Carolyn Mazloomi’s practice is deeply rooted in social documentation and activism. As the founder of the Women of Color Quilters Network and the African American Quilt Guild, Mazloomi has been instrumental in shaping the national discourse regarding quilting as a respected contemporary art form, belonging in the Artistic canon.

“Quilts possess a fundamental human imprint as the fabric itself holds the touch, time, labor, and stories of the lives depicted. Textiles have an inherent humanity. The histories of the people I portray are sewn into the fabric itself. My works speak on behalf of those whose voices might otherwise go unheard”.     – C. Mazloomi

Video credit: Daniel Morrison

Watch as we take you inside the studios—and the vibrant community—of Pittsburgh Glass Center, located in Pittsburgh’s East End.

Celebrating 25 years in 2026, Pittsburgh Glass Center (PGC) is a nonprofit, public access glass art center where anyone can take classes, explore the contemporary glass gallery, shop for glass gifts, and watch live glassblowing demonstrations.

Since its opening, PGC has educated over 750,000 individuals, contributed to the ongoing development of the city’s East End, and made Pittsburgh a significant hub in the international studio glass community. A multimillion-dollar expansion in 2024 nearly doubled its capacity, allowing it to meet the increasing demand for glass programs and studios.

PGC continues to cultivate an inclusive and welcoming environment that encourages everyone, from the casually curious to the master artist, to learn, create, and be inspired by glass.

25 years: Still Glowing, Still Growing

Neon artists Meryl Pataky and Kelsey Issel bend glass to its limits in this year’s edition of The Rockwell Museum’s Antigravity installation. A site-specific work of art created for the Museum’s rotunda, Pataky and Issel, founders of the neon workers collective, She Bends, True Gravity references textiles and investigates the idea of “true gravity:” a condition in which the body yields to what the material and the environment already intend.

Working within tensions of hard and soft, control and happenstance, and isolation and interdependence, Pataky and Issel’s sculptural neon invites the viewer to rethink the potential of glass and light.

As part of their week-long residency to install at The Rockwell Museum, Pataky and Issel were invited to the Corning Museum of Glass’s Amphitheater Hot Shop, allowing them to experiment with new techniques that bring their artistic vision to life in glass. See this installation at The Rockwell Museum in Corning, NY through March 2027.

In this short video you will discover the signature process for making an Aquascape Glass sculpture created by artist Sean Free Alcala. Sean is a second generation glass artist who has been working with glass for over twenty years and aims to capture the flow of water within his dynamic glass forms. His technique combines glass fusing principles and kiln-casting techniques, as well as various hot glass elements. This video also shows different cold working tools that can be used to shape, polishing and  finish glass sculptures. The three dimensional sculpture is a unique example of how glass can capture color, form and interior composition.

Visit Sean at booth #9 at the fabulous ACGA Clay & Glass Festival coming back to the Palo Alto Art Center the weekend of July 11-12, 2026, with 130+ of California’s most celebrated artists.

Come for the art, stay for the Throwdown and demos. Valet parking, food trucks, and Clay for All.More information at link in bio.

Featured: Sean Alcala:  https://alcaladesigns.com

@paloaltoartcenter  @theacga #craftinamerica #handwork2026

Explore the artistic process and inspiration of textile artist Holly Guertin in this PA Fibershed Meet the Makers member highlight. Here, Guertin is working on artworks that are included in her debut solo exhibition, Hand in Hand, at Waterworks Visual Arts Center with Handwork: Celebrating American Craft 2026 by Craft in America.

This video series by PA Fibershed offers an in-depth look at Pennsylvania’s textile value chain, sustainable textiles, and the growing movement to rebuild a local, regenerative fiber economy. Discover how makers like Holly are reimagining textile design through upcycling, natural fibers, and circular fashion practices, while actively contributing to a more resilient and regionally based textile system.

Explore Holly’s work:https://hollyguertin.com/

Learn more about PA Fibershed: https://pafibershed.org/

April Zilber makes musical glass bell plates with fused glass and metal foil. Each bell plate is tuned to two notes. Depending on the ratio of length to width, the notes make the musical interval of a minor third, major third, fourth, fifth, and so on. More information @aprilzilberglass .

Meet the artist in person at the fabulous ACGA Clay & Glass Festival is coming back to the Palo Alto Art Center the weekend of July 11-12, 2026 with 130+ of California’s most celebrated artists.

Come for the art, stay for the Throwdown and demos. Valet parking, food trucks, and Clay for All.  More information @theacga

Every piece has a story, and at the festival, you get to hear it directly from the makers themselves.

