The Asheville Art Museum was founded in 1948 by a group of artists to champion the creativity of Western North Carolina (WNC), bring art of national significance to the community, and encourage dialogue. Through generations of experienced and dedicated volunteer and professional leadership, the Museum continues to realize its mission: to engage, enlighten, and inspire individuals and enrich community through dynamic experiences in American art of the 20th and 21st centuries.

The Collection houses over 8,500 works in all media, including regionally and nationally significant paintings and drawings, prints, photography, sculpture, craft and decorative arts, and focal collections of works by members of the Eastern Band of Cherokee Indians, Appalachian artists, Black Mountain College artists, traditional and studio craft, and regional architecture. The Museum has been particularly active in collecting historic and contemporary craft and studio glass with a focus on the Southeast and WNC.

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Worcester Center for Crafts

Founded in 1856, the Worcester Center for Crafts (WCC) is the nation’s oldest nonprofit craft center, dedicated to cultivating creativity and community through the arts. Originally established to provide skills for immigrant women, WCC now offers classes and workshops in ceramics, glass, metals, fiber, printmaking, healing arts, painting, photography, and more for students of all ages and abilities.

Home to the Krikorian Gallery, the Mary and Van Aroian Community Gallery, and the Handcrafted Shop, WCC also supports artists in sharing their work. The craft center hosts signature events such as Hot Night in the City and the Holiday Festival of Crafts, connecting local and national artists with the community.

With its rich history and welcoming spirit, WCC continues to serve as a cultural destination, creative hub, and vital contributor to the New England community.

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CraftNOW unites, celebrates, and supports the people, businesses, and institutions of the craft community of Philadelphia. Through education, curation and economic development, we work to continue Philadelphia’s vibrant history as a capital of craft- a place where craft is learned, created, seen, purchased, collected, and shared.

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Winterthur is the premier museum of American decorative arts, with an unparalleled collection of nearly 90,000 objects made or used in America since 1640. The collection is displayed in the magnificent 175-room house, much as it was when the family of founder Henry Francis du Pont called it home.

Winterthur is also 1,000 acres of protected meadows, woodlands, ponds, and waterways. The 60-acre garden, designed by du Pont, is among America’s best, with magnificent plantings and massive displays of color throughout the year. The graduate degree programs and extensive research library make Winterthur an important center for the study of American art and culture.

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The Rockwell Museum, in association with the Smithsonian Institution, tells the story of the evolving American experience through the work of American artists. Founded in 1976, The Rockwell is a community hub showcasing the diversity of American experience through compelling exhibitions and imaginative programs. The collection includes a mix of contemporary Native American art with traditional bronze sculptures, landscape paintings, and other works that embody America. Housed in the restored 19th-century Old City Hall building, The Rockwell is active in the local community and holds special events and educational programming with area schools. The Rockwell provokes curiosity, engagement, and reflection about art and the American experience.

The Museum’s campus includes the KIDS ROCKWELL Art Lab, located around the corner at 36 E. Market Street, featuring family-friendly activities, games, and hands-on projects connected to our exciting special exhibitions and collection of American artworks.

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Presenting, Promoting and Inspiring Creativity in Our Community

The Cabarrus Arts Council was founded in 1980 in response to the North Carolina Arts Council’s plan to establish a local arts council in every county. In 1982, the Cabarrus County Board of Commissioners selected the arts council to serve as its Designated County Partner, receiving and distributing Grassroots funding from the state and the state arts council.Today, the arts council programs and operates the Davis Theatre and The Galleries, conducts one of North Carolina’s largest art-in-education programs for both the Cabarrus County and Kannapolis City school systems, supports arts organizations and artists through grants and workshops, and serves as a catalyst and consultant for public and corporate art.

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Founded in 1799, the Peabody Essex Museum (PEM) in Salem, Massachusetts, is the country’s oldest continuously operating museum. PEM provides thought-provoking experiences of the arts, humanities and sciences to celebrate the creative achievements and potential of people across time, place and culture. By connecting people through inquiry, empathy and dialogue, PEM encourages an understanding of our shared humanity and fosters a sense of belonging in a complex, ever-changing world. We build, steward and share our superlative collection, which includes African, American, Asian Export, Chinese, contemporary, Japanese, Korean, maritime, Native American, Oceanic and South Asian art, as well as architecture, fashion and textiles, photography, natural history and one of the nation’s most important museum-based collections of rare books and manuscripts. PEM offers a varied and unique visitor experience, with hands-on creativity zones, interactive opportunities and performance spaces. The museum’s campus, which offers numerous gardens and green spaces, is an accredited arboretum and features more than a dozen noted historic structures, including Yin Yu Tang, a 200-year-old Chinese home that is the only example of Chinese domestic architecture in the United States.

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Puʻuhonua Society is a Native Hawaiian women-led non-profit organization based in Honolulu, Hawaiʻi.

Active at the intersections of contemporary art, traditional cultural practices, environmental stewardship, and transformational education, Puʻuhonua Society creates opportunities for Native Hawaiian and Hawaiʻi-based creatives to express themselves and engage with diverse audiences.

