NYC Jewelry Week is a cultural platform dedicated to the celebration of jewelry. We are a hybrid hub, delivering jewelry culture directly to our audience through content, events, strategic initiatives, and an annual jewelry week, in support of our mission — jewelry for all.

Want to learn how to be a more conscious consumer? Or discover your new favorite designer? We provide our community with insider access to the world of jewelry, offering exciting opportunities throughout the year to engage, discover, and shop culminating in our annual jewelry week each November.

We believe that everyone has a relationship to jewelry, and our platform was founded to promote this shared love of all things jewelry. From the admirers and adorners, to the trendsetters and trailblazers, to the collectors and creators, to the brands and businesses, and everyone in between — whatever you love about jewelry, the NYCJW platform is here to feed your curiosity.

This year’s annual NYC Jewelry Week runs November 16-22, 2026. Explore our website to see what else we are up to throughout the year.

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STARMAN: Sixty Years of Exploring Glass evokes the radiant energy that defines Swedish artist and designer Bertil Vallien’s oeuvre, while acknowledging his pioneering role in elevating glass from a craft medium to a powerful vehicle for conceptual and sculptural expression.

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Winner of MAD’s biannual prize, Hai-Wen Lin explores the attunement of the body to the environment through fashion, sculpture, and kite making.

Their works—described as “couture for the wind”—merge garment construction with flight engineering, resulting in textiles and sculptural kites that can be both worn and flown.

Dyeing fabrics with sunlight and designing kites that double as garments, Lin collapses boundaries between art, design, and performance through poetic encounters with the elements.

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Fragile, luminous, and enduring, porcelain becomes a medium for rethinking plant life in the modern city in Alice Riehl’s Porcelain Florilegium, an installation of the artist’s large-scale porcelain wall murals inspired by botanical imagery drawn from medieval tapestries, French decorative arts, mythology, and sustained observation of plant life.

The first major U.S. museum presentation of Riehl’s work, this exhibition underscores MAD’s commitment to contemporary craft and material innovation.

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For over 20 years, R & Company has championed collectible design, advancing the contemporary marketplace and growing a global collector base and clientele. Its founders, Zesty Meyers and Evan Snyderman, are widely recognized for identifying rising talent, deepening scholarship about collectible design, and developing new avenues for growth in the industry.

The gallery is committed to nurturing and sustaining the markets and careers of emerging and established designers, and maintaining and expanding interest in historical design. Its roster features a wide range of designers from around the globe, including Wendell Castle, Rogan Gregory, Greta Magnusson Grossman, the Haas Brothers, Serban Ionescu, Hun-Chung Lee, Joyce Lin, Roberto Lugo, Richard Marquis, Jolie Ngo, Sayar & Garibeh, Katie Stout, Joaquim Tenreiro, and Jeff Zimmerman, among others. Through its acclaimed exhibitions, publications, and fair presentations, the gallery has become a leader in the field, fostering relationships with collectors, cultural leaders, dedicated patrons, and scholars.

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Mounted during the celebration of the United States semiquincentennial, Folk Nation: Crafting Patriotism in the United States draws from the American Folk Art Museum’s rich collections to explore links between vernacular art and the construction of an American sense of self.

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Founded in 1961, the American Folk Art Museum is a global leader dedicated to the preservation and promotion of folk and self-taught art across time and place.

Candid, genuine, and unexpected, the Museum celebrates the creativity of individuals whose singular talents have been refined largely through personal experience rather than formal artistic training.

With a collection spanning 7,500 works of art from four centuries and nearly every continent, AFAM engages people of all backgrounds through its collections, exhibitions, publications, and public programs as the leading forum shaping the understanding and appreciation of folk and self-taught art.

Thanks to the generous support of our members, patrons, and donors, admission to the Museum is always free.

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In this five day intensive, you will learn to cut, carve, fit, and fuse colorful stone compositions, transforming sketches and photographs into polished motifs. This nontraditional take on a time honored craft blends technique with intuition and imagination.

You will shape, join, and refine stones guided by exercises inspired by personal and environmental sources. Using cabbing machines, flat laps, and trim saws, you will bring your designs to life with precision and play.

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2024–25 Lab Grant Residency Artist Sam Moyer will discuss her experience working at Dieu Donné Paper Mill to develop her first series of handmade paper works.

In her series Soft Mods, she used alternating layers of translucent abaca and pigmented cotton, in shades of Payne’s grey. Working intuitively, Moyer manipulated paper pulp in a sculptural way, creating images that seem composed of light and shadow.

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12:00 – 1:00 pm ET

This virtual artist talk will feature Timothy Barrett and Paul Wong discussing how they each developed archival, conservation-quality papers that were used to rebind or rehouse national treasures in our libraries and archives.

Moderated by Director of Artistic Projects & Master Collaborator Tatiana Ginsberg.

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Open to all levels, this gemcutting intensive focuses on handpiece-style faceting.

Students gain comprehensive knowledge and practical experience with gemcutting across various techniques, including hand shaping, wax dopping, polishing theory, glue transfers, manipulating facet geometry, and more. Students cut and finish four stones throughout this two-week bootcamp.

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T3%+!le$: The Languge of Fiber, explores language in all its expressive forms – written, spoken, and illustrative. SDA is highlighting artists whose work engages broadly with ideas of communication—from poetry and prose to computer code, indexing, and archiving—as it relates to the grammar of textiles and the vocabulary of fiber.

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Founded in San Antonio, Texas, in 2006, Ruiz-Healy Art represents an international roster of artists, emphasizing Latino/a creators and Texas-based artists. Biculturalism and discussions of identity are important aspects for several artists we work with.

In the spring of 2019, we opened a gallery space in the Upper East Side of New York City that works in tandem with the gallery in San Antonio as a platform to disseminate the artist’s work. The continuous investments in these underrepresented areas have remained a longstanding signature of the gallery program.

The gallery is recognized for its success in placing works by our artists in prestigious museum collections ranging from the Museum of Modern Art, New York, Whitney Museum of American Art, the Smithsonian Institution, the LA County Museum of Art, McNay Art Museum, Museum of Fine Arts, Houston, and many others.

We are proud, long-standing members of the IFPDA.

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The Alfred Ceramic Art Museum at Alfred University houses nearly 8,000 ceramic objects ranging from small pottery shards recovered from ancient civilizations to modern and contemporary ceramic art.

The primary mission of Alfred Ceramic Art Museum is to collect, preserve, conserve, research, interpret and exhibit ceramic art for aesthetic and educational purposes.

The museum is a research and teaching facility, which offers an engagement in cultural history via ceramic art to the student, artist, scholar and collector as well as the local, national and international community.

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This special edition of Scholastic Art will explore the art and craft that have defined the United States since its birth. We’ll examine major themes, symbols, and artistic movements that have responded to and inspired American history.

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