Open to all levels, this gemcutting intensive focuses on handpiece-style faceting.

Students gain comprehensive knowledge and practical experience with gemcutting across various techniques, including hand shaping, wax dopping, polishing theory, glue transfers, manipulating facet geometry, and more. Students cut and finish four stones throughout this two-week bootcamp.

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T3%+!le$: The Languge of Fiber, explores language in all its expressive forms – written, spoken, and illustrative. SDA is highlighting artists whose work engages broadly with ideas of communication—from poetry and prose to computer code, indexing, and archiving—as it relates to the grammar of textiles and the vocabulary of fiber.

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Founded in San Antonio, Texas, in 2006, Ruiz-Healy Art represents an international roster of artists, emphasizing Latino/a creators and Texas-based artists. Biculturalism and discussions of identity are important aspects for several artists we work with.

In the spring of 2019, we opened a gallery space in the Upper East Side of New York City that works in tandem with the gallery in San Antonio as a platform to disseminate the artist’s work. The continuous investments in these underrepresented areas have remained a longstanding signature of the gallery program.

The gallery is recognized for its success in placing works by our artists in prestigious museum collections ranging from the Museum of Modern Art, New York, Whitney Museum of American Art, the Smithsonian Institution, the LA County Museum of Art, McNay Art Museum, Museum of Fine Arts, Houston, and many others.

We are proud, long-standing members of the IFPDA.

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The Alfred Ceramic Art Museum at Alfred University houses nearly 8,000 ceramic objects ranging from small pottery shards recovered from ancient civilizations to modern and contemporary ceramic art.

The primary mission of Alfred Ceramic Art Museum is to collect, preserve, conserve, research, interpret and exhibit ceramic art for aesthetic and educational purposes.

The museum is a research and teaching facility, which offers an engagement in cultural history via ceramic art to the student, artist, scholar and collector as well as the local, national and international community.

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This special edition of Scholastic Art will explore the art and craft that have defined the United States since its birth. We’ll examine major themes, symbols, and artistic movements that have responded to and inspired American history.

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Scholastic Art is a classroom magazine for middle and high school students. It is designed to inspire creative self-expression through the exploration of art history and contemporary art. This resources makes art relevant and accessible to students with teen-friendly texts that span movements, eras, and cultures.

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UrbanGlass is proud to present our biennial MFA exhibition, which features recent graduates from Masters programs who are working with glass.

The title for this exhibition, The Scope, honors the breadth of techniques and inspirations within the material landscape of glass.

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Every year, The Studio welcomes tens of thousands of Museum visitors to glassmaking through its Make Your Own Glass program.

These short sessions introduce participants to the magic of glass blowing, fusing, sandblasting, beadmaking, or engraving.

This much-loved, family-friendly program connects people of all ages and skill levels to traditional crafts, and this year, we’re celebrating Museum and Studio anniversaries with an all-star lineup of returning projects inspired by past exhibitions.

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As part of a long-term collaboration with the Onöhsagwë:de’ Cultural Center of the Seneca Nation of Indians, the Museum will present an installation focused on the use of glass in the art, history, and culture of the Seneca people, on whose ancestral land the Corning Museum of Glass is located.

The installation will examine the introduction of glass beads by European traders and the economic importance of beadwork made by Seneca and other Haudenosaunee women.

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The Junior Curator program provides students in grades 8–12 with true curatorial experience, promoting their voices to the wider community.

Participants receive training from educators, curators, registrars, librarians, and other staff to create an exhibition of their own design that is seen by thousands of visitors from around the world.

The 2026 Junior Curator cohort will open their show in June.

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In Netflix’s competition series Blown Away, talented glass artists from across North America and the globe competed in timed glassblowing challenges.

In the exhibition Blown Away: Where Are They Now, the pressures of the camera have been removed, and the artists have submitted top-of-the-line work that exemplifies their artistic practices.

No time limits, no thematic constraints, and from the comfort of their own studios—find your favorites, and see what they’re up to!  

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Founded by Louis C. Tiffany (1848–1933), a leading tastemaker in America, the Tiffany Studios employed hundreds of artists and artisans who turned Tiffany’s expansive vision into decorative objects and complete interior decorations, with glass as a primary material.

Stop by the 35 Centuries of Glass Galleries to witness some of their most inspired creations.

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A cornerstone of the visitor experience at the Corning Museum of Glass is watching glass come to life at our live demonstrations at multiple venues across the Museum and The Studio.

Professional artists present glassblowing and flameworking demonstrations daily, narrated by our team to share every detail of the process in a concise, informative, and fascinating fashion.

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The Crystal City Gallery shares the story of how Corning became one of the premier centers for glass cutting in the United States, while Corning Glass Works simultaneously became established as a manufacturer of science and specialty glass. Stunning crystal creations await, from a punch bowl fit for royalty to a crystal model of the town of Corning itself.

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Tough Stuff: Women in the American Glass Studio showcases the work of female glass artists in 1960s and ‘70s America. The exhibition broadens the story of glass in America by looking more expansively at the breadth of studio artists who were working with the material in innovative ways.

The exhibition marks the first project by the Museum to focus on the ingenuity of female artists working in glass.

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