Discover work from 130+ juried California artists and find pieces that speak to you, whether you’re a longtime collector or buying your very first handmade work.

#MeetTheArtists #ClayAndGlassFestival #CaliforniaArtists #Handwork2026

Celebrating and documenting 40 years of collaboration and friendship, this video tells the tale of South Shore Stitchers Quilt Guild through interviews with many of its members.  This includes some of its Charter Members who joined in 1985.  The guild has a long history of doing charity work as well as providing education to local people, including children.

We have an annual Sew-In on International Quilt Day, which is the third Saturday in March.  We have monthly Comfort Quilt workshops where members and friends make quilts for children and shared with local law enforcement, hospitals, and other places where children may be in need.  We also make Adult Clothing Covers (bibs) for nursing homes, wheelchair & walker bags, pillow cases that we donate to Ryan’s Case for Smiles, and we make Fidget Quilts for dementia patients and children with learning disabilities.  We have monthly meetings with speakers or other programs to benefit our members so they can share their talents with others.  Many of our members are involved in the South Jersey Chapter of Quilts of Valor, too.

We also have a biennial quilt show where we display to the public over 200 pieces of our work, as well as hourly demonstrations of quilting techniques, lots of shopping opportunities, and special exhibits where we invite related groups to feature the work that they do.

The Workhouse Arts Center, a historic landmark transformed into a thriving hub for contemporary art and craft. We invite viewers to explore our dynamic campus, where the “handwork” of 2026 comes alive through professional artist studios, immersive exhibitions, and hands-on art and craft education programs.

From intricate technical demonstrations to the broad variety of our public attractions, our mission is to foster a diverse and accessible community for the arts in America.

In this short video, Hannah and Alana of Nicholson van Altena Glass create a California Poppy Vessel from their Cactus Vessel Series. During the video, Alana explains how the women began their journey in glass and what they hope to achieve with their artwork.

108|Contemporary presents the virtual tour of the FiberWorks 2024 exhibition.

FiberWorks 2024 was held at 108|Contemporary June 7 – July 20, 2024 and showcases a variety of work by Oklahoma fiber artists. Juried by Shin-hee Chin, this eclectic exhibition honors quality workmanship and original design and features work by members of the Fiber Artists of Oklahoma guild.

For more information visit: https://108contemporary.org/event/fiberworks-2024/

108|Contemporary presents the Virtual Tour of Alicia Kelly’s solo exhibition, “Roughly Right” on view February 6 – March 21, 2026.

Roughly Right infuses the act of turning process into ritual, repetition into meditation, and soft shadows into alternative architecture. Sitting at the intersection of drawing and sculpture, this exhibition emphasizes the importance of the handmade wavering line and the conversation between layers of paper, pattern and body.

More information can be found at 108contemporary.org

Artist Sara Garden Armstrong reflects on her career in hand papermaking and discusses her artistic process, as part of the exhibition Legacies in Paper.

Legacies in Paper is an exhibit celebrating the lifelong exploration of hand papermaking in the artworks of Nancy Cohen, Sara Garden Armstrong, and Helen Hiebert, significant pioneers in developing paper as an artistic and sculptural medium.

Legacies in Paper was on display at the Robert C. Williams Museum of Papermaking in Atlanta, GA from September 4, 2025 – January 30, 2026.

Artist Nancy Cohen reflects on her career in hand papermaking and discusses her artistic process, as part of the exhibition Legacies in Paper.

Legacies in Paper is an exhibit celebrating the lifelong exploration of hand papermaking in the artworks of Nancy Cohen, Sara Garden Armstrong, and Helen Hiebert, significant pioneers in developing paper as an artistic and sculptural medium.

Legacies in Paper was on display at the Robert C. Williams Museum of Papermaking in Atlanta, GA from September 4, 2025 – January 30, 2026.

Artist Helen Hiebert reflects on her career in hand papermaking and and discusses her artistic process, as part of the exhibition Legacies in Paper.

Legacies in Paper is an exhibit celebrating the lifelong exploration of hand papermaking in the artworks of Nancy Cohen, Sara Garden Armstrong, and Helen Hiebert, significant pioneers in developing paper as an artistic and sculptural medium.

Legacies in Paper was on display at the Robert C. Williams Museum of Papermaking in Atlanta, GA from September 4, 2025 – January 30, 2026.

Nest is a nonprofit that understands the importance of handcraft and the meaning it can hold for every life it touches. By uplifting and investing in diverse artisans, their stories, and their handcraft, Nest creates ripples of impact that ensure the world is not only more beautiful, but more equitable and sustainable too.

