The Fabric Workshop and Museum (FWM) is an internationally acclaimed contemporary art museum that works at the intersection of artistic innovation and creative collaboration. For nearly five decades, we have created and presented groundbreaking works of art through our Artist-in-Residence Program, which provides artists the opportunity to experiment with new materials, taking their work in fresh and unexpected directions.

Founded in 1977, FWM presents ambitious exhibitions that unite process with finished works. What began as an invitation for artists to experiment with fabric and screenprinting has evolved into a dynamic platform for creative exploration across sculpture, installation, video, photography, ceramics, and architecture. FWM’s collection preserves not only artworks and editions but also material samples, prototypes, and documentation, capturing the full arc of artistic production.

With free admission and hands-on learning, we inspire the public with the spirit of discovery, advancing art’s role as a catalyst for creativity and social connection.

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The Art Complex Museum is located in the historic town of Duxbury, Massachusetts, 33 miles south of Boston. It houses the impressive art collection of the Carl A. Weyerhaeuser family.

The collection includes over 8,000 art objects, including American and European prints, rare books, American paintings, Shaker furniture, Asian art, and additional treasures.

The museum offers a year-round schedule of exhibitions, featuring thematic shows from the permanent collection and shows by contemporary artists. Additional programming includes lectures, concerts, education programs, demonstrations and Japanese tea ceremonies, fulfilling the founders’ vision that their family’s many interests be shared with the community.

This unique venue offers visitors an inviting place for viewing and learning about art in an intimate and comfortable setting.

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Located in the heart of Washington, DC, the National Museum of Women in the Arts (NMWA) is the first museum in the world solely dedicated to championing women through the arts.

With its collections, exhibitions, programs, and online content, the museum seeks to inspire dynamic exchanges about art and ideas. NMWA advocates for better representation of women artists and serves as a vital center for thought leadership, community engagement, and social change. The museum addresses the gender imbalance in the presentation of art by bringing to light important women artists of the past while promoting great women artists working today.

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The UW–Madison Art Department is a national leader in the cultivation and production of creative expression and the visual arts. Our undergraduate and graduate degree programs set the practical, critical-thinking and collaborative foundation for students to excel in any area of artistic focus: painting, printmaking, graphic design, sculpture, ceramics, metalsmithing, glass, furniture-making, papermaking, photography, digital media, video, performance and more.

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Haystack connects people through craft.

The Haystack Mountain School of Crafts is an international craft school located on the Atlantic Ocean in Deer Isle, Maine. Founded in 1950 as a research and studio program in the arts, Haystack offers one and two-week studio workshops to participants of all skill levels as well as the two-week Open Studio Residency program, exhibitions, tours, auctions, artist presentations, and shorter workshops for Maine residents and high school students. In 2026, Haystack celebrates 75 years since the School’s founding.

We support visiting artists and scholars from a variety of fields, including science, literature, music, and the visual arts, who are invited to spend two weeks at the school focusing on their work. Haystack also functions as a ʻthink-tankʼ in looking at craft—publishing annual monographs and organizing a variety of conferences and symposia that examine craft in broader contexts. These include collaborations with other institutions such as the MIT Center for Bits and Atoms and the Cooper-Hewitt National Design Museum, Smithsonian Institution. The award-winning campus was designed by noted American architect Edward Larrabee Barnes and opened in 1961 when the school relocated to Deer Isle.

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Established in August of 2012, this comprehensive center for the study of South Carolina’s Native American peoples, their histories, and their cultures offers visitors the opportunity to view the single largest collection of Catawba Indian pottery in existence; study primary and secondary texts on Native Americans in the Southeast; participate in educational classes and programs; and observe archaeology, language, and folklore and oral history labs.

We develop curriculum and public programs that educate the public about Native American art and culture, with an emphasis on the Catawba and other Native communities in South Carolina. Students at USC Lancaster and visitors to our Center can learn about art, American Indian literature and culture, Native American archaeology, folklore, anthropology, and oral traditions.

Our Mission

The mission of USC Lancaster’s Native American Studies is to promote the documentation, preservation, appreciation, and study of Native American cultures and heritages. This mission is aided by courses and curricula, research projects, archival resources, exhibits, publications, and other public and educational programs and  materials developed by USCL faculty and staff. The Center works to dispel any stereotypes or existing misconceptions regarding Native Americans, their cultures, life ways, and languages.

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The Asheville Art Museum was founded in 1948 by a group of artists to champion the creativity of Western North Carolina (WNC), bring art of national significance to the community, and encourage dialogue. Through generations of experienced and dedicated volunteer and professional leadership, the Museum continues to realize its mission: to engage, enlighten, and inspire individuals and enrich community through dynamic experiences in American art of the 20th and 21st centuries.

The Collection houses over 8,500 works in all media, including regionally and nationally significant paintings and drawings, prints, photography, sculpture, craft and decorative arts, and focal collections of works by members of the Eastern Band of Cherokee Indians, Appalachian artists, Black Mountain College artists, traditional and studio craft, and regional architecture. The Museum has been particularly active in collecting historic and contemporary craft and studio glass with a focus on the Southeast and WNC.

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CraftNOW unites, celebrates, and supports the people, businesses, and institutions of the craft community of Philadelphia. Through education, curation and economic development, we work to continue Philadelphia’s vibrant history as a capital of craft- a place where craft is learned, created, seen, purchased, collected, and shared.

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Winterthur is the premier museum of American decorative arts, with an unparalleled collection of nearly 90,000 objects made or used in America since 1640. The collection is displayed in the magnificent 175-room house, much as it was when the family of founder Henry Francis du Pont called it home.

