpted and constructed forms–from 3D mosaics, basketry and historic garment production to man-made materials spanning beyond the last century, transformed into jewelry, and installation work.

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“Handwork 2026: Wood and Clay in the Northwest” brings together regional artists exploring material, process, and place at Kirkland Arts Center.

The exhibition is juried by David Lynx, Director of the Kirkland Arts Center, whose deep roots in the Puget Sound region and decades of experience as a museum director, educator, and writer bring thoughtful insight to this celebration of Northwest craft traditions.

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