Through six interwoven initiatives, we support those who serve as translators/mediators/amplifiers of social justice issues within communitie. Our primary efforts include:

• Aupuni Space an artist-run gallery, venue, and studios;
• Hoʻākea Source, a Regional Regranting Program Partner of The Andy Warhol Foundation for the Visual Arts;
• Hoʻomau Nā Maka o ka ʻĀina, a cataloging and public programming partnership aimed at preserving and making accessible Nā Maka o ka ‘Āina’s vital moving-image archive of over 6,000 tapes;
• KEANAHALA, an inclusive and collaborative weaving program that perpetuates the Native Hawaiian practice of ulana lauhala, pandanus weaving;
• KĪPUKA, a makers’ space and educational environment offering a series of classes and workshops that are focused around the transmission of ancestral knowledge and material practices;
• THE MUʻUMUʻU LIBRARY, a volunteer-run community closet, workspace, and gathering place; and
• NiUNOW!, a cultural agroforestry movement affirming the importance of niu and uluniu, coconut and coconut groves to the health and wellbeing of Hawaiʻi and its peoples.

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Nestled in the heart of the Blue Ridge Mountains, the Floyd Center for the Arts is a vibrant hub for creativity, learning, and community. Established in 1995 on the site of a former 1940s dairy farm, the Center has transformed the historic barn and surrounding buildings into galleries, classrooms, and working studios that serve artists and the public alike. Today, the campus offers exhibitions, workshops, and free community events that bring people together through the arts, including the annual Floyd Living Traditions Festival, which celebrates the region’s rich heritage of art, craft, and music. Through art education for all ages and abilities, scholarships, and a welcoming environment, the Center ensures that everyone has the opportunity to see, learn, and create!

Mission Statement:
The Floyd Center for the Arts connects people through visual arts, handmade craft, and music – honoring living traditions while embracing innovation.

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The Denton Maker Center, a non-profit organization, strives to be the central location for creative making in the greater North Texas region. This is accomplished by providing activities and resources that nurture a community of makers. Activities include workshops (both in-person and online), exhibitions, sales, open studio times, and related special events. Resources include tools/equipment, expertise of personnel, safe workspace, exhibition space, and a retail store. Generation of public interest and appreciation is accomplished through promotion of these activities and resources through personal networking, social media, website, print materials, and shared distribution by aligned institutions.

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The Huntington Beach Art Center creates opportunities for local, regional, and national artists and the community to share in a climate of experimentation, education, and experience. HBAC is a public/private partnership with the City of Huntington Beach and the Huntington Beach Art Center Foundation, a non-profit private corporation. The Art Center is operated through the City of Huntington Beach Community Services Department, Cultural Services Division.

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Racing Magpie, founded in 2015, is a Lakota-centric creative community space located in Mni Luzahan (Rapid City, South Dakota), on Očhéthi Šakówiŋ homelands. We are a home for Native artists, creatives, and community members; a space for making, gathering, healing, and building relationships. Our work is guided by the Lakota principle of being a good relative, and we center this responsibility in everything we do: with people, with the land, and across generations.

We work at the intersection of art, community, and cultural continuity through five program areas:

• Artist Support & Creative Development – Studio space, residencies, grants, a supply swap.
• Exhibitions – Community-curated and solo exhibitions, traveling shows, and site-specific works.
• Creative Education & Knowledge Sharing – Art classes, our Elder-in-Residence program, internships, Winter Camp.
• Community Creative Events – Art markets, creative gatherings, and youth-friendly, drug- and alcohol-free events.
• Place-Based Practice – Two multi-use buildings with a community garden, outdoor gathering space, and dedicated facilities for long-term sustainability.

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Textile Center is unique as a national center for fiber art, with a mission to honor textile traditions, promote excellence and innovation, nurture appreciation, and inspire widespread participation in fiber arts.

The Center’s resources include exceptional fiber art exhibitions that are free and open to the public, an artisan shop, a secondhand fiber art supplies shop, the region’s only accessible professional-grade dye lab, a natural dye plant garden, and one of the nation’s largest circulating textile libraries open to the public.

Textile Center produces more than 200 classes a year for all ages and skill levels through its youth, adult, older adult, and outreach programs. A dynamic hub of fiber activity for more than 30 years, Textile Center brings people together in community to learn, create, share, and be inspired by fiber art.

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Scandinavia House: The Nordic Center in America is the leading center for Nordic culture in the United States, offering a wide range of programs that illuminate the culture and vitality of Denmark, Finland, Iceland, Norway, and Sweden. It is the home of the American-Scandinavian Foundation (ASF), an American non-profit organization offering fellowships, grants, intern/trainee sponsorship, publishing and memberships.

ASF is the organizer of “Nordic Echoes — Tradition in Contemporary Art,” the first major traveling exhibition of contemporary Nordic folk arts and cultural traditions from the Upper Midwest. On view at Scandinavia House in 2025, the exhibition will travel to the South Dakota Museum of Art in Brookings, SD (October 2025-January 2026), the American Swedish Institute in Minneapolis, MN (February-June 2026), and Vesterheim in Decorah, IA (October 2026-January 2027), and other locations in 2027.

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The Mint Museum welcomes all to be inspired and transformed through the power of art and creativity. Among the most significant public institutions in Charlotte, the museum holds a permanent collection of nearly 35,000 objects, one of the largest in the Southeast, spanning art, craft, and design from around the world.
Widely recognized as an invaluable cultural and educational resource, The Mint is committed not only to the growth and quality of its collections but also to nurturing appreciation of the vital role the arts play in our lives.

Each year, the museum celebrates this mission through programs and events such as the annual Potters Market, which showcases exceptional ceramic artistry and supports both artists and the community.
The next Potters Market will be held on September 27, 2025. Guided by values of inclusivity, innovation, collaboration, and empathy, the museum engages communities in lifelong relationships with art, enhancing lives and creating a more connected and welcoming world.

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