ENTWINED explores a dynamic balance of light, form, texture, and transformation through the work of longtime creative partners Bob Mosier and Karen Fearon.

The married couple presents a rich artistic dialogue between two artists whose individual practices have evolved into a shared creative language.

Through intricate thread paintings, expressive drawings, paintings, and assemblages, ENTWINED invites viewers to experience perception, process, and the yin and yang of creativity.

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The Galleries at Moore College of Art & Design present the 2026 Juried Alumni Biennial, on view June 13 – August 29, 2026.

Featuring work by Moore alumni across generations and disciplines, this exhibition celebrates the enduring importance of the handmade. From traditional techniques passed down through generations to contemporary interpretations that push material and conceptual boundaries, the works on view reflect the creativity, skill and care that define craft today.

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Create a coiled pine needle basket while learning dyeing, advanced stitches, and embellishments. No experience needed, and all materials are included.

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Create a functional coiled pine needle basket while learning to start, stitch, and finish your piece. No experience needed, and all materials are included.

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Presented in partnership with the Sun Valley Museum of Art and Handwork 2026, this celebration will spotlight the exceptional craftswomanship that has long defined life in the Mountain West, honoring the creators who keep these traditions vibrant and alive.

True to Western spirit, these artists are opening their corral to the community through a public exhibition, hands-on learning, and conversations that explore their deep ties to the land they call home.

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Quiet Reserve: Stitching an Ambitious New Woman explores embroidery at H. Sophie Newcomb Memorial College as both artistic expression and career training. Featuring “art needlework” inspired by nature and daily life, the exhibition highlights how Newcomb expanded opportunities for Southern women in the decorative arts and promoted ideals of the “New Woman.”

Curated by Sarah Brokenborough, the exhibition is supported in part by the Decorative Arts Trust’s Dean F. Failey Grant.

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The Waterford Craft School offers hands on heritage craft workshops, mini workshops, and summer camps in the National Historic Landmark village of Waterford, Virginia. Through one and two day classes, students learn directly from skilled artisans and master instructors while exploring traditional crafts and building arts in a unique historic setting.

A program of the Waterford Foundation, the Craft School supports the Foundation’s educational mission by connecting students with makers and helping preserve traditional skills for future generations. The Craft School also partners with the Waterford Fair to provide opportunities for artisans to teach, demonstrate, and share their craft with the public.

Workshops are offered in a variety of lengths and skill levels, with most classes designed for adults ages 18 and older. Foundation members help support the preservation and educational work of the Waterford Foundation and make programs like the Craft School possible. Join us and learn a new skill while helping keep traditional crafts alive.

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The Waterford Fair is the Mid Atlantic’s premier fall festival, featuring heritage and contemporary craft artisans, living history, a juried art show, historic home tours, local food and drink, and entertainment for all ages.

Held in the National Historic Landmark village of Waterford, Virginia, just 55 minutes from Washington, DC, the Fair supports the preservation and educational mission of the Waterford Foundation, a 501(c)(3).

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The Galleries at Moore support Moore College of Art & Design’s educational mission and role as a cultural leader by providing a forum for exploring contemporary art and ideas, and enriching the artistic and intellectual climate of the college, the Greater Philadelphia community, and beyond.

As a gateway between the College and the city of Philadelphia, The Galleries are a catalyst for creative exploration, experimentation and scholarship and function as a gathering place to meet, reflect, learn, challenge, and create—our commitment to academic, artistic, and curatorial freedoms is evidenced through our inclusive and innovative programming, all of which is free and open to the public.

The Galleries build community through dialogue and participation, and inspire an appreciation for the visual arts as a vital force in shaping contemporary culture.

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Belger Arts is pleased to present Beat the Heat, an exhibition that explores the freedoms and limitations that emerge during the intense summer heat.

Each artist addresses a key aspect of the summer experience—whether it’s vibrant nightlife, exploring the outdoors and urban environments, or finding moments of calm amid the season’s frenzy. Together, they consider the central question: “What Beats the Heat?”

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Letters are glyphs representing ancient archetypes. In this workshop, we explore peculiarities of a single glyph/letter using water-based inks in a constructed accordion book.

Both the book and the print are in the service of expanding the graphic possibilities inherent in the repetition of one single letter form through placement, scale, and color.

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The Red Mill Museum Village and the Hunterdon Art Museum, in collaboration with Handwork 2026, invite the public to celebrate the opening of “The Peace Flag Project,” hundreds of handmade flags displayed along the Raritan River and pedestrian bridge.

The public is invited to the dedication ceremony, Sunday, June 14th at noon on the Main Street Bridge.  Following the ceremony, both mills will have public programs emphasizing crafts, community and the State of New Jersey’s 250th anniversary.

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Bringing together a thoughtfully curated gathering of artisans for a three-day celebration of art, handcraft, and creativity.

Inspired by the Arts & Crafts movement, the Marin Arts & Crafts Show highlights handcraft, thoughtful design, and traditional techniques. More than 200 artisans present a wide range of work, including jewelry, ceramics, textiles, woodwork, fine art, furniture, decorative objects, and artisan foods.

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Proximity and Practice features work by Ceramic Resident Artists Sara Alfieri, Erin Drake, Hunter Guidoboni, Zoey McLeod, Hannah Schelb, and Warren Van Ryzin, and, for the first time, work by Glass Resident Artists Michael Carson and Tyler Suter.

Over the past year, these eight artists have pushed their studio practices, exploring how proximity—or lack thereof—shapes their connections to family, community, online spaces, and the physical world.

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