participant-type
: Museum
At the Red Mill Museum Village, our vision is to connect current generations to the past as well as to one another. We uphold our mission of preserving, maintaining and presenting the social, agricultural, and industrial heritage of the area through hands-on experiences that turn visitors into makers. By preserving tools as living teaching objects and telling the stories of those who made, used and collected them, we highlight how creativity and skill once sustained daily life through community.
The museum’s centerpiece is the 1810 Red Mill, originally built as a woolen mill. The 12 historic buildings on our 10-acre site include limekilns, a limestone quarry, schoolhouse, log cabin, two-family Tenant House and operational blacksmith shop.
Throughout the year, the museum offers a variety of educational exhibits, and immersive programming designed to keep the enduring value of skilled handwork and shared heritage alive.
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Built around 1680, the Paul Revere House is a rare example of 17th-century urban architecture. One room interprets the 1680s, while three other rooms contain artifacts from Revere’s era, including select Revere family furniture. Paul Revere purchased the home in 1770 and lived here with his family when he made his famous messenger ride on the night of April 18-19, 1775.
Today the site includes a Visitor Center with exhibits highlighting Revere’s skilled craftsmanship; silver made in Revere’s shop is always on display. Regular public events feature the talents of musicians, artisans, and craftspeople who are keeping alive the traditional trades of the 18th century.
Visit our self-guided site year-round!
Summer:
April 15 – October 31: 10:00 AM to 5:15 PM
Open daily
Winter:
November 1 – April 14: 10:00 AM to 4:15 PM
Closed on Mondays during January, February, and March
Closed Thanksgiving, Christmas Eve, Christmas Day, and New Year’s Day
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San Diego’s Mingei International Museum celebrates folk art, craft, and design from all eras and cultures of the world. The Japanese word mingei means “art of the people” and the museum collects, conserves, and exhibits arts of daily use made by contemporary and historic designers, artists, and craftspeople, known and unknown.
Established in 1978, Mingei’s inaugural exhibition was Dolls and Folk Toys of the World. Since then, the Museum has shared over 183 exhibitions covering a diverse range of cultures, themes, and media. Recent exhibitions include Across the Spooniverse, Blue Gold: The Art and Science of Indigo, African by Design, and Fashioning an Icon: The Virgin of Guadalupe in Textile Design. Upcoming exhibitions explore subjects such as mid-century modern design, Indigenous works in glass, DIY skateboard culture, sustainable fishing, feedsack quilts, Japanese shrine paintings, and global percussion.
Mingei champions artists and craftspeople, and we envision a world where people find joy, beauty, and inspiration in our shared human creativity.
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Silver River Center for Chair Caning is the nation’s only chair caning school & museum. Operated by David Klingler and Brandy Clements (a 4th generation chair weaver), it has recently re-located to Weaverville, NC just a few miles north of Asheville. During their 15 years in the River Arts District, they wove over 10,000 chairs hand taught hundreds of sessions to aspiring weavers, furniture makers, and those who just want to save their heirloom chair.
They are considered experts in their field and ambassadors of the craft. They teach both in-person and online at the school and on YouTube, as well as on location at craft schools like Arrowmont & John C Campbell Folk School. They travel the country spreading the love of chairs across the land, speaking at museums and craft shows, teaching kids, adults, and anyone who finds themselves in their presence.
Silver River is an Official Education Center of the Southern Highland Craft Guild. Their new instructional book, The Woven Chair, published by Blue Hills Press is launching alongside their grand re-opening New Years 2026.
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The mission of the Metal Museum is to preserve, promote, and advance the art and craft of fine metalwork. As the only institution of its kind, the Museum leads the way in celebrating and promoting the field.
The Museum achieves its mission through four program areas: rotating exhibitions of historic and contemporary metalwork; the Permanent Collection of objects, books, folios, and archives; the Metals Studios—blacksmith shop, foundry, fine metals lab, and design lab—that provide opportunities for metalsmiths through artistic creation; and education and engagement programs for learners of all ages. This broad yet dedicated focus attracts visitors, artists, and patrons from all fifty states and around the globe. Thousands more are served during off-site programs and community events through the Mini Mobile Metal Museum.
