state
: WA
Glass artists Dan and Raya Friday take over the gallery at Bainbridge Arts & Crafts.
These Lummi Nation siblings bring stunning, Coast Salish-inspired glass art to their contemporary yet traditional narratives. From intricate woven glass baskets to bold, sculptural forms, witness how they have transformed ancestral storytelling into luminous, modern art.
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Santero Charles M. Carrillo will be at the museum talking about saint-making in New Mexico and his own personal practice.
He will paint a retablo and bring examples of other New Mexican retablos for visitors to see and handle.
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This learning event is led by Chestina Dominguez, an enrolled member of the Confederated Tribes and Bands of Yakama Nation and descendant of the Warm Springs tribe. Chestina uses contemporary materials to create baskets using the ancient techniques of her ancestors.
Sally bags, known as wapaas and aqw’alkt respectively among the Wasco and Wishxam peoples, are woven with a unique full-turn twining method.
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Celebrate America’s 250th birthday by creating a patriotic Flag Market Basket! Using twine with round reed, weave red and white stripes, and add a blue overlay field.
Basket weaving experience is not required but is helpful. This is a long class, feel free to bring snacks, bottled water will be provided.
All weaving materials and supplies are included. Please note that the image depicts a swing handle, the actual project will use a stationary D handle.
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This learning event is led by Chestina Dominguez, an enrolled member of the Confederated Tribes and Bands of Yakama Nation and descendant of the Warm Springs tribe. Chestina uses contemporary materials to create baskets using the ancient techniques of her ancestors.
Sally bags, known as wapaas and aqw’alkt respectively among the Wasco and Wishxam peoples, are woven with a unique full-turn twining method.
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Stan Peterson carves and paints narrative/figurative sculptures with a contemporary edge. He is primarily a self-taught artist and has a love of folk art and outsider art.
Stan’s preferred medium is basswood because it allows for details and it can be easily cut with chisels and knives. Basswood is the traditional carving wood for carousel animals. The artist’s sculptures are often finished with milk paints, acrylic washes, and thinned shellac.
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Mission: The Pacific Northwest Quilt and Fiber Arts Museum advances creativity and the understanding and appreciation of fiber arts through exhibitions, collections, and community-centered learning and connects cultural traditions.
Vision: We envision the Pacific Northwest Quilt & Fiber Arts Museum as an innovative center for the exhibition, preservation, and interpretation of fiber arts. Through collections stewardship and educational programs, the Museum will nurture creativity and deepen understanding of fiber traditions across cultures and generations. Our work will provide a vibrant gathering place where artists, scholars, and communities connect through the shared language of fiber.
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Bainbridge Arts & Crafts fosters creativity and connection through the transformative power of art by supporting diverse local and regional artists, providing arts education, and cultivating a community where art and artists thrive.
Established in 1948, BAC is the region’s oldest nonprofit gallery and arts organization and is dedicated to supporting local and regional artists; providing arts education, outreach, and scholarships; and sparking a love of art in our community.
We partner with Pacific Northwest artists and organizations to foster a vibrant arts culture on Bainbridge Island through exhibitions, arts education and programs, artist representation, and creative collaborations that foster a culture of diverse artistic expression.
BAC is a place where creative ideas are exchanged and artists are discovered, celebrated, and amplified.
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A sewist since the age of eight, Susan Lick plays with fabric for fun and function. She loves designing with Japanese textiles, piecing Marimekko remnants, marrying art deco and art nouveau sensibilities, going beyond the frame.
Her pieces highlight raw edges, selvedges, and relief, and they result in such quotidian objects as placemats, wall hangings, totes, and treasure bags.
Formerly a French language instructor at Cal Poly, Susan has always had a passion for textiles. This is her first show.
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This learning event is led by Chestina Dominguez, an enrolled member of the Confederated Tribes and Bands of Yakama Nation and descendant of the Warm Springs tribe. Chestina uses contemporary materials to create baskets using the ancient techniques of her ancestors.
Sally bags, known as wapaas and aqw’alkt respectively among the Wasco and Wishxam peoples, are woven with a unique full-turn twining method.
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The Gallery at Grace is a fine art exhibit space located within Grace Church that features both professional and emerging regional artists who work in all media: sculpture, paint, ceramics, textiles, photography, and more…
Grace is an Episcopal church located on an island 35 minutes west of Seattle by ferry. Designed by the architectural firm Cutler-Anderson in 2003, the church structure of glass and beams reflects a distinctive Pacific Northwest ethos.
Visitors are always welcome. Grace is located on 10 acres which includes wooded trails that connect with the island trail system, a labyrinth, and a playground. The Gallery is open 6 days a week: Monday – Friday, 9 -1; Sunday until noon; and by appointment: gallery@gracehere.org.
An open and affirming congregation, Grace is part of: the Diocese of Olympia, a group of Episcopal congregations in western Washington; The Episcopal Church; and the world-wide Anglican Communion, a global family of 85 million Christians whose roots lie in the Church of England.
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“Handwork 2026: Wood and Clay in the Northwest” brings together regional artists exploring material, process, and place at Kirkland Arts Center.
The exhibition is juried by David Lynx, Director of the Kirkland Arts Center, whose deep roots in the Puget Sound region and decades of experience as a museum director, educator, and writer bring thoughtful insight to this celebration of Northwest craft traditions.
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NWDC artists take center stage at the Postmark Center for the Arts in this juried exhibition celebrating contemporary craft and design.
NWDC is proud to have Barbara Matilsky as juror, bringing over thirty years of curatorial experience from the Queens Museum of Art in New York City and the Whatcom Museum in Bellingham, Washington.
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Explore the beauty of botanical color in this natural dyeing workshop.
Using common and sustainable materials—dandelion flowers, black walnut hulls, and onion skins—you’ll learn how to extract earthy hues and apply them to natural fibers. Participants will gain hands-on experience with dye preparation, fabric mordanting, and simple dyeing techniques.
All materials are provided, and you’ll leave with your own naturally dyed scarf and the knowledge to continue experimenting at home.
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Come see how cloth was woven before the Industrial Revolution! This demo will feature a 4-shaft counterbalance floor loom. Watch this hand-operated device in action while learning about the unique tools and vocabulary used in traditional weaving. Participants will then have the opportunity to join our instructor in operating the loom.
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