Scholastic Art is a classroom magazine for middle and high school students. It is designed to inspire creative self-expression through the exploration of art history and contemporary art. This resources makes art relevant and accessible to students with teen-friendly texts that span movements, eras, and cultures.

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Scandinavia House: The Nordic Center in America is the leading center for Nordic culture in the United States, offering a wide range of programs that illuminate the culture and vitality of Denmark, Finland, Iceland, Norway, and Sweden. It is the home of the American-Scandinavian Foundation (ASF), an American non-profit organization offering fellowships, grants, intern/trainee sponsorship, publishing and memberships. ASF is the organizer of “Nordic Echoes — Tradition in Contemporary Art,” the first major traveling exhibition of contemporary Nordic folk arts and cultural traditions from the Upper Midwest. On view at Scandinavia House in 2025, the exhibition will travel to the South Dakota Museum of Art in Brookings, SD (October 2025-January 2026), the American Swedish Institute in Minneapolis, MN (February-June 2026), and Vesterheim in Decorah, IA (October 2026-January 2027), and other locations in 2027.

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The Alfred Ceramic Art Museum at Alfred University houses nearly 8,000 ceramic objects ranging from small pottery shards recovered from ancient civilizations to modern and contemporary ceramic art.

The primary mission of Alfred Ceramic Art Museum is to collect, preserve, conserve, research, interpret and exhibit ceramic art for aesthetic and educational purposes.

The museum is a research and teaching facility, which offers an engagement in cultural history via ceramic art to the student, artist, scholar and collector as well as the local, national and international community.

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Brooklyn Metal Works (BKMW) is a non-ferrous metal art studio that offers professional workspace for the development of art, objects, and jewelry. In addition we offer concept and technique based classes and workshops for all levels of learning. Our exhibition space and artist lecture series promotes artists, designers and makers from the metalsmithing field and beyond. Our studio prioritizes creating a safe and sustainable working and learning environment, complete with a wide inventory of tools and equipment. Responsible studio practices and stewardship of resources are at the core of our vision.

Our collaborative setting is designed to foster exploration, encourage experimentation, and strengthen the knowledge base of all involved. Brooklyn Metal Works promotes and furthers critical dialogue among those who practice, write, and invest time and energy into the field of jewelry and metalsmithing.

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The Corning Museum of Glass is an independent, not-for-profit museum dedicated to the exploration and exhibition of glass.

Since its founding in 1951, the museum has grown to steward the world’s most comprehensive and important collection of glass objects, including: contemporary sculptural marvels from artists like Dale Chihuly, Lino Tagliapietra, and Toots Zynsky; groundbreaking scientific innovations like the 200-inch telescope lens casting; and 35 centuries of glass and glassmaking.

The Museum welcomes over 300,000 annual visitors, offering daily live demonstrations and glassmaking experiences for all ages.

The Studio of the Corning Museum of Glass uses state-of-the-art glassmaking spaces to advance glassmaking education and support new ideas, forwarding the world of glass art, and the Rakow Research Library maintains and grows a record of glass history while supporting today’s researchers.

The museum strives in all aspects to achieve its mission of inspiring people to see glass in a new light. 

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Mission Statement

Dieu Donné is the leading non-profit cultural institution dedicated to serving emerging and established artists through the collaborative creation of contemporary art using the process of hand papermaking.

Programming

Dieu Donné was founded in 1976 by Susan Gosin and Bruce Wineberg to explore the untapped potential of hand papermaking as an art medium. We introduce artists from a wide variety of practices to the creative possibilities in hand papermaking, fostering experimentation and creating innovative works of art. Our work is realized through extensive collaborations with artists. We strive to teach a new visual language, providing a transformative experience that often leads to artistic breakthroughs. We share this work with the community through our gallery, public and educational programs.

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The Museum of Arts and Design (MAD) champions contemporary makers across creative fields and presents the work of artists, designers, and artisans who apply the highest level of ingenuity and skill. Since the Museum’s founding in 1956 by philanthropist and visionary Aileen Osborn Webb, MAD has celebrated all facets of making and the creative processes by which materials are transformed, from traditional techniques to cutting-edge technologies. Today, the Museum’s curatorial program builds upon a rich history of exhibitions that emphasize a cross-disciplinary approach to art and design, and reveals the workmanship behind the objects and environments that shape our everyday lives. MAD provides an international platform for practitioners who are influencing the direction of cultural production and driving twenty-first-century innovation, and fosters a participatory setting for visitors to have direct encounters with skilled making and compelling works of art and design.

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The Parsons MFA Textiles program is a vibrant hub of creativity in New York, where ideas grow through hands-on textile making. Our studio is a community of mindful artists and designers. We promote authenticity, originality, and innovation, channeling the power of textiles to transform art, design, and industry. In this interdisciplinary program, we merge craft and hi-tech to address issues of justice, sustainability, well-being, and beauty in the world through textiles.

Students explore fiber and materials, weaving, knitting, 3D printing, dyeing, pattern design, and embellishment, while connecting these practices to the social, cultural, environmental, and emotional dimensions of textiles throughout time. Learning extends beyond the classroom into NYC’s textile studios and design ateliers, while personalized mentorship supports each student’s creative and technical voice. Welcoming makers, researchers, and designers from diverse backgrounds—including fashion, interior and product design, fine arts, and architecture—to join us in shaping the future of textiles.

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The Rockwell Museum, in association with the Smithsonian Institution, tells the story of the evolving American experience through the work of American artists. Founded in 1976, The Rockwell is a community hub showcasing the diversity of American experience through compelling exhibitions and imaginative programs. The collection includes a mix of contemporary Native American art with traditional bronze sculptures, landscape paintings, and other works that embody America. Housed in the restored 19th-century Old City Hall building, The Rockwell is active in the local community and holds special events and educational programming with area schools. The Rockwell provokes curiosity, engagement, and reflection about art and the American experience.

The Museum’s campus includes the KIDS ROCKWELL Art Lab, located around the corner at 36 E. Market Street, featuring family-friendly activities, games, and hands-on projects connected to our exciting special exhibitions and collection of American artworks.

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