Winterthur is also 1,000 acres of protected meadows, woodlands, ponds, and waterways. The 60-acre garden, designed by du Pont, is among America’s best, with magnificent plantings and massive displays of color throughout the year. The graduate degree programs and extensive research library make Winterthur an important center for the study of American art and culture.

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The Rockwell Museum, in association with the Smithsonian Institution, tells the story of the evolving American experience through the work of American artists. Founded in 1976, The Rockwell is a community hub showcasing the diversity of American experience through compelling exhibitions and imaginative programs. The collection includes a mix of contemporary Native American art with traditional bronze sculptures, landscape paintings, and other works that embody America. Housed in the restored 19th-century Old City Hall building, The Rockwell is active in the local community and holds special events and educational programming with area schools. The Rockwell provokes curiosity, engagement, and reflection about art and the American experience.

The Museum’s campus includes the KIDS ROCKWELL Art Lab, located around the corner at 36 E. Market Street, featuring family-friendly activities, games, and hands-on projects connected to our exciting special exhibitions and collection of American artworks.

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Presenting, Promoting and Inspiring Creativity in Our Community

The Cabarrus Arts Council was founded in 1980 in response to the North Carolina Arts Council’s plan to establish a local arts council in every county. In 1982, the Cabarrus County Board of Commissioners selected the arts council to serve as its Designated County Partner, receiving and distributing Grassroots funding from the state and the state arts council.Today, the arts council programs and operates the Davis Theatre and The Galleries, conducts one of North Carolina’s largest art-in-education programs for both the Cabarrus County and Kannapolis City school systems, supports arts organizations and artists through grants and workshops, and serves as a catalyst and consultant for public and corporate art.

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Founded in 1921 by Castine summer resident and geologist Dr. J. Howard Wilson, the Wilson Museum invites you to forge connections across history, places, and cultures.

From million-year old fossils to Bagaduce River horseshoe crabs, from the tools of early humans to Castine’s local history, from the shores of Penobscot Bay to people around the world, the collections, exhibits, and programs at the Wilson Museum feed curiosity and provide multi-sensory, immersive learning experiences.

Visitors of all ages can tour an early Castine home, watch craftspeople and artisans demonstrate traditional skills and tools, and engage in hands-on learning.

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Founded in 1799, the Peabody Essex Museum (PEM) in Salem, Massachusetts, is the country’s oldest continuously operating museum. PEM provides thought-provoking experiences of the arts, humanities and sciences to celebrate the creative achievements and potential of people across time, place and culture. By connecting people through inquiry, empathy and dialogue, PEM encourages an understanding of our shared humanity and fosters a sense of belonging in a complex, ever-changing world. We build, steward and share our superlative collection, which includes African, American, Asian Export, Chinese, contemporary, Japanese, Korean, maritime, Native American, Oceanic and South Asian art, as well as architecture, fashion and textiles, photography, natural history and one of the nation’s most important museum-based collections of rare books and manuscripts. PEM offers a varied and unique visitor experience, with hands-on creativity zones, interactive opportunities and performance spaces. The museum’s campus, which offers numerous gardens and green spaces, is an accredited arboretum and features more than a dozen noted historic structures, including Yin Yu Tang, a 200-year-old Chinese home that is the only example of Chinese domestic architecture in the United States.

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Puʻuhonua Society is a Native Hawaiian women-led non-profit organization based in Honolulu, Hawaiʻi.

Active at the intersections of contemporary art, traditional cultural practices, environmental stewardship, and transformational education, Puʻuhonua Society creates opportunities for Native Hawaiian and Hawaiʻi-based creatives to express themselves and engage with diverse audiences.

Through six interwoven initiatives, we support those who serve as translators/mediators/amplifiers of social justice issues within communitie. Our primary efforts include:

• Aupuni Space an artist-run gallery, venue, and studios;
• Hoʻākea Source, a Regional Regranting Program Partner of The Andy Warhol Foundation for the Visual Arts;
• Hoʻomau Nā Maka o ka ʻĀina, a cataloging and public programming partnership aimed at preserving and making accessible Nā Maka o ka ‘Āina’s vital moving-image archive of over 6,000 tapes;
• KEANAHALA, an inclusive and collaborative weaving program that perpetuates the Native Hawaiian practice of ulana lauhala, pandanus weaving;
• KĪPUKA, a makers’ space and educational environment offering a series of classes and workshops that are focused around the transmission of ancestral knowledge and material practices;
• THE MUʻUMUʻU LIBRARY, a volunteer-run community closet, workspace, and gathering place; and
• NiUNOW!, a cultural agroforestry movement affirming the importance of niu and uluniu, coconut and coconut groves to the health and wellbeing of Hawaiʻi and its peoples.

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Nestled in the heart of the Blue Ridge Mountains, the Floyd Center for the Arts is a vibrant hub for creativity, learning, and community. Established in 1995 on the site of a former 1940s dairy farm, the Center has transformed the historic barn and surrounding buildings into galleries, classrooms, and working studios that serve artists and the public alike. Today, the campus offers exhibitions, workshops, and free community events that bring people together through the arts, including the annual Floyd Living Traditions Festival, which celebrates the region’s rich heritage of art, craft, and music. Through art education for all ages and abilities, scholarships, and a welcoming environment, the Center ensures that everyone has the opportunity to see, learn, and create!

Mission Statement:
The Floyd Center for the Arts connects people through visual arts, handmade craft, and music – honoring living traditions while embracing innovation.

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