The Huntington Beach Art Center creates opportunities for local, regional, and national artists and the community to share in a climate of experimentation, education, and experience. HBAC is a public/private partnership with the City of Huntington Beach and the Huntington Beach Art Center Foundation, a non-profit private corporation. The Art Center is operated through the City of Huntington Beach Community Services Department, Cultural Services Division.

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Racing Magpie, founded in 2015, is a Lakota-centric creative community space located in Mni Luzahan (Rapid City, South Dakota), on Očhéthi Šakówiŋ homelands. We are a home for Native artists, creatives, and community members; a space for making, gathering, healing, and building relationships. Our work is guided by the Lakota principle of being a good relative, and we center this responsibility in everything we do: with people, with the land, and across generations.

We work at the intersection of art, community, and cultural continuity through five program areas:

• Artist Support & Creative Development – Studio space, residencies, grants, a supply swap.
• Exhibitions – Community-curated and solo exhibitions, traveling shows, and site-specific works.
• Creative Education & Knowledge Sharing – Art classes, our Elder-in-Residence program, internships, Winter Camp.
• Community Creative Events – Art markets, creative gatherings, and youth-friendly, drug- and alcohol-free events.
• Place-Based Practice – Two multi-use buildings with a community garden, outdoor gathering space, and dedicated facilities for long-term sustainability.

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Textile Center is unique as a national center for fiber art, with a mission to honor textile traditions, promote excellence and innovation, nurture appreciation, and inspire widespread participation in fiber arts.

The Center’s resources include exceptional fiber art exhibitions that are free and open to the public, an artisan shop, a secondhand fiber art supplies shop, the region’s only accessible professional-grade dye lab, a natural dye plant garden, and one of the nation’s largest circulating textile libraries open to the public.

Textile Center produces more than 200 classes a year for all ages and skill levels through its youth, adult, older adult, and outreach programs. A dynamic hub of fiber activity for more than 30 years, Textile Center brings people together in community to learn, create, share, and be inspired by fiber art.

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Scandinavia House: The Nordic Center in America is the leading center for Nordic culture in the United States, offering a wide range of programs that illuminate the culture and vitality of Denmark, Finland, Iceland, Norway, and Sweden. It is the home of the American-Scandinavian Foundation (ASF), an American non-profit organization offering fellowships, grants, intern/trainee sponsorship, publishing and memberships.

ASF is the organizer of “Nordic Echoes — Tradition in Contemporary Art,” the first major traveling exhibition of contemporary Nordic folk arts and cultural traditions from the Upper Midwest. On view at Scandinavia House in 2025, the exhibition will travel to the South Dakota Museum of Art in Brookings, SD (October 2025-January 2026), the American Swedish Institute in Minneapolis, MN (February-June 2026), and Vesterheim in Decorah, IA (October 2026-January 2027), and other locations in 2027.

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The Mint Museum welcomes all to be inspired and transformed through the power of art and creativity. Among the most significant public institutions in Charlotte, the museum holds a permanent collection of nearly 35,000 objects, one of the largest in the Southeast, spanning art, craft, and design from around the world.
Widely recognized as an invaluable cultural and educational resource, The Mint is committed not only to the growth and quality of its collections but also to nurturing appreciation of the vital role the arts play in our lives.

Each year, the museum celebrates this mission through programs and events such as the annual Potters Market, which showcases exceptional ceramic artistry and supports both artists and the community.
The next Potters Market will be held on September 27, 2025. Guided by values of inclusivity, innovation, collaboration, and empathy, the museum engages communities in lifelong relationships with art, enhancing lives and creating a more connected and welcoming world.

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Mission

The Center for Craft amplifies how and why craft matters by increasing access to resources that catalyze artists and scholars nationwide. Proudly based in Asheville, it has been at the center of the conversation about the future of craft since 1996.

What We Do

The Center for Craft resources the preservation and innovation of craft. We catalyze the makers and thinkers behind the objects that shape our lives. 

How We Do It

• Grants and fellowships that provide funding, networks, and peer-to-peer learning nationwide
• Exhibitions that illuminate 21st-century practices of craft
• Public programs that tell the story of how and why craft matters

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BARN (Bainbridge Artisan Resource Network) is a regional center for craft on Bainbridge Island, Washington. Our dedicated volunteers and staff provide fun, welcoming spaces where everyone can explore creativity, learn new skills, work with others, and give back to the community.

BARN operates eleven member-run studios spanning woodworking, glass arts, fiber arts, metal fabrication, culinary arts, jewelry making, and more. Since opening our 25,000-square-foot facility in 2017, we’ve grown to serve over 1,400 members with 2,700+ classes and events annually. BARN’s mission centers on growing and inspiring creative community through craft, learning, and service.

Beyond skill-building, BARN members actively contribute to the region through dozens of community service projects—from building furniture for at-risk youth to preparing meals for community events. We believe everyone can be creative, and we offer comprehensive tuition assistance and programming designed to remove barriers to participation. Whether someone is a complete beginner or seasoned artisan, BARN provides the tools, expertise, and supportive community to help creativity flourish.

