Lillstreet Art Center is an art school, art gallery, and artist studio space in Chicago, Illinois. We offer classes and workshops in Ceramics, Metalsmithing & Jewelry, Textiles, Printmaking, Digital, and Drawing & Painting. Founded in 1975, Lillstreet is celebrating its 50th anniversary this year!

We provide a creative retreat from the noisy world around us, where you can relax, find inspiration, enjoy meditative creative time, make friends, and reach your artistic goals. We foster a community where artists of all backgrounds, ages, and skill levels can learn together. We promise good vibes in the studio and a supportive space to explore your practice and learn new skills.

Through our annual Artist-in-Residence program, we offer career opportunities and workspace for emerging to mid-career artists. We remove barriers to art education through our growing Scholarship Programs and Free Visiting Artist Program. We are committed to giving back to the art community and beyond, with a portion of our profits going to local humanitarian organizations monthly.

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The Cafesjian Art Trust Museum (the CAT) is a Twin Cities gem inspiring creativity, curiosity and connection through art.

Featuring one exhibition at a time in our 2000-square-foot gallery space, we offer visitors the chance to encounter outstanding modern and contemporary art on a personal level.

We offer a dynamic range of programs for people at every stage of life. We are free to visit and welcome everyone.

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What does it mean to see anew? To rewind, reset, and reimagine?

Art Cloth Network members were challenged to explore the transformative power of revision—finding inspiration in the act of looking again, rethinking possibilities, and evolving their work.

Through this process, they have created art cloth that embodies fresh perspectives and celebrates the beauty of creative transformation.

Juried by Piper Shepard.

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Layers can be physical—layered clothing, layers of soil, layers of paint, or layers of light, shadow, and color. Layers might also be abstract—layers of memory, of meaning in conversation, or of cultural knowledge. Every day we all deal with layers in different ways.

This exhibition of 27 works of art by artists of Art Cloth Network is juried by Lasse Antonsen, and explores many understandings of layers.

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The Annual Juried Contemporary Craft exhibition highlights the finest in contemporary crafts from around the country, our annual crafts exhibition has become a benchmark of innovation and quality produced within traditional craft forms such as ceramics, fibers, basketry, metals, wood, glass, jewelry, papermaking and book arts.

About the Juror: Born in Ciudad Juarez, Chihuahua, Mexico, Andres Payan Estrada is currently the senior curator at the Rubin Center for the Visual Arts in El Paso, TX.

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A celebration of Miles Davis’ 100th birthday with a focus on his groundbreaking album, Milestones.

Works of fine craft created to honor the legend and the legacy of jazz by Renee Wormack-Keels, Chief Baba Shango Obadina, Bruce Robinson, Larry Allen, Beverly Whiteside, William Agnew, Angelica Pozo, Lou Frederick, Lydia Thompson, Wendy Kendrick, Marvin Whistler, Kendall Glover, Cynthia Lockhart, Renee Hearn and Kelly & Kyle Phelps.

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Formerly known as the Smithsonian Center for Folklife and Cultural Heritage’s African American Craft Initiative, the renamed African African American Craft Alliance, brings craft artisans, makers and organizations together to encourage the vitality of African American craft, support efforts to document and present African American work, strengthen networks, and increase access to opportunities and resources.

The African American Craft Alliance began in 2020 as an Initiative of the Smithsonian Center for Folklife and Cultural Heritage to address the needs of the African American craft community through workshops, network building, documentation, and public programming. Beginning in 2024, the work has continued and expanded  as the African American Craft Alliance, supported by the Folk Education Network Alliance and working in partnership with a network of African American craft artists, regional and national craft organizations to support the needs and promote the visibility and vitality of African American craft and artists/craftpersons.

The AACA was  founded by textile artist scholar, Fulbright specialist, and Smithsonian curator alumnus, Dr. Diana Baird N’Diaye.

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What does it mean to be ikčé – to be common/ordinary?  In Lakota and Dakota thoughts, this term is often invoked to express humility, interconnectedness, and the foundation of everyday life. Lakota/Dakota artists and co-curators Molina Two Bulls, Graci Horne, Layli Long Soldier, Clementine Bordeaux, and mary v. bordeaux have engaged in dialogue with relatives, elders, culture bearers, and peers, gathering stories and insights that shape their creative responses.

