medium
: Clay
This interpretive exhibit tells the story of how food and dining were changing in the 1920s/1930s .
This exhibit showcases what it was like to sit at a dining table in the 1920s. Cowan Pottery Studio ran from 1912-1931, and their products show the rapid changes in how people ate, drank, and entertained. Patrons will see how people consumed products a century ago.
Free guided tours of the exhibition are available by reservation at: 4408953763 or email cowan@rrpl.org
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The expanded Cowan Pottery Museum is located primarily on the first floor of Rocky River Public Library (renovated in 2006-2007). It features over 1200 pieces of a distinctive form of American art pottery created by R. Guy Cowan and his associates at the Cowan Pottery Studio in Lakewood, Ohio from 1913-1917, and in Rocky River, Ohio from 1920-1931.
The Cowan Pottery Studio was one of the nation’s leading potteries during the 1920s and the Cleveland area’s only major pottery. Cowan Pottery represents a visual cultural heritage unique to Rocky River and Cleveland.
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Come join us for a fun afternoon of firing outdoors with Raku!
You can bring your own pre-bisqued pieces or purchase a piece made by our staff and residents, which are ready to decorate.
Bring some food to share, and come hang out as we fire the pots, watch us pull them from the kiln while they’re red hot, enjoy the drama and excitement of the reduction flames, and walk away with a truly unique memento (or three).
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The Oklahoma Arts Institute at Quartz Mountain is a private, non-profit organization with a mission to provide exceptional multidisciplinary arts experiences that develop individual talent and inspire a lifelong passion for the arts.
Since 1977, the Oklahoma Arts Institute has recruited nationally renowned artists to teach a fine arts program for artistically advanced Oklahoma youth and a series of continuing education workshops for adults.
All programs are held at the Quartz Mountain State Park & Lodge in Lone Wolf, Oklahoma.
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Artazan Handcraft Market celebrates handcraft across jewelry, ceramics, textiles, wearable art, décor, and artisan goods.
Bringing together artists and makers from across the country, Artazan highlights craftsmanship, creativity, and the enduring value of handcraft through curated exhibits, artist interaction, demonstrations, workshops, and opportunities for the public to connect directly with the artists behind the work.
Proud participant in Handwork 2026: Celebrating American Craft.
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Artazan Handcraft Market is a curated marketplace celebrating handcraft in all forms, including jewelry, ceramics, textiles, wearable art, home décor, and artisan goods. Bringing together independent artists and makers with shoppers who value craftsmanship, creativity, and the artists behind the work.
Held at the Pasadena Convention Center, Artazan highlights contemporary handcraft through artist exhibits, workshops, demonstrations, and direct interaction with makers working across a wide range of mediums and traditions.
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Touchstone Center for Crafts presents America 250: Craft Today, a national juried exhibition celebrating the best of American contemporary craft.
Showcasing exceptional work by 22 leading and emerging artists from across the country, the exhibition highlights innovation, technical mastery, and the diverse voices shaping craft today.
Together, these works reflect the evolving role of handmade art in American culture.
JUROR: Judy Barie
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The ACGA Clay & Glass Festival returns to the Palo Alto Art Center on July 11–12, 2026, for two inspiring days of handmade clay and glass art, live demos, artist meet-and-greets, a pottery Throwdown, and more. With 130+ juried California artists, this is your chance to discover one-of-a-kind work and meet the makers behind it. Free admission, all weekend long.
📍 Palo Alto Art Center
🗓 Saturday & Sunday, July 11–12
⏰ 10 AM–5 PM
🎟 Free admission
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Join us this May as Northern Clay Center celebrates the creativity of our member community through the 2026 Members Exhibition.
Featuring a juried selection of work by students, educators, professional artists, and first-time makers, the exhibition highlights the many voices that make our clay community vibrant.
Alongside the Main Gallery exhibition, NCC is proud to showcase work by local K–12 educators and their students, celebrating the impact of arts education through clay.
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Opening Reception: Saturday, June 13, 2026, 2:00 – 4:00 pm
Clay from the Classroom is our annual exhibition celebrating the talent and triumphs of our students and their instructors, featuring beginner through advanced ceramic art from our various classes from the past year.
All work was created with the guidance of our dedicated instructors, whose work will also be on display.
Baltimore Clayworks is proud to highlight the achievements of our creative community!
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Baltimore will host NCECA’s 61st annual conference from March 10-13th, 2027!
Join us to learn about NCECA and how we amplify the world of ceramics, create work at our clay making and wheel stations, and learn about the Baltimore ceramics community.
Brief introductions will be given by NCECA’s board and conference organizers. Local studios and artists will host demonstrations and other fun activities. Free light refreshments and snacks will be available.
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James E. Lewis Museum of Art (JELMA) is the visual arts cultural extension for Morgan State University’s fine arts and academic program. Developed to enhance the scholastic experience of Morgan students and the community’s exposure to works of art, JELMA provides opportunities to experience exhibitions, programs, and presentations.
The museum features work by artists at all levels of their careers, from students to established, world-renowned practitioners. The JELMA collection comprises art from the Americas, Africa, Asia, Europe, and Oceania, dating from the 9th century to the present.
The wide range of disciplines represented includes painting, drawing, ceramics, sculpture, photography, mixed media and printmaking. JELMA is Maryland’s premier museum for African and Black diaspora art.
In addition to Morgan students, faculty and staff, JELMA exhibitions and events are free and open to the public, and accessible to everyone.
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The DAR Museum’s 31 period rooms span 1690-1930, each evoking a distinct time and place in American history — from a rustic New England kitchen to a refined Southern parlor to a Texas German immigrant homestead. With authentic furniture, silver, ceramics, and textiles, they tell the story of the cabinetmakers, silversmiths, weavers, and needleworkers who shaped American domestic life.
Our Study Gallery lets visitors examine hundreds of additional objects from the permanent collection up close.
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The Peale is the oldest purpose-built museum in the Americas. Built in 1814, the museum once served as a space for innovation, discovery, and creativity.
The building itself has had many lives, and presently functions as The Peale, Baltimore’s Community Museum. We strive to be a mirror—not a lens—reflecting the cultural narrative of now, not curating a limited version of what it means to be a Baltimorean.
We serve as facilitators and advocates, not gatekeepers of knowledge or assigners of cultural value. We’re not just a physical space; we’re a community resource. We provide a place and platform for creative experimentation and serve as a co-creator for exhibits and cultural programming driven by local creators and storytellers.
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The only art museum in Minnesota’s capital city of St. Paul (Imníža Ska in Dakhóta), the Minnesota Museum of American Art (the M) is located in the Upper Midwest of Dakota territory and at the heart of a diverse urban community. Founded in 1894 as an arts educator, the M has evolved into a community-centered institution dedicated to inspiring understanding of American identities, experiences, and complex truths through art and creativity.
We are an inclusive community of people—artists, art lovers, learners, partners, and supporters—brought together by a belief that artistic creation and engagement with the arts are essential to our common vision of a vibrant community.
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