Tremendous growth over the past decade has led the Museum to outgrow its downtown Memphis home. It is converting an award-winning mid-century building into a state-of-the-art museum and education center, with expanded studios, classrooms, galleries, and collections storage. The Metal Museum in Overton Park will welcome triple the number of annual visitors and solidify the Museum’s role as the global leader in preserving and promoting fine metalwork.
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The Craft in America Center is a small museum and library that presents artist talks, scholarly lectures, hands-on workshops and concerts in addition to regularly changing exhibitions. Our publications offer a deeper dive into the practices of select artists and topics.
The Center works in tandem with the acclaimed PBS documentary series to give voice to traditional and contemporary craft, ranging from functional to purely conceptual. Being a brick and mortar venue, the Center provides the public an opportunity for direct personal engagement with art, artists and ideas.
The Craft in America Center produces 5-8 exhibitions a year, both on site and traveling. Exhibitions highlight the work of numerous Los Angeles craft-based artists while providing a local platform for the nation’s accomplished artists working across all craft media. For those not able to visit in-person, digitized exhibitions and recorded talks and interviews are archived online as accessible resources for all.
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The International Quilt Museum is home to the world’s largest publicly held quilt collection, dating from the early 1600s to present and representing more than 65 countries.
Its mission is to build a global collection and audience that celebrate the cultural and artistic significance of quilts. The museum is many things to many different people: it’s a treasure trove of quilts from around the world spanning five centuries, a unique academic program and resource attracting scholars from far and wide, a connection point for quilt enthusiasts of all sorts, and a world-class museum with state-of-the-art exhibitions, digital galleries and stunning architecture.
The International Quilt Museum is accredited by the American Alliance of Museums; it also holds memberships with the American Alliance of Museums and Association of Academic Museums and Galleries. It enjoys a partnership with the North American Reciprocal Museum Association (NARM) and Blue Star Museums, honoring active members of our military and their families with free admission between Memorial Day and Labor Day.
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The Hunterdon Art Museum presents exhibitions of contemporary art, craft, and design in a 19th-century stone mill that is on the National Register of Historic Places. A landmark regional art center since 1953, the museum showcases works by established and emerging contemporary artists and also offers a dynamic schedule of classes and workshops for children, teens, and adults.
Our mission is to educate, challenge, and inspire community through the arts.
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Established in 1980 by the San Francisco Airport Commission, SFO Museum’s mission is to delight, engage, and inspire a global audience with programming on a broad range of subjects; to collect, preserve, interpret, and share the history of commercial aviation; and to enrich the public experience at San Francisco International Airport. The Museum has been accredited by the American Alliance of Museums since 1999 and retains the distinction of being the only accredited museum in an airport.
SFO Museum operates more than twenty-five sites throughout the Airport terminals, including fourteen galleries that exhibit a rotating schedule of art, history, photography, science, and cultural exhibitions. Among the sites is the San Francisco Airport Commission Aviation Library and Louis A. Turpen Aviation Museum, which houses a permanent collection of more than 160,000 objects related to the history of commercial aviation.
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The American Museum of Ceramic Art (AMOCA) champions the art, history, creation, and technology of ceramics through exhibitions, collections, outreach, and studio programming.
With rotating exhibitions across our four galleries, there’s always something new to explore. AMOCA offers in-house field trips, MudMobile visits, teen programs, college/adult tours, and family events to provide opportunities for all to experience the wonders of clay. In person and virtual programing includes opening receptions, artist talks, exhibition tours, and monthly pay-what-you-can First Fridays.
Our Ceramics Studio offers classes and workshops, studio rentals, firing services, and an artist-in-residence program.
For current public hours, exhibitions, programs, classes, workshops, and more, visit our website at www.amoca.org.
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The Institute of American Indian Arts (IAIA)—the University for Indigenous Creative Excellence—is the only higher education institution in the world dedicated to the study of contemporary Native American and Alaska Native arts. IAIA offers undergraduate degrees in Cinematic Arts and Technology, Creative Writing, Indigenous Liberal Studies, Museum Studies, Performing Arts, and Studio Arts; graduate degrees in Creative Writing, Studio Arts, and Cultural Administration; and certificates in Broadcast Journalism, Business and Entrepreneurship, Museum Studies, and Native American Art History. Recent partnerships such as those with The Walt Disney Company, Nike, The California Institute of the Arts (CalArts), and NBCUniversal Media help students set down footprints in the creative community. IAIA serves approximately 500 full-time equivalent (FTE) Native and non-Native students, representing nearly 100 federally recognized Tribes. IAIA is among the leading art universities in the nation and is accredited by the Higher Learning Commission (HLC).