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The Hunterdon Art Museum and the Red Mill Museum Village are proud to announce the Peace Flag Project: a fiber chain of hundreds of community-made flags displayed along the banks of the Raritan River and pedestrian bridge, symbolically linking the two museums in a landmark celebration of peace, unity and creativity.

By inviting the public to contribute to this crowd-sourced project, the role of shared making in fostering connection and belonging is emphasized.

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We are celebrating our 40th year of quilt-making and sharing our talents with our community in 2025.  Our 2026 Quilt Show will continue celebrating this momentous occasion along with the 250th Anniversary of the founding of our country.  With the theme “Every Quilt Tells a Story” we will show examples of our work from the 1980s to today and tell the stories behind each of over 200 items that are displayed in the show.

In addition we will have hourly demonstrations of a wide variety of quilt-making tips, plus lots of shopping opportunities with vendors and our Boutique Table & Country Store where you can purchase items, including quilts, that are handmade by our 100 talented members.

Special Exhibits will be presented by local chapters of the Embroiderer’s Guild of America, The Appliqué Society, Quilts of Valor, Ryan’s Case for Smiles, and our Comfort Quilts group.  The Comfort Quilts group makes and distributes walker & wheelchair bags, Adult clothing covers, lap quilts, pillow cases, and fidget quilts to local non-profit organizations, rehab facilities and nursing homes.

Our beautiful raffle quilt will benefit Ryan’s Cases for Smiles as well as our Education Committee so we can continue to educate the public with events like this.

Admission to the show for those over the age of 12 is $10 for one day, or $15 for a multi-day pass.

The show will be held from October 16-18, 2026 at the Upper Township Community Center, 1790 Route 50 in Tuckahoe, NJ (08270 for GPS).

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Celebrate the holidays and the 250th anniversary of American independence at the Red Mill Museum Village’s annual Festival of Trees. This year, each tree reflects on 250 years of America—through history, culture, and visions of the future.

The festival opens with the Winter Village holiday market, featuring artisan vendors, festive food, and Hands-On History demonstrations in blacksmithing, candlemaking, spinning, and more.

Proceeds support the museum’s preservation and educational programs.

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The Soul of Black Folks, featuring 50 artists of the Women of Color Quilters Network, celebrates the resilience and creativity of African American culture, utilizing quilts as a vehicle for healing, remembering and reclaiming narratives.

The quilts’ tactile and colorful qualities engage people emotionally through artist receptions, guided gallery tours and story quilt workshops.

The exhibition is organized by Carolyn Mazloomi, a nationally-acclaimed quilt artist, lecturer and founder of WCQN.

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The Women of Color Quilters Network is a non-profit organization founded in 1985 by Carolyn L. Mazloomi, a nationally-acclaimed quilt artist and lecturer, to foster and preserve the art of quiltmaking among women of color.

It supports its membership through presentations, shared technical information, grant writing, and other services. It offers quilts and fiber art by its members to museums for national and international exhibitions, and researches and documents African American quiltmaking.

Members’ quilts can be found in the permanent collection of museums such as the Smithsonian American Art Museum, Smithsonian African American Museum, Wadsworth Museum, and the Boston Fine Arts Museum. WCQN has been recognized by the International Labor Department in Geneva and the United Nations for its developmental programs to help advance women socially and economically.

WCQN educational programs and workshops present the benefits of quilting to audiences of all ages, income levels, ethnic background and learning abilities.

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In honor of MICA’s Bicentennial, the College will be holding a one-of-a kind celebration – the Fete of Lights gala will be an explosion of creativity – lighting up the community through art installations, lighting design, costuming and performance including a runway of artistic expression.

The Fête of Light is one of the most frequently remembered events and legendary for its inventive costumes and creative atmosphere and interior design of the space.

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Maryland Institute College of Art is a nationally and internationally recognized art and design institution with a deep commitment to the City of Baltimore and to the importance of the arts in advancing the cultural and economic development of the region.

The College enrolls 1700+ students in undergraduate, graduate and continuing studies classes in programs in art and design. MICA is celebrating its bicentennial in 2026 – and is working with the broad community to activate our commitment outlined in our mission to: EMPOWER students to forge creative, purposeful lives and careers in a diverse and changing world. THRIVE with Baltimore. MAKE the world we imagine.

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