Maryland Institute College of Art is a nationally and internationally recognized art and design institution with a deep commitment to the City of Baltimore and to the importance of the arts in advancing the cultural and economic development of the region.

The College enrolls 1700+ students in undergraduate, graduate and continuing studies classes in programs in art and design. MICA is celebrating its bicentennial in 2026 – and is working with the broad community to activate our commitment outlined in our mission to: EMPOWER students to forge creative, purposeful lives and careers in a diverse and changing world. THRIVE with Baltimore. MAKE the world we imagine.

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The Tyler School of Art and Architecture educates and inspires students to be active participants in society with the highest aspirations for creative and social achievement, individual expression, scholarly discovery and innovation.

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The Evergreen State College’s House of Welcome Cultural Arts Center is part of the House of Welcome, the first longhouse built on a U.S. College Campus. Our work as a public service center is to support and promote Native arts and cultures and engage with Indigenous cultures throughout the world.

We support studio arts specifically in fiber art and carving on our Indigenous Arts Campus which includes a fiber arts studio and a carving studio complex. The work includes college classes, short and long term arts workshops and residencies, locally. We also support a artist workshop program in Native American communities in a four state region including Washington, Oregon, Idaho and Montana. We provide grant support to colleges and universities who are seeking to improve or begin work in a similar fashion with Tribal artists from Tribal communities within their own service regions.

The Evergreen State College’s House of Welcome Cultural Arts Center is part of the Handwork 2026 Artist Residency Program, pairing master craftspeople, both local and national, with top educational institutions to teach specialized techniques, promote cultural dialogue, and explore American craft traditions.

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The Woodlands Arts Council (TWAC) is a 501(c)(3) nonprofit dedicated to enriching our region through cultural and educational programming that encourages, supports, and promotes the visual, performing, and literary arts.

As the producer of signature events—including the award-winning The Woodlands Waterway Arts Festival, the Texas Fine Craft Show, and the Young Makers Market, TWAC creates meaningful opportunities for people of all ages to celebrate, experience, and be inspired by creativity.

TWAC fulfills its mission through impactful year-round initiatives, including student art scholarships, microgrants, public art projects, and educational outreach programs. Over the past 20 years, the organization has reinvested more than $1.7 million into the community, thanks to the generosity of its community.

TWAC also operates a gallery open free of charge alongside a vibrant calendar of special events and programs throughout the year.

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Materials to Masterpiece invites visitors to explore the journey of traditional craft, from humble raw materials to refined works of art.

The exhibition reveals the transformation of natural resources by the hands of master craftsmen. Unfinished pieces will be featured alongside finished work to illuminate the process, skill, artistry, and vision behind each creation.

The League will showcase collaborations with traditional craft education programs in New Hampshire as a part of this exhibition.

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A jury session is a formal and rigorous evaluation for membership with the League of NH Craftsmen. League jurors not only demonstrate technical expertise but exemplify the “Spirit of the Maker” through their work, and serve as ambassadors for this historic organization.

Setting the Standard is a recurring exhibition featuring work from the League’s jurors. Masters in their respective media categories, these craftsmen represent the high standards of the organization in the work they produce.

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Berea College’s Student Craft program exists as part of the college’s Labor Program and is not part of a degree program. In addition to providing a tuition-free liberal arts education to all students, Berea College provides every student a work position. One hundred students have positions in Student Craft, where they learn about craft from start to finish, engaging in production, achieving quality control, selecting materials, managing deadlines and collaborating on design.

Craft students arrive with a wide variety of creative skills and experiences. Some have significant experience gained from family members, school, or community programs; others have their first formal exposure to a design-education experience after they arrive. Regardless of students’ background or academic major, staff provide them with the education, skills and tools needed to engage in the design and creation of hand-crafted objects in five areas: Weaving, Woodcraft, Broomcraft, Ceramics and Outreach. In addition, Student Craft supports fellowship and artist-in-residence programs and classes given by the Woodworking School at Pine Croft that spread the College’s commitment to craft beyond the Berea College community.  All of these elements combine to make Student Craft an offering like no other.