Informed by artisan and maker perspectives, Nest’s programs are thoughtfully designed to prepare creative entrepreneurs with the training, resources, and opportunities they need to grow and sustain their businesses. And, the best part is – all are provided at no cost for makers and artisans ensuring accessibility, equitable, and sustainable access!

Visit buildanest.org to learn more!

Explore the handmade and embrace your inner maker with hands-on workshops, meet-ups, and lectures on the past, present, and future of Nordic handcraft at the American Swedish Institute.

These programs invite makers of all backgrounds to build community, practice folk arts, and share innovative and creative approaches to woodcarving, basketry, textiles, and more, inspired by the Swedish tradition of slöjd.

Learn more about the art of grannlåtsbroderi, a traditional Swedish embroidery technique that translates to “finery embroidery,” with visiting instructor Emma Ewadotter.

Hear Emma’s inspiration behind her art, how it connects to her Swedish heritage, and the importance of playfulness in the process of creating art.

“I incorporate everything that glitters and shimmers into my embroidery because life is too dull without it.”
— Emma Ewadotter

“Nordic Echoes: Tradition in Contemporary Art” is a traveling exhibit at Scandinavia House in New York City, New York, shedding light on Upper Midwest artists preserving Nordic folk arts and cultural traditions. The exhibit will travel through the six upper midwestern states and feature 24 contemporary artists whose works are informed by Nordic traditions in nature and innovative in other ways.

The American Scandinavian Foundation, whose mission is to foster understanding between the Nordic countries, opened, in 2000, Scandinavia House, which is where the exhibition takes place. The exhibit aims to engage and interest people in preserving and learning these traditions.

M&S Schmalberg Flowers

A glimpse into the handmade process at M&S Schmalberg, the last remaining fabric flower factory in the United States. Starting with a simple piece of fabric, the video follows the transformation through vintage die cutting, embossing, and hand assembly, ending with a finished flower made entirely by hand in New York City.

Marcus Mitchell, former Making Whole apprentice turned concrete lead and mentor, shares a portion of his recovery story and speaks to the magic this program can offer when you both surrender and commit to the process.

Whether you’re drawn to history, design, food, language, or simply a beautiful place to spend an afternoon, the American Swedish Institute in Minneapolis has something for you. Explore the stunning Turnblad Mansion, one of the most remarkable historic homes in the Midwest. Wander through world-class Nordic design exhibitions. Savor Scandinavian-inspired dishes at our café. Browse unique gifts and books in the shop. Join a class, attend a festival, or simply soak in the architecture.

ASI is a gathering place for curious minds, culture lovers, families, and anyone eager to explore the connections between Scandinavian heritage and the world we share today. Open to all — members and first-time visitors alike.

Come see what’s waiting for you.

Tip Toland is a courageous ceramic artist and sculptor, both in the scale of her work and her choice of subjects. Her work is in many major collections across the country, including the Renwick Smithsnonion Gallery and The Metropolitan Museum of Art. This documentary tells the story of her life, through the good and hard, which formed the artist she is today…

Enjoy this documentary on the life of Seattle jewelry artist, teacher, and world traveler, Ron Ho. He enjoyed local and national prominence as a contemporary jewelry artist and teacher. His work is in the permanent collections of several museums, including the prestigious Houston Museum of Fine Arts Helen Williams Drutt Jewelry Collection, the Los Angeles County Museum of Art, and the Tacoma Art Museum Studio Art Jewelry Collection. An oral history of his life is also held at the Smithsonian Institution.

“My father said this and I repeat it,
‘If you don’t support your artists you
won’t have them’.”

Anne Gould Hauberg was a dedicated patron and advocate for the arts and individual artists for over sixty-five years. She was a lifelong resident of Seattle where she held a central position in the establishment of organizations that offer support for artists in both the Pacific Northwest and national arts communities, art classes for therapy, and artistic development for children at risk. She was the founder, in partnership with John Hauberg and Dale Chihuly, of Pilchuck Glass School, launched the Pacific Northwest Arts Council of the Seattle Art Museum, and founded Friends of the Crafts as well as Pacific Art Center.

In recognition of her vision Anne Gould Hauberg has been granted many awards including the American Craft Museum Visionary Award, American Craft Council Aileen Osburn Webb Award, and the King County Arts Commission Service Award. She served two terms on Seattle Arts Commission and served on the Board of Directors of Museum of Glass: International Center for Contemporary Art, Tacoma Art Museum, and Pletscheef Institute.