The Smithsonian Women’s Committee is an all-volunteer auxiliary organization within the Smithsonian Institution.  To fulfill its mission of supporting the Smithsonian, the Committee produces the spring Smithsonian Craft Show as well as Craft2Wear, a fall show.

The Craft Show is a premier showcase for the finest American hand-crafted contemporary craft and design. Held in Washington, DC, annually, the Craft Show features a show and sale of works by 120 superb craft artists who are selected by independent jurors.  Also at the Craft Show, the Smithsonian presents its Visionary Award to a craft artist who is at the pinnacle of his or her medium.

The Craft2Wear show provides collectors and casual shoppers the opportunity to acquire unique and interesting wearables created by outstanding craft artists. Proceeds from both shows are used to fund grants to the Smithsonian for its museums, research centers, and the National Zoo.

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In Alaska, repair culture can include innovation, adapted design, or alternative repair materials, as our location often dictates thinking “outside the box.”

Learn from expert innovators, artists and repairers and consult with them on your own items in need of attention: from beloved textiles and clothing to furniture and household items.

Repair & Reuse workshops aim to transform our culture into one that repairs more readily than it purchases to create a more sustainable community.

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Slow down, cozy up, and lean in during this week of workshops and gatherings highlighting slow craft, repair, and handwork.

From stitchwork and knitting to letterpress and repair sessions, join in free skillshares and explore repair techniques and innovative adaptations.

Hosted at Seed Lab, a project of the Anchorage Museum, Slow Craft Week creates a community space of makers in the dark northern winter season for local community to gather, share craft and practice joy.

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Established in 1793, Lowell’s Boat Shop is the oldest continuously operating boat shop in the United States and is cited as the birthplace of the legendary fishing dory. Lowell’s is the only remaining survivor of Amesbury’s world-renowned dory manufacturing industry that produced in excess of a quarter of a million dories over a period of two centuries. We are a National Historic Landmark.

In its third century of operation, Lowell’s Boat Shop is both a working boat shop and a museum, and the preservation of each part is essential to our mission. We continue to build dories and skiffs for clients in the time-honored tradition of seven generations of the Lowell family that owned and operated the Boat Shop. The rich history of the building, collections, and our role in the community are conveyed through woodworking classes, our Apprentice program, programming for local schools, lively social gatherings, partnerships with other local museums, our YouTube channel, and the fleet of watercraft available for members who row their river.

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This premier Nashville tradition celebrates and supports American handmade crafts on the lawn in Centennial Park. Shop unique, finely crafted artwork directly from juried, award-winning Tennessee artists. You’ll meet the artist, learn what inspires them, and discover how they take raw materials and transform them into fine crafts.

In addition to the high-quality crafts, visitors enjoy hands-on activities in our Kids’ Tent, local food vendors, and demonstrations from professional artisans.

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Every fall this premier Nashville event celebrates and supports handmade American crafts at Centennial Park.  Shop one-of-a-kind, finely crafted artwork directly from juried, award-winning artists from across the country.  Meet the artists and learn what inspires them. Discover how they transform raw materials into fine crafts.

In addition to the high-quality crafts, visitors enjoy hands-on activities in our Kids’ Tent, local food vendors, and demonstrations from professional artists.

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The Best of Tennessee Craft exhibition is a state-wide, juried, biennial exhibition presented by Tennessee Craft, the most visible and respected craft organization in the State. The exhibition celebrates contemporary and traditional crafts and showcases the high standard of excellence and design among Tennessee craft artists.

We are honored to be partnering with the Art Museum of the University of Memphis for this prestigious biennial event.

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On July 18-19, 2026, the American Craft Council will launch National Craft Open Studios Weekend — a first-of-its-kind, nationwide celebration inviting the public into the creative spaces of more than 1,500 craft artists across the country.

This two-day event will offer guests a rare glimpse into the processes, tools, and inspiration that shape how handmade works are made, and provide artists critical support in their sales season.

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Material Curiosity by Design: Evelyn & Jerome Ackerman explores the legacy of mid-century designers Evelyn and Jerome Ackerman alongside new works by Porfirio Gutiérrez, Jolie Ngo, and Vince Skelly.

Celebrating bold design and California modernism, the exhibition highlights ceramics, textiles, mosaics, wood, and metal. As part of the show, Craft Contemporary’s Maker-in-Residence program transforms the second floor into an active studio with rotating residencies by Piece by Piece and Vince Skelly.

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In celebration of Handwork 2026, Maryhill Museum of Art’s regular display of Russian and Greek Orthodox icons will also include bultos and retablos by contemporary New Mexican santeros.

These three- and two-dimensional religious images include works by Charles M. Carrillo (American, b. 1956), Gustavo Victor Goler (American [b. Argentina], b. 1963), and other artists.

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During 2026, Maryhill Museum of Art’s Indigenous Peoples of North America Gallery will feature contemporary works by Cara Romero (Chemehuevi, b. 1977), Pat Courtney Gold (Wasco/Tlingit, 1939–2022), and other artists. Its overall display of 750+ items showcases baskets from throughout the United States and beadwork from the interior Pacific Northwest.

Newly installed cases featuring objects from the Great Basin, Woodlands/Great Lakes, and Plains are also on view.

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Mentors + Apprentices: Work from the 2026 Craft Apprentice Program.

The Maine Crafts Association, in partnership with the Maine Arts Commission and the League of New Hampshire Craftsmen, announce the opening of the 11th annual Craft Apprentice Program Capstone Exhibition at Watershed Center for the Ceramic Arts, opening October 2, 2026 from 5-7pm.

The exhibition features new work made over seven months by mentors and apprentices in Maine and New Hampshire.

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The Anchorage Museum is a place of ideas and transformation, narratives and perspectives, and resilient and relevant communities, responsive to a rapidly changing world toward a better future for all.

Our mission is to be a museum for people, place, planet, and potential, in service of a sustainable and equitable North, with creativity and imagination for what is possible.

Located in downtown Anchorage, Alaska, the museum sits on the traditional homeland of the Eklutna Dena’ina and is committed to recognizing and honoring the land, culture, and language of the Dena’ina people.

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The American Swedish Institute is one of the leading museums and cultural centers in Minnesota offering transformative arts and culture experiences centered around learning, reflection, and collaboration. Explore our historic Turnblad Mansion, Minnesota’s only castle—a must-see gem on the National Register of Historic Places.

Discover Nordic art and craft and immerse yourself in our museum exhibitions and collections of Swedish American culture and history. Learn about our variety of art, handcrafts, food, language programs, and more through workshops and events for all ages.

Your experience won’t be complete without browsing our unique items in our museum gift shop and dining at ASI’s award-winning restaurant FIKA Café featuring a seasonally inspired New Nordic menu.

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Intuit Art Museum (IAM) champions the diverse voices of self-taught art, welcoming both new and familiar audiences.

Located in Chicago’s West Town neighborhood, Intuit is a premier museum of self-taught art. IAM collects and exhibits work by artists who often work outside the mainstream due to societal, economic, or geographic barriers that have prevented them from pursuing formal training in the arts. Yet, they have developed a sustained artistic practice.

The museum’s mission is grounded in the ethos that the instinct to create is universal, and the arts must embrace, represent and be accessible to all.

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