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The Clay Studio is proud to present Our Community, a biennial, open call exhibition that highlights the inspiring work being made by artists who are part of The Clay Studio as Students, Associate Artists, Interns, Staff, Board, and Teaching Artists.

The work on view encompasses the range of what inspires our artists, including: global cultures, traditional techniques, 3D printing, slip casting, installation art, humor, and political activism.

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Pratt Fine Arts Center, founded in Seattle’s Central District and named for civil rights leader Edwin T. Pratt, has been a creative hub for 50 years. Offering year-round, affordable classes and studios, Pratt supports artists of all ages and skill levels. Disciplines include glass, sculpture, jewelry, paper, and 2D media. This exhibition features work by Pratt students, instructors, board members, and staff, reflecting the center’s vibrant and inclusive arts community.

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Co-Curator Robin Little Wing Sigo (Suquamish Tribe) partners with BIMA to present a survey of Indigenous (Native American and First Nations) craft artists, working in traditional and contemporary forms. Media will include fiber/textiles, wood carving, ceramics, glass, and jewelry art. Wearables will include both ceremonial regalia and fashion items.

More than twenty artists who have lived and worked in the Salish Sea region are featured, including Larry (Ulaaq) Ahvakana, Peg Deam, Joe Feddersen, Denita and Joey Holmes, Barbara Lawrence, Betty Pasco, Preston Singletary, and Jennifer Angaiak Wood.

Sigo is the Director of the Suquamish Research & Strategic Development Department, which includes the Suquamish Foundation. She has advised and assisted BIMA with previous Indigenous exhibitions and programs, and is on BIMA’s Advisory Council. Indigenous Craft is the fourth major Indigenous exhibition BIMA has produced since opening in 2013.

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The Puget Sound region is rich with educational and studio-based resources for artists. This group exhibition is curated with members of regional Craft-based programs and professional groups.

These include Bainbridge Artisan Resource Network (BARN), Bainbridge Arts & Crafts, BIMA, Bloedel Reserve, Hilltop Artists, Lakeside School, Museum of Glass, Northwest Designer Craftartists, Seward Park Clay Studio, and Suquamish Tribe.

Artists include:

• Kristina Batiste
• Jacob Foran
• Peter Jacobsen
• Ian Lawrence
• Jacki Moseley
• Anna Nardelli
• James Nelson
• Lynnette Sandbloom
• Stephanie Tayengco

The adjacent gallery features select craft artworks from BIMA’s Permanent Art Collection.

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Silver River Center for Chair Caning is making a big comeback in 2026!

Join us for an open house at our new location in Weaverville, NC. Saturday January 18, 2026 from 12-4pm.

We will be celebrating our new instructional book, The Woven Chair, and geeking out in our museum which is finally unpacked after a devastating flood in Fall 2024.

We will be launching community classes each month on a sliding scale to celebrate. 

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American Craft Fest is the summer’s best opportunity to discover craft from across the region.

Participate in fun hands-on activities for all ages led by local arts partners, shop handmade work by early career artists, and enjoy food and beverages from local vendors.

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There is a continuum where beauty and function blend and diverge in the hands of the contemporary artist.

Even when traditional materials such as thread, fabric, wood, reed, and paper are used, these artists combine skill, imagination, and vision to meld their materials into compelling and beautiful art which resonates in today’s world.

Artists were invited to participate in this conversation between media to illustrate the continuum between beauty and functionality.

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Rooted in childhood memories of Cleveland’s industrial landscape and the burning Cuyahoga River of 1969, Mo Kelman’s sculptures merge water’s shifting forms with the stark geometry of steel and bridges.

Using simple, tactile materials, Kelman explores the tension between nature’s unstoppable force and human engineering.

These works celebrate craft, resilience, and transformation, revealing both the beauty of construction and the inevitability of nature’s power.

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