Making Whole is an addiction recovery program designed within the framework of a traditional woodworking apprenticeship.

Our program is built on a simple premise: the mentor–student relationship can break through the ego barriers of addiction. Once trust is established, apprentices begin building studio-quality objects while rebuilding themselves. The work becomes training for sustainable sobriety and for a life strong enough to hold its own weight.

In our shop, beautiful and enduring things are made. Furniture and objects are crafted from wood, metal, concrete, leather—whatever the work demands.

But the products are not the point. They are the artifacts—the proof—of a deeply transformative process.

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This exhibition invites the viewer to discover how objects worn on the body express personal stories, cultural lineage, and intimate narratives.

Through an abundant array of materials and techniques, these works bridge fine craft traditions with contemporary perspectives, revealing how adornment becomes a visual language that shapes identity. Each work serves as an invitation to reflect on the personal journey behind its creation, fostering a deeper connection between maker and viewer.

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The September Issue invites you to weave through the traditional arts, of old techniques and form, to gain artistic inspiration from the objects that surround us.

These exhibitions highlight sculpted and constructed forms–from 3D mosaics, basketry and historic garment production to man-made materials spanning beyond the last century, transformed into jewelry, and installation work.

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“Handwork 2026: Wood and Clay in the Northwest” brings together regional artists exploring material, process, and place at Kirkland Arts Center.

The exhibition is juried by David Lynx, Director of the Kirkland Arts Center, whose deep roots in the Puget Sound region and decades of experience as a museum director, educator, and writer bring thoughtful insight to this celebration of Northwest craft traditions.

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NWDC artists take center stage at the Postmark Center for the Arts in this juried exhibition celebrating contemporary craft and design.

NWDC is proud to have Barbara Matilsky as juror, bringing over thirty years of curatorial experience from the Queens Museum of Art in New York City and the Whatcom Museum in Bellingham, Washington.

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Experience Violet, a powerful exhibition by Drawing & Painting AiR Lydia Cash that bridges painting and music through themes of healing and self-expression.

Each work draws from her upcoming album, inviting viewers into a vulnerable, intuitive, and deeply personal process.

Visit the exhibition February 2–28 and join us February 27 for an artist talk and live musical performance.

Artist talk : Feb 27, 2026 5 PM
RSVP HERE

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The Red Mill Museum Village’s 2nd Annual Hands-On History Traditional Crafts Festival will bring 18th-century skills to life through immersive, hands-on demonstrations on April 25, 2026.

Visitors can watch artisans and participate in blacksmithing, leatherwork, weaving, basketry, lace-making, violin-making, and more.

The event also features the Mill to Mill Peace Flag Project, inviting guests to create community art.

Admission includes access to historic buildings and exhibits.

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The Workhouse Arts Center is a vibrant 55-acre arts campus housed in a former historic prison. We offer art classes, exhibitions, and artist studio spaces for 70+ working artists, as well as professional theater and music performances, historic tours, and seasonal family-friendly experiences. We strive to harness the power of the arts to engage, heal, and inspire communities through creativity, cultural enrichment, historic preservation, and positive social impact.

2026 commemorates the 25th anniversary of the closure of the Washington DC Corrections Office’s Lorton Correctional Complex (1910-2001). The Workhouse Arts Center is located on 55 acres of the former 3,500-acre prison and is home to the Lorton Prison Museum, dedicated to sharing the 91-years of this former Washington DC prison’s history, including events of the women’s suffrage movement.

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During this workshop, you will learn how to:

• Prepare a 3 yard warp out of wire, 3/8” to 1” wide
• Beam the wire warp onto a 4-8 harness small floor or table loom
• Weave the 3 yard woven metal warp to be used for jewelry or small sculpture
• Sculpt with woven metal fabric and various ways of connecting for different applications

Lectures will include information about applying the woven metal fabric for basketry, jewelry, 3D sculpture, and bas-relief 2D wall art.

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Join HCCC Curator + Exhibitions Director Sarah Darro for a tour of the new exhibition, Clutch City Craft, offering behind-the-scenes insight into the makers, materials, and stories shaping Houston’s vernacular—from the infrastructures beneath our feet to the technologies that carry us beyond Earth.

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Kick off Go Texan Day and rodeo season at the opening reception of Clutch City Craft, an exhibition surveying the makers and material traditions that have shaped Houston.

Come with your finest Houston western wear—boots, buckles, hats, grillz, and low riders are encouraged!—for a chance to take home prizes.

Opening reception from 6:00 – 8:00 PM, with western wear judging beginning at 7:00 PM. The evening will also feature open studios by the newest resident artists.

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‘Clutch City Craft‘ explores the craft traditions and material cultures that have made Houston a powerhouse of making.

Named after the city’s hard-won nickname, the exhibition traces a material journey from civic infrastructure and SLAB car culture to bespoke western wear, grillz, and aerospace innovation, revealing how skilled craftsmanship underpins Houston’s industrial strength, cultural identity, and extraordinary concentration of working artists.

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The human body is essential to craft. This genre of art is rooted in physical labor, tactile knowledge, and material intimacy, and the resulting pieces are often intended to protect our bodies or to assist in nourishing them.

Building on that foundation, this exhibition presents works made of wood, ceramics, glass, textiles, and sweetgrass, and foregrounds their bodily resonance in terms of method of making as well as subject matter.

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Inspired by a curious mix of childhood fishing memories and social commentary, the work created by Ann Morton for this show uses the materiality of fishing line, hooks and sinkers, combined with assorted detritus that is then employed in hand weavings and assemblages. The graphics of nautical warning flags and imaginary fishing lures are metaphorical nods to the lures and navigational challenges we all experience as human beings.

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Featuring works from Mesa Contemporary Arts Museum’s permanent collection, the show highlights the breadth of materials — ceramics, fiber, wood, metal, glass and even more unconventional substances — used by contemporary American artists.

By weaving together these varied mediums, the exhibition tells an inclusive and multifaceted story of craft as an essential form of artistic expression within the broader context of American art history.

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