The Institute of American Indian Arts (IAIA)—the University for Indigenous Creative Excellence is part of the Handwork 2026 Artist Residency Program, pairing master craftspeople, both local and national, with top educational institutions to teach specialized techniques, promote cultural dialogue, and explore American craft traditions.
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The School of Art and Design at UA Little Rock offers engaging and inspiring art instruction. Our art degrees in studio art, art history, and art education prepare students for fulfilling careers as professional artists, and for careers in museums, businesses, schools, and more
Our students have opportunities for research, internships, and mentorship, and many students experience the fulfillment of having their works on display in our ualr – galleries.
Our Mission Statement: The School of Art and Design cultivates artistic excellence, critical thinking, and holistic growth in our students as we train them in art and craft, focusing on process, materials, and contemporary practices. Our dynamic and diverse community is dedicated to fostering inclusion and encouraging interdisciplinary exploration as we benefit from and contribute to the cultural fabric of Little Rock and Arkansas.
Whether you’re a current student, thinking about applying for admission, or want to visit our art exhibits, we’d love to tell you more about Art and Design at UA Little Rock.
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The Hermitage Museum & Gardens, formerly home to the Sloane family, is an early 20th-century Arts-and-Crafts art museum located on the shore of the Lafayette River in Norfolk, Virginia. The Hermitage features a nationally recognized art collection spanning 5,000 years, within richly decorated interiors from the early 20th century. The mix of cultural objects, decorative and fine art within the setting of exceptionally crafted historic interiors, is a celebration of artistic handwork in all its forms. The museum also offers contemporary exhibitions, a newly renovated Goode Family Visual Arts School, and 12 acres of gardens and grounds that offer art and culture to the community. The Hermitage invites people of all backgrounds to explore and discover nature and the arts through its spaces that inspire creation, learning, conservation, and connection.
General admission to the site’s extensive grounds, museum collections and special exhibitions is free. Special ticketed museum and educational programs offer the public one-of-a-kind opportunities to engage with art and nature.
The Hermitage Museum is proud to be a Smithsonian Affiliate since 2012 and holds accreditation from the American Alliance of Museums since 2017.
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The Columbia Museum of Art is a charitable nonprofit organization dedicated to lifelong learning and community enrichment for all.
Located in the heart of downtown Columbia, S.C., the CMA ranks among the leading art institutions in the country and is distinguished by its innovative exhibitions and creative educational programs. At the heart of the CMA and its programs is its collection, which encompasses 7,000 works and spans 5,000 years of art history.
Established in 1950, the CMA now welcomes more than 150,000 visitors annually and is a catalyst for community creativity and education, engaging people of all ages and backgrounds.
It is the recipient of a National Medal from the Institute of Museum and Library Services, a National Art Education Association award for its contributions to arts education, a National Park Foundation Award, and two Governor’s Awards for the Arts for outstanding contributions to the arts in South Carolina.
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The Colonial Williamsburg Foundation advances its mission — “that the future may learn from the past” — through educational programming, preservation and ongoing research.
The Historic Trades and Skills community at Colonial Williamsburg uses 18th-century tools and techniques to apprentice in and eventually master more than 20 historic trades and skills. These world-renowned experts not only make goods and provide services to the Historic Area, but they also consult and produce for other institutions around the world. You will not find a trades community with so many experts in one place anywhere else.
Colonial Williamsburg is a not-for-profit 501(c)3 educational institution and the largest U.S. history museum in the world. By researching and sharing the stories of those who built America, including people of all backgrounds, we can better understand history and shape our future. And in so doing, continue our nation’s unending work to build a more perfect union.
Educational Conferences
- Annual Antiques Forum
- Annual Ceramics Collaboration with MESDA
- Annual Garden Symposium
- For 2026: A Five-Year Conference Series
- Eat, Drink, Revolution
- Working Wood In The 18th Century
- Symposium on Historical Dress
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