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San Diego’s Mingei International Museum celebrates folk art, craft, and design from all eras and cultures of the world. The Japanese word mingei means “art of the people”  and the museum collects, conserves, and exhibits arts of daily use made by contemporary and historic designers, artists, and craftspeople, known and unknown.

Established in 1978, Mingei’s inaugural exhibition was Dolls and Folk Toys of the World. Since then, the Museum has shared over 183 exhibitions covering a diverse range of cultures, themes, and media. Recent exhibitions include Across the Spooniverse,  Blue Gold: The Art and Science of Indigo, African by Design, and Fashioning an Icon: The Virgin of Guadalupe in Textile Design.  Upcoming exhibitions explore subjects such as mid-century modern design, Indigenous works in glass, DIY skateboard culture, sustainable fishing, feedsack quilts, Japanese shrine paintings, and global percussion.  

Mingei champions artists and craftspeople, and we envision a world where people find joy, beauty, and inspiration in our shared human creativity.

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Tucked away in the mountains of western North Carolina, the John C. Campbell Folk School (“the Folk School”) offers weeklong and weekend classes for adults in craft, art, music, dance, cooking, gardening, nature studies, photography, writing, and more. Our non-competitive and small-sized classes are offered year-round on a scenic 270-acre campus, attracting students from all over the world. The Folk School transforms lives, bringing people together in a nurturing environment for experiences in learning and community life that spark self-discovery. “I sing behind the plow,” the Folk School’s motto since its founding in 1925, reflects the importance of lifelong learning and growth while finding joy throughout every step of the process.

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Silver River Center for Chair Caning is the nation’s only chair caning school & museum. Operated by David Klingler and Brandy Clements (a 4th generation chair weaver), it has recently re-located to Weaverville, NC just a few miles north of Asheville. During their 15 years in the River Arts District, they wove over 10,000 chairs hand taught hundreds of sessions to aspiring weavers, furniture makers, and those who just want to save their heirloom chair.

They are considered experts in their field and ambassadors of the craft. They teach both in-person and online at the school and on YouTube, as well as on location at craft schools like Arrowmont & John C Campbell Folk School. They travel the country spreading the love of chairs across the land, speaking at museums and craft shows, teaching kids, adults, and anyone who finds themselves in their presence.

Silver River is an Official Education Center of the Southern Highland Craft Guild. Their new instructional book, The Woven Chair, published by Blue Hills Press is launching alongside their grand re-opening New Years 2026.

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The Craft in America Center is a small museum and library that presents artist talks, scholarly lectures, hands-on workshops and concerts in addition to regularly changing exhibitions. Our publications offer a deeper dive into the practices of select artists and topics.

The Center works in tandem with the acclaimed PBS documentary series to give voice to traditional and contemporary craft, ranging from functional to purely conceptual. Being a brick and mortar venue, the Center provides the public an opportunity for direct personal engagement with art, artists and ideas.

The Craft in America Center produces 5-8 exhibitions a year, both on site and traveling.  Exhibitions highlight the work of numerous Los Angeles craft-based artists while providing a local platform for the nation’s accomplished artists working across all craft media. For those not able to visit in-person, digitized exhibitions and recorded talks and interviews are archived online as accessible resources for all. 

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The Hunterdon Art Museum presents exhibitions of contemporary art, craft, and design in a 19th-century stone mill that is on the National Register of Historic Places. A landmark regional art center since 1953, the museum showcases works by established and emerging contemporary artists and also offers a dynamic schedule of classes and workshops for children, teens, and adults.

Our mission is to educate, challenge, and inspire community through the arts.

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Established in 1980 by the San Francisco Airport Commission, SFO Museum’s mission is to delight, engage, and inspire a global audience with programming on a broad range of subjects; to collect, preserve, interpret, and share the history of commercial aviation; and to enrich the public experience at San Francisco International Airport. The Museum has been accredited by the American Alliance of Museums since 1999 and retains the distinction of being the only accredited museum in an airport.

SFO Museum operates more than twenty-five sites throughout the Airport terminals, including fourteen galleries that exhibit a rotating schedule of art, history, photography, science, and cultural exhibitions. Among the sites is the San Francisco Airport Commission Aviation Library and Louis A. Turpen Aviation Museum, which houses a permanent collection of more than 160,000 objects related to the history of commercial aviation.

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The Institute of American Indian Arts (IAIA)—the University for Indigenous Creative Excellence—is the only higher education institution in the world dedicated to the study of contemporary Native American and Alaska Native arts. IAIA offers undergraduate degrees in Cinematic Arts and Technology, Creative Writing, Indigenous Liberal Studies, Museum Studies, Performing Arts, and Studio Arts; graduate degrees in Creative Writing, Studio Arts, and Cultural Administration; and certificates in Broadcast Journalism, Business and Entrepreneurship, Museum Studies, and Native American Art History. Recent partnerships such as those with The Walt Disney Company, Nike, The California Institute of the Arts (CalArts), and NBCUniversal Media help students set down footprints in the creative community. IAIA serves approximately 500 full-time equivalent (FTE) Native and non-Native students, representing nearly 100 federally recognized Tribes. IAIA is among the leading art universities in the nation and is accredited by the Higher Learning Commission